Jeremy Gluck With Nikki Sudden & Rowland S. Howard Featuring Jeffrey Lee Pierce, Epic SoundtracksI Knew Buffalo Bill

Genre:

Rock

Style:

Blues Rock, Indie Rock

Year:

Tracklist

Looking For A Place To Fall
Too Long
Gone Free
Hymn
Time Undone
Gallery Wharf
Four Seasons Of Trouble
All My Secrets

Credits (15)

Versions

Filter by
    10 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of I Knew Buffalo Bill, 1987, VinylI Knew Buffalo Bill
    LP, Album
    Flicknife Records – SHARP 037UK1987UK1987
    New Submission
    Cover of I Knew Buffalo Bill, 1987, CassetteI Knew Buffalo Bill
    Cassette, Album
    Flicknife Records – SHARP 037 CUK1987UK1987
    New Submission
    Cover of I Knew Buffalo Bill, 1987, VinylI Knew Buffalo Bill
    LP, Album
    Flicknife Records – SHARP 037, Flicknife Records – EFA 02646, What's So Funny About.. – LP 08, What's So Funny About.. – SF 46Germany1987Germany1987
    New Submission
    Cover of I Knew Buffalo Bill, 1988, VinylI Knew Buffalo Bill
    LP, Album
    Aspa Records – ASLE 0012, Flicknife – ASLE 0012Spain1988Spain1988
    New Submission
    Cover of I Knew Buffalo Bill, 1988, CassetteI Knew Buffalo Bill
    Cassette, Album
    Aspa Records – ASME-0012Spain1988Spain1988
    Recently Edited
    Cover of I Knew Buffalo Bill, 1999, CDI Knew Buffalo Bill
    CD, Album, Reissue
    Gold Circle Entertainment – GCE 0170-2Europe1999Europe1999
    Recently Edited
    Cover of I Knew Buffalo Bill, 1999, CDI Knew Buffalo Bill
    CD, Album, Reissue
    Diesel Motor Records – MOTORCD1001UK1999UK1999
    Cover of I Knew Buffalo Bill, 2006-08-21, CDI Knew Buffalo Bill
    2×CD, Album, Reissue
    Diesel Motor Records – MOTORCD1028Europe2006Europe2006
    New Submission
    Cover of I Knew Buffalo Bill, 2011, VinylI Knew Buffalo Bill
    2×LP, Album, Limited Edition, Reissue
    Munster Records – MR 293Spain2011Spain2011
    Recently Edited
    Cover of I Knew Buffalo Bill, 2024-04-20, VinylI Knew Buffalo Bill
    LP, Album, Record Store Day, Reissue, Red
    Glass Modern – GLAMLP062Europe2024Europe2024
    Recently Edited

    Recommendations

    • The Birthday Party - Drunk On The Pope's Blood / The Agony Is The Ecstacy
      Drunk On The Pope's Blood / The Agony Is The Ecstacy
      1982 UK
      Vinyl —
      12", EP, 33 ⅓ RPM
      Shop
    • The Birthday Party - The Bad Seed
      The Bad Seed
      1983 UK
      Vinyl —
      12", 45 RPM, EP
      Shop
    • Crime & The City Solution - Just South Of Heaven
      Just South Of Heaven
      1985 UK
      Vinyl —
      LP, 45 RPM, Mini-Album
      Shop
    • Nick Cave & The Bad Seeds - From Her To Eternity
      From Her To Eternity
      1984 UK
      Vinyl —
      LP, Album, Stereo
      Shop
    • The Birthday Party - Junkyard
      Junkyard
      1982 UK
      Vinyl —
      LP, Album
      Shop
    • The Jesus And Mary Chain - Darklands
      Darklands
      1987 Europe
      Vinyl —
      LP, Album, Stereo
      Shop
    • The Birthday Party - Prayers On Fire
      Prayers On Fire
      1981 UK
      Vinyl —
      LP, Album
      Shop
    • Nick Cave & The Bad Seeds - Ghosteen
      Ghosteen
      2019 Worldwide
      Vinyl —
      LP, Album
      Shop
    • Nikki Sudden - Robespierre's Velvet Basement
      Robespierre's Velvet Basement
      1985 UK
      Vinyl —
      LP, Album, Stereo
      Shop
    • The Birthday Party - The Friend Catcher
      The Friend Catcher
      1983 UK
      Vinyl —
      12", 45 RPM, EP, Compilation
      Shop

    Reviews

    • zoukateb's avatar
      zoukateb
      Edited 4 years ago
      Hey there! I definitely agree with you. One of the last tendencies of the record industry (beside the vinyl revival since many years, now) is to re-press the original album with "additional tracks", "alternative versions" & other bullshit... One of the most representative blunders of this marketing trick is "Forever Changes" Love's album, for example: the additional material consisted, minimally, in adding "takes" of some songs (obviously "hits"); basically rehearsals!!! And this neo-fetishism –you can hear Arthur Lee getting upset with his musicians, etc. OK! GREAT! WOW! IMPRESSIVE! Come o0Oon, guys…– they try to sell ends up distorting and altering the musical flow (words, rhythms, silences, sighs, etc. in each side of the record!) of the original release. Man… Sometimes, it's better to keep what the artist gave us as what HE considered HIS final material. These shitty "additional materials" has no interest (except, maybe, as an archive for some study about it), ’cause they’re just first drafts, rough copies, outlines… There is a nice anecdote the great poet Mahmud Darwish told during an interview: “Many of my friends and journalists ask me about my first drafts as a key to some secret or mystery. And I always answer the same: Don't waste your time looking for them; there’s not first drafts. Once I consider the poem finished, I throw all versions I did before.” There’s no real interest to try to get everything that an artist does. However, we can recreate, by our own, the way he wrote this or that, dream of it to “prolong” (and not “to extend” like the music industry enjoys her “extended fuckin' versions”) the artist’s gesture in many ways. “I Knew Buffalo Bill” original album –musically, lyrically…– is just astonishing! I consider it as one of my bedside albums; every listening is a new way to cross over every track… Basically, I Keep looking for a place to fall! Thanks for the comment, man! Take care, Buddy! Zoheir.

      Master Release

      Edit Master Release
      New Submission

      For sale on Discogs

      Sell a copy

      77 copies from $5.80

      Statistics

      • Avg Rating:4.22 / 5
      • Ratings:102

      Videos (13)

      Edit