Bedrock Feat. KYO – For What You Dream Of...

Absolute classic - and the amazing thing is, 10:51 long and it doesn't even start the bass until 2:40 into the track... main vocal doesn't begin until 3:40!

First came to light on Sasha's "givin it up" Kiss FM 3 hour mix in Feb 1993. Diggers made a guest appearance and played the original white label mix that at the time he called "The 5th Essence". This was without a doubt was the first mix, minus the vocals and has a different arrangement but I have no doubt became "For what you dream of"...worth listening to this mix on mixcloud.

Amazing tune - Digweed and Muir sampled https://www.discogs.com/Mysterious-You-Gave-Me-Love/release/262809 (You gave me loop)as the inspiration for the drum loop intro to this tune.

Screams trainspotting, which isnt a bad label considering how epic the film is, but as a dance music fan since 1997, I had never heard this out until Bedrock's 12 birthday at Brixton academy in 2010. Already had 2 hours of Carl Cox, 3 of Marco Bailey then Digweed comes on and tears the place apart. This was his encore one more and fuck me the place exploded. Never heard it out ever before, or ever since and I think i would like to keep it that way considering how mental everyone went when this came on. And with the Brixton Academy soundsystem, you can imagine how awesome it sounded.

OG Renaissance mix retains its 'ultimate' status but the Beach House mix here is quality 'round-midnight club filler indeed. The sort of tune you might go past because its not amazing on first listen, but it's always wise to keep some of these tracks on hand for extended house sets..

The Future 101 mix hasn't aged very well sonically, and would barely stand up in a prog set today. It sounds too 'remix-y' and has no real magic of its own.

This pressing is also a particularly satisfying shade of blue, so there's that too I guess!

Job Jobse dropped this at the Beacon Festival By Night programme here in Auckland last weekend. Having loved this song since I first encountered it watching Trainspotting almost a quarter of a century ago, this was intensely meaningful to me.

I highly recommend both the tune and Job Jobse.

Pure class from start to finish. No matter what your preference (House, Techno or Trance), you have to bow to the sheer power of the Full On Renaissance mix.

While it's clearly a blueprint for true Progressive House, it was respected right across the board.

Smooth vibes to please House aficionados, hard energy to appease the Techno crowd, enough melody to satisfy the burgeoning Trance scene.

Sublime.

This is the mother of all prog-trance anthems. It is unbelievably driving and energetic and is incredible to think it's now 25-years old. The 'Full on Renaissance' mix truly is tear-jerking stuff.

Rather unusually, for the time, Digweed & Muir eschewed the typical 'little girl lost' ethereal vocals that graced the majority of prog/early epic house in favour of the powerhouse lungs of Carol Leeming, who you may be familiar with from 'Joy' by Staxx. And that is what lends 'For What You Dream of' a true uniqueness; never mind the ad-lib and piano arpeggios towards the end. Gives me shivers just thinking about it.

This track will truly never die. We'll all be sat here in another quarter of a century's time banging on about how contemporary-sounding it is, and how they really don't make 'em like this anymore. Which they don't.

Massive track, that simply rocks, from the moment the track starts you know you are in for something special and it doesn't disappoint, with its big bold beats, synth rifts that evolve through the track, driving rhythms, epic breakdowns, piano and of course the vocal. The big sound, feel and energy of this track make it almost the perfect club track. Huge huge track, and one of my all time favorites.

I couldn't agree more, bona-fide classic, whatever style of house/prog/trance you want to it, defies silly sub genres.