Tracklist
Time Ain't Nothing | |||
Honest Man | |||
Ballad Of Guy Fawkes | |||
No Free Lunch | |||
(Gee Ain't It Funny How) Time Slips Away | |||
Jimmy Boy | |||
Keep On Moving |
Credits (15)
- P. St. John NettletonDesign [Sleeve]
- Mr. Steve Street*Engineer
- Simon HumphriesEngineer, Mixed By
- Chris CacavasKeyboards
- Martin ElbourneManagement
Versions
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27 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
![]() | No Free Lunch LP, Album | Mercury – 826 346-1 | Germany | 1985 | Germany — 1985 | Recently Edited | |||
![]() | No Free Lunch LP, Album, Stereo | Mercury – 826 346-1 | Netherlands | 1985 | Netherlands — 1985 | Recently Edited | |||
![]() | No Free Lunch LP, Album, Stereo | Mercury – MERM 78 | UK | 1985 | UK — 1985 | ||||
![]() | No Free Lunch LP, Mini-Album | Mercury – 826 346-1 M-1, Mercury – 422-826 346-1 | US | 1985 | US — 1985 | Recently Edited | |||
![]() | No Free Lunch Cassette, Album | Mercury – MERMC 78 | UK | 1985 | UK — 1985 | ||||
![]() | No Free Lunch LP, Album | Mercury – MERM 78 | Canada | 1985 | Canada — 1985 | ||||
![]() | No Free Lunch LP | Mercury – MERM 2 | Canada | 1985 | Canada — 1985 | Recently Edited | |||
![]() | No Free Lunch LP, Album, Stereo | PolyGram – 826346-1 | Greece | 1985 | Greece — 1985 | New Submission | |||
![]() | No Free Lunch 12", 33 ⅓ RPM, Mini-Album | Mercury – 826 346-1 | Australasia | 1985 | Australasia — 1985 | Recently Edited | |||
![]() | No Free Lunch Cassette, Album | Mercury – 422-826 346-4 | US | 1985 | US — 1985 | New Submission | |||
![]() | No Free Lunch = ノー・フリー・ランチ LP, Album | Mercury – 25PP-183 | Japan | 1985 | Japan — 1985 | Recently Edited | |||
![]() | No Free Lunch LP, Album, Promo | Mercury – MERM 78 | UK | 1985 | UK — 1985 | New Submission | |||
![]() | No Free Lunch LP, Album, White Label | PolyGram – 826346-1 | Greece | 1985 | Greece — 1985 | New Submission | |||
![]() | No Free Lunch LP, Album, Promo, Stereo, Electrosound Pressing | Mercury – 826 346-1 M-1, Mercury – 422-826 346-1 M-1 | US | 1985 | US — 1985 | New Submission | |||
![]() | No Free Lunch LP, Album, Test Pressing | Mercury – 422-826 346-1 | US | 1985 | US — 1985 | New Submission | |||
![]() | No Free Lunch LP, Album | Mercury – 826 346-1 | Italy | 1985 | Italy — 1985 | New Submission | |||
![]() | No Free Lunch Cassette, Album, Dolby System | Mercury – MERM4 2 | Canada | 1985 | Canada — 1985 | New Submission | |||
![]() | No Free Lunch Cassette, Album | Mercury – 826 346-4 | Netherlands | 1985 | Netherlands — 1985 | New Submission | |||
![]() | No Free Lunch = ノー・フリー・ランチ LP, Album, Promo | Mercury – 25PP-183 | Japan | 1985 | Japan — 1985 | New Submission | |||
![]() | No Free Lunch Cassette, Mini-Album | Mercury – 826 346-4 | Australasia | 1985 | Australasia — 1985 | New Submission | |||
![]() | No Free Lunch Cassette, Mini-Album | Mercury – 826 346-4 | New Zealand | 1985 | New Zealand — 1985 | New Submission | |||
![]() | No Free Lunch LP, Album | Mercury – 826 346-1 | Spain | 1986 | Spain — 1986 | Recently Edited | |||
![]() | No Free Lunch Cassette, Stereo | Mercury Records – 826 346-4 | Spain | 1986 | Spain — 1986 | New Submission | |||
![]() | No Free Lunch Cassette, Stereo | Mercury Records – 826 346-4 | Spain | 1986 | Spain — 1986 | New Submission | |||
![]() | No Free Lunch CD, Album, Reissue | One Way Records (6) – OW 30015 | US | 1994 | US — 1994 | Recently Edited | |||
![]() | No Free Lunch CD, Album, Reissue | One Way Records (6) – OW 30015 | US | 1994 | US — 1994 | New Submission | |||
![]() | No Free Lunch CD, Album, Reissue | Acadia – ACA 8054 | UK | 2003 | UK — 2003 | New Submission |
Recommendations
Reviews
referencing No Free Lunch (LP, Album, Promo) MERM 78
There is nothing US about this version and everything UK.
Look at the labels and rear sleeve.referencing No Free Lunch (Cassette, Album) 422-826 346-4
The LP Version of this release is 42282 63461.referencing No Free Lunch (LP, Mini-Album) 826 346-1 M-1
Short fourth record by these Arizona-to-L.A. transplants. While they got lumped with the Paisley crowd, they were always more in the Austin Outlaw/Neil Young band-as-storyteller tradition, and this is their very solid major label debut. I love Danny Stuart’s voice and songs when they’re good, and they’re very very good here.
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