Tracklist
Untitled | 6:44 | ||
Untitled | 3:52 | ||
Untitled | 6:41 | ||
Untitled | 4:43 |
Credits (5)
- Nilz*Lacquer Cut By
- Richie HawtinPerformer [Construction And Reduction], Producer
- B. Blank*Written-By
- D. Meier*Written-By
- R. Hawtin*Written-By
Versions
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13 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
Minus Orange 12", 33 ⅓ RPM, Special Cut, Black Sleeve | M_nus – ORANGE | Europe | 1998 | Europe — 1998 | Recently Edited | ||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, Blue Sleeve | M_nus – ORANGE | Canada | 1999 | Canada — 1999 | |||||
Orange CD, Minimax, Single | M_nus – none | Canada | 1999 | Canada — 1999 | Recently Edited | ||||
Minus Orange 12", 33 ⅓ RPM, EP, Limited Edition, Special Cut, White Label | M_nus – ORANGE | 1999 | 1999 | Recently Edited | |||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, Orange Sleeve | M_nus – M_NUS ORANGE | Canada | 1999 | Canada — 1999 | Recently Edited | ||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, White Sleeve | M_nus – M_NUS ORANGE | Canada | 1999 | Canada — 1999 | Recently Edited | ||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, White Sleeve | M_nus – ORANGE | Canada | 1999 | Canada — 1999 | Recently Edited | ||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, Orange Sleeve | M_nus – M_NUS ORANGE | Canada | 1999 | Canada — 1999 | Recently Edited | ||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, White sleeve | M_nus – M_NUS ORANGE | Canada | 1999 | Canada — 1999 | New Submission | ||||
Minus Orange 4×File, MP3, 320 kbps | M_nus – Minus Orange | Canada | Canada | ||||||
Minus / Orange 12", 33 ⅓ RPM, Limited Edition, Special Cut, Test Pressing, White Label | M_nus – none | Canada | Canada | Recently Edited | |||||
Minus Orange 12", 33 ⅓ RPM, Special Cut, White Sleeve, Blue Logo | M_nus – ORANGE | Canada | Canada | Recently Edited | |||||
Minus Orange 4×File, WAV | M_nus – MINUSORANGE1 | New Submission |
Recommendations
Reviews
- Release date of 1999 most likely wrong, as the sleeves minimal black line company logo design crept into Minus releases a few years later into the 00's... this is a later re-issue.
- Prior review is correct on pulling original for flair. Old as it is this thing can weave in and out of a great set like Ferris in a Ferrari... sorry.
- Do people really pay much more for the same vinyl edited in '99 with the same reference just to have blue or orange sleeve?
- Oh yeah! Love hawtins use of oh yeah. Classic! Sure to keep em trainspotting. Of course you gotta pull the original to add some flair.
- You can find the record cover also in pure orange. After all these years an outstanding record. And by the way, it contains a Yellow sample. So why is it called Orange?
- A1 is one the greatest bangers track of all time. First heard Jon Berry play this in Manchester. The massive reverb on that rim shot just sounds incredible on a big sound system.
Probably not quite as good as his Plastikman days, but the way he deconstructed all the Yellow samples in to something like this is pretty amazing. - That repeated "Oowh" is my favorite part, very driving and energetic. Richie is the master of building up grooves with striped-down naunces. His soundscape is so original and unique which always give you a "this is richie" feeling. I found on the internet a Magda remix of the track but I seriously doubt if it's authentic, because it's really not very good compared to what's in this release.
Although I love Richie's new works, I think there hasn't yet anything mind-blowing compared to the "Plastik man" era.
- Edited 18 years agoA driving slice of funky techno, ultimately derived from Yello's classic "Oh Yeah". Some of the versions have a vocal sample from that track, a repeated "Oowh" that drives the track on, while others strip the mix right down to beats, stabs and effects in different combinations. Clever and energetic. Richie used it to great effect on his own "Decks EFX and 909" mix CD. The alternate release "Minus Yellow" is closer to the Yello original, retaining four notes of the bassline instead of just two, but is also handy to augment this one in the mix, containing several loops in addition to the main track.
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