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Banabila* – VoizNoiz - Urban Sound Scapes
Genre: | Electronic |
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Style: | Abstract, Breaks, Experimental |
Year: |
Tracklist
Ba-bylon | 1:22 | ||
Voiz III | 4:11 | ||
Do Something About It ! | 2:40 | ||
Milos Came By | 2:31 | ||
Sorokin-blues | 2:42 | ||
New Circles | 3:32 | ||
Mono / metro | 3:12 | ||
Urban Scapes | 3:27 | ||
Voiz IV | 2:47 | ||
Adventures Of Bob Badoubah | 3:12 | ||
Where ? | 2:38 | ||
Azmignie | 2:11 | ||
Da Boubelli | 3:20 | ||
Voiz V | 3:26 | ||
Hosanna | 2:19 | ||
Wonderful Mistakes | 1:58 |
Credits (6)
- Hans De WittArtwork By
- Joost MaaskantArtwork By
- Banabila*Artwork By
- Philémon MukarnoEdited By
- Jacky van DijkPhotography By
- Banabila*Producer
Versions
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6 versions
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![]() | VoizNoiz - Urban Sound Scapes CD, Album | Steamin' Soundworks – STEAM 99001, Steamin' Soundworks – 5 20777 2 | Netherlands | 1999 | Netherlands — 1999 | New Submission | |||
![]() | VoizNoiz CD, Album | Pork Recordings – PORK 073 | UK | 2000 | UK — 2000 | Recently Edited | |||
![]() | VoizNoiz CD, Album, Reissue | Tone Casualties – TCCD0053 | US | 2001 | US — 2001 | Recently Edited | |||
![]() | VoizNoiz CD, Album, Unofficial Release | Pork Recordings (2) – PORK 073 | Russia | 2001 | Russia — 2001 | New Submission | |||
![]() | VoizNoiz - Urban Sound Scapes 2×LP, Album, Deluxe Edition, Limited Edition, Reissue | Steamin' Soundworks – STEAM2018-1 | Netherlands | 2018 | Netherlands — 2018 | New Submission | |||
![]() | VoizNoiz 20×File, MP3, Album, Reissue 320 kbps | Tapu Records – TR2020-1 | Netherlands | 2020 | Netherlands — 2020 | New Submission |
Reviews
referencing VoizNoiz (CD, Album, Reissue) TCCD0053
A bizarre little album that came completely out of leftfield and stayed there. <I>Voiz Noiz</I> is cut-up, abstract trip-hop -– if such a thing is possible. The majority of the album is composed of seemingly random vocal snippets, complemented by beats and music. The effect is jarring, but also strangely compelling. A few of the songs seem oddly freeform, without much structure; since the run times on the tracks are so short, however, the scattered nature of the songs don’t outstay their welcome. “Mono/Metro” is probably the most traditional of the tracks, while “Where?” is a striking and fascinating mixture of vocals (such as they are), silence, and piano. Definitely for those who crave something different.