Bangalore Choir – On Target

The 1992 album, 'On Target' produced by Max Norman, offered a mixture of songs drafted in from outside writers, ranging from AUTOGRAPH's Steve Plunkett ('Angel In Black') to JON BON JOVI and ALDO NOVA ('Do The Dance'). Recording line-up comprised Reece, guitarists Curt Mitchell and John Kirk, bassist Dan Greenburg and former KIL D'KOR and BRUNETTE drummer Darek Thomas Cava. The latter went on to PAIN SOCIETY.

Art Direction, Design – Dawn Patrol (8)
Bass [All Bass Tracks] – Dan Greenberg (2)
Bass Guitar, Backing Vocals – Ian Mayo
Co-producer, Engineer – James (Jimbo) Barton*
Cover [Cover Concept] – Glen Parrish (2), Kenny Ostin
Drums [All Drums] – Derek Thomas (4)
Drums, Backing Vocals – Jackie Ramos
Electric Guitar, Acoustic Guitar, Backing Vocals – Curt Mitchell (2), John Kirk
Lead Vocals – David Reece (2)
Legal [Representation] – Allen Mintz, Gerri Leonard
Management – Brett Kaufman, Glen Parrish (2), HK Management
Mastered By – Stephen Marcussen
Other [Cover Model] – Marcia Polk
Photography By [Band Photography] – Neil Zlozower
Photography By [Cover Photo & Retouching] – Daniel Morduchowicz
Producer, Engineer, Recorded By, Mixed By – Max Norman
Written-By – Bangalore Choir (tracks: 3, 5 to 10)

The 1992 album, 'On Target' produced by Max Norman, offered a mixture of songs drafted in from outside writers, ranging from AUTOGRAPH's Steve Plunkett ('Angel In Black') to JON BON JOVI and ALDO NOVA ('Do The Dance'). Recording line-up comprised Reece, guitarists Curt Mitchell and John Kirk, bassist Dan Greenburg and former KIL D'KOR and BRUNETTE drummer Darek Thomas Cava. The latter went on to PAIN SOCIETY.

マックス・ノーマンがプロデュースした1992年のアルバム「オン・ターゲット」は、オートグラフのスティーブ・プランケット（「エンジェル・イン・ブラック」）からジョン・ボン・ジョヴィやアルド・ノヴァ（「ド・ザ・ダンス」）まで、外部のライターからドラフトされた曲のミックスを提供しました。 。レコーディングのラインナップは、リース、ギタリストのカート・ミッチェルとジョン・カーク、ベーシストのダン・グリーンバーグ、元キル・ドコールとブルネットのドラマー、ダレク・トーマス・カヴァで構成されていました。後者はPAINSOCIETYに進みました。
Makkusu nōman ga purode~yūsu shita 1992-nen no arubamu `on tāgetto' wa, ōtogurafu no sutību puran ketto (`Enjeru in burakku') kara Jon Bon jovu~i ya arudo Novu~A (`do za dansu') made, gaibu no raitā kara dorafuto sa reta kyoku no mikkusu o teikyō shimashita.. Rekōdingu no rain'nappu wa, rīsu, gitarisuto no kāto Mitcheru to Jon kāku, bēshisuto no dan gurīnbāgu, moto kiru dokōru to burunetto no doramā, dareku tōmasu kavu~a de kōsei sa rete imashita. Kōsha wa PAINSOCIETY ni susumimashita.

David Reece is a killer vocalist, taking the hair metal noise to the choir, big voice, big sound, out of time, and yet perfect company for the recent Murder Bay because despite being two decades apart, this is very much hair metal that walks in hand. There's something so lush and full about this record, 'On target' being one of the last album's to stand and fight against the grunge invasion, no doubt most kids preferring the dire strains of Nirvana to BC's hearty 'Angel In Black' with its pompous strut or the soaring ballad 'If The Good Die Young (We'll Live Forever') with its Whitesnake meets Kiss groove and massive chorus. Holy shit, it's so cliched at times but boy does it rock, struttin' in competition with Crue circa 'Dr Feelgood' and Aerosmith circa 'Pump' on the serpentine slither of 'Doin The Dance' and the heavier thump of 'Freight Train Rollin' which features a dirty riff and Reece's lion-like roar. 'She can't Stop' returns us to the late night lust, and y'know what, this record is two big fingers up to Pearl Jam and the rest of the dreary flannel heads, because yep, we know this sorta stuff is limited.

Also released as a cassette in the US UPC 075992443340