Tracklist
One Side | |||
Foreign Trips | 3:57 | ||
The Darkness Revisited | 4:20 | ||
& The Other | |||
Orbital Ways | 4:20 | ||
The Original | 4:18 | ||
The Tape | 4:14 |
Credits (3)
- De Wulf Frank*Composed By
- No-Ice ProductionsDesign
- HPF Records*Producer, Edited By
Versions
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4 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
![]() | The B-Sides Volume Three 12", 33 ⅓ RPM, 45 RPM | Music Man Records – MMI 9008 | Belgium | 1990 | Belgium — 1990 | Recently Edited | |||
![]() | The B-Sides Volume Three CD | Music Man Records – MMI 9009 | Belgium | 1990 | Belgium — 1990 | Recently Edited | |||
![]() | The B-Sides Volume Three 5×File, FLAC | B-Sides (2) – BSIDES 004 | Belgium | 2010 | Belgium — 2010 | New Submission | |||
![]() | The B-Sides Volume Three 5×File, MP3, 320 kbps | B-Sides (2) – BSIDES 004 | Belgium | 2010 | Belgium — 2010 | New Submission |
Recommendations
Reviews
- Edited 2 months agoIn 1990 you were a happy camper to find records like this. I still love the sound from this era and '91 - things changed a lot by 92. A specific moment in time in underground dance. Snap it up - this is still proper warehouse music that bangs - due to proper production and mastering (and pressing) - which makes all the difference. Orbital Ways has an Adonis-style acid-era bassline that stands out among the Belgian vibes on other cuts - killer gem. The Tape was very inspirational to future FDW cuts and classics like Beltram's Energy Flash.
- Edited 4 years agoAll about The Tape. Such a good riff. . . .the intro was taken off Apocalypse Now.
- Edited 15 years agoThe copy i have of this is labeled correctly but has , foreign Trips ,The darkness Revistited on both sides.2 tracks on each side .Obviously a pressing mistake..
Is there any more out there ??? - Edited 17 years agoThis EP contains 'The Tape' which is one of my fave FDW tracks. It starts with a sample from Apocalypse now and follows with a fantastic spiralling loop which charachterises the track. Great use of a saxophone sample (which i usually hate in dance tracks) and rumbling bassline. More on the house tip rather than the big rave noises he likes to use. Every time i heard this one played out it was always played from the beginning unmixed. Still played by myself as it has dated very well.
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Recently Edited
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For sale on Discogs
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Videos (10)
EditLists
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