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24 For Sale from $1.99Videos (14)
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- Listened by hipp-e
- TWGEEMA 2011 by sellerto
- 2011 by posadboy
- favs ~ 2011 by flugostar
- Track Genius Top 25 Albums by brochus3
- Wonderful Albums Of 2011 by ortogon
- Favorite Albums 2010s by Zaxro
- 2011 by jojolafouine
- Albums That Stay by thomasja
- The World's Greatest Ever Electronic Music Albums - Best Of 2011 by Yage_2097
- 2011 by vincent.v.c.
- Ewan's 25 best albums of the 2010s by chrisneedham
- best of 2010s decade by chrisneedham
- 2011 by Musaique
- Heliosphaner's 2011 Top 100 Albums by heliosphaner
- Recommended Planet Mu albums by Vertiphon
- IDM 4.5+ 100+ votes by AtmanB
- Favorite Albums 2011 by Zaxro
- Musiques techno & house &tc... by Musaique
- 50 Albums For 2011 by Spenno90
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Tracklist
Visioning Shared Tomorrows | 2:02 | ||
Ant City | 3:24 | ||
Whisper Fate | 2:45 | ||
Onset (Escapism) | 3:02 | ||
Scissors | 3:33 | ||
Truth Flood | 3:42 | ||
Reality Drift | 2:18 | ||
Ascension Phase | 2:50 | ||
Salt Lake Cuts | 5:12 | ||
Seeing The Edges | 3:37 | ||
Flight Path | 4:45 | ||
Shutter Light Girl | 1:07 | ||
Vectoral | 3:04 | ||
As We Lie Promising | 0:56 | ||
Memory Rain | 3:43 |
Credits (3)
- Anna HiggieArtwork
- Sam ChirnsideTypography [Font], Design
- KuedoWritten-By, Producer, Performer
Versions
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9 versions
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![]() | Severant 15×File, MP3, Album 320kbps | Planet Mu – ZIQ309 | UK | 2011 | UK — 2011 | ||||
![]() | Severant LP, Album | Planet Mu – ZIQ309 | Europe | 2011 | Europe — 2011 | Recently Edited | |||
![]() | Severant CD, Album | Planet Mu – ZIQ309CD | UK | 2011 | UK — 2011 | Recently Edited | |||
Severant CDr, Album, Promo | Planet Mu – none | UK | 2011 | UK — 2011 | |||||
![]() | Severant Cassette, Album | Planet Mu – ZIQ309MC | UK | 2011 | UK — 2011 | ||||
Severant 15×File, AAC, Album 256 kbps | Planet Mu – none | 2011 | 2011 | ||||||
Severant LP, Album, Test Pressing | Planet Mu – ZIQ 309 | UK | 2011 | UK — 2011 | |||||
![]() | Severant 15×File, FLAC, Album | Planet Mu – ZIQ309 | Europe | 2011 | Europe — 2011 | ||||
![]() | Severant CDr, Album, Promo | Planet Mu – ZIQ309 | UK | 2011 | UK — 2011 | New Submission |
Recommendations
Reviews

referencing Severant (LP, Album) ZIQ309
why the hell has this not been repressed. absolutely time for a 10 year anniversary repressing, preferably cut across 2xLP PLEASE

referencing Severant (LP, Album) ZIQ309
Was concerned about the number of tracks on each side sacrificing sound quality, but my concern was unwarranted. Great sounding pressing. The low end rattled my windows.
referencing Severant (LP, Album) ZIQ309
This definitely needs a double LP repress. Fantastic album, as someone mentioned – ahead of its time.

referencing Severant (Cassette, Album) ZIQ309MC
I would really like to buy this tape if anyone would be willing to sell it. Please send me a message if you are.
referencing Severant (LP, Album) ZIQ309
This record was about three years ahead of its time—still slept on I think.
Edited 10 years ago
referencing Severant (LP, Album) ZIQ309
I still do not understand why you would cram up 8 tracks on one side of a vinyl - and never will.
referencing Severant (LP, Album) ZIQ309
This is an album that mind-bogglingly succeeds at integrating the skittering rhythms and energy of Chicago Juke/Footwork into classic early-'80s electronic and ambient music, stabilizing the entire package with cinematic elements that are not, surprisingly, cheesy at all. During 2011 and 2010, I found it very interesting how dance producers are approaching the Juke/Footwork aesthetic currently gaining amazing amounts of international critique, and either recontextualising the style into a more popular one or, like the label Planet Mu, taking it on almost as their child savant, giving it space to grow and show off its raw and unadulterated talent. Planet Mu also gives the hi-fi vinyl treatment to straight-up Chicago Juke and Footwork which popularized itself by cellphone and Youtube videos—what a riot, that is. From what I can gather, this style has taken a saturation of pop and hip hop music inevitably found throughout the South Side of Chicago (and, like, everywhere else) and set it out to dry—no, wrung it tight in strong hands, forced dry in seconds—letting any remaining dampness bake and sizzle in the sun. The crustiness of the scorched pop and hip hop rag begins to disintegrate, and each particle is used to decorate urban monuments of fractured, perpetually crumbling mainstream relics. To this decorating, Kuedo contributes using long, wide brushstrokes of syrupy, oil-based paint.