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- ∀ by Senki_Dala
- all music guide by ronnepon1
- DUTCH ALBUMS CHART by ronnepon1
- Albums to listen to by bmdisbrow
- 1983 by garythain
- Danis Vinyl Einkaufsliste by pavemsx
- Wishlist by Liams12000
- Listened by GabrieleDiSiena
- Wishlist by taylorrae90
- Nice Cover Artwork by fargo7
- ROCK by jean35
- My Favorite Records by Danz_CM
- My All-Time Favorite Albums by JessiZilka
- potential old by h2n
- VINYLS I OWN by slimyisforever
- Essential Synth & Electro Pop by oved52
- albums / eps I've listened to by cloud-y
- Best Records of 1983 by guzzer
- Mu Essentials by gaowuya2004
- Fear of Music by MemphisJay
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Tracklist
Age Of Consent | |||
We All Stand | |||
The Village | |||
5 8 6 | |||
Your Silent Face | |||
Ultraviolence | |||
Ecstasy | |||
Leave Me Alone |
Credits (6)
- Peter Saville (2)Artwork
- Michael JohnsonEngineer
- Barry SageEngineer [Assistant]
- Mark BoyneEngineer [Assistant]
- Fantin-Latour*Painting [Cover Painting]
- New OrderProducer
Notes
The second album by New Order, released on 02 May 1983.
With its electronic-based sound it marks the definitive turning away from the rather gloomy predecessor and the Joy Division legacy. The album was included in the top 100 albums of the 1980s lists in the Rolling Stone magazine.
Peter Saville's design for the album cover has a colour-based code, similar to the singles Blue Monday and Confusion as well as to the album Section 25 - From The Hip. The decoding wheel is featured on the back cover, and on the cassette insert. The code on the front sleeve is "FACT 75". The code for the CD front cover is "FACD 75". The code for the inner sleeve reads "New Order Power Corruption And Lies".
The cover features a reproduction of the painting "A Basket of Roses" by French artist Henri Fantin-Latour, which Saville found on a postcard he bought at the National Gallery. His then girlfriend Martha Ladly (of Martha & The Muffins) asked him if he was going to use it for the cover. He then realised it was a great idea.
The album cover was chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010.
UK re-releases and re-pressings:
April 1986: Cassettes (cat# FACT 75c) - boxed and plastic cases.
April 1986: CD (cat# FACD 75).
July 1993: LP, MC, CD (cat# 520 019-1 / 2 / 4), with repressings in 1994, 1996 and 1998.
January 2000: CD (cat# 8573 81366-2), with repressings in 2005.
October 2008: CD (cat# 2564 69369 8) - Collector's Edition, with remastered reissue in 2009
July 2009: LP (cat# 2564-68880-5) - 180 gram remaster in original artwork, with repressings in 2015.
US releases:
10 May 1983: LP, MC (cat# FACTUS 12 / FACTUS 12C).
June 1985: LP, MC (cat# 9 25308-1 / 4 ), with reissues 1988 with different artwork.
November 1986: CD (cat# 9 25308-2), with CD repressings in 1998, 2001, 2005.
November 2008: CD (cat# R2 516186) - Collector's Edition, with remastered repress in 2009.
October 2009: LP (cat# R1 25308) - 180 gram remaster.
Japanese releases:
December 1983: LP (cat# YX-7331-AX).
November 1986: CD (cat# 33CY-1219).
February 1989: CD (cat# 25CY-3109).
November 1993: CD (cat# POCD-1884).
March 2000: CD (cat# AMCE-6101).
June 2005: CD (cat# WPCR-75042).
March 2008: CD (cat# WCPR-13168/9) - Collector's Edition.
January 2010: CD (cat# WPCR-13583~4) - Collector's Edition - remastered.
The single "Blue Monday" and its B-side "The Beach" were included on the Italian cassette and most US cassette and CD editions of this album only.
With its electronic-based sound it marks the definitive turning away from the rather gloomy predecessor and the Joy Division legacy. The album was included in the top 100 albums of the 1980s lists in the Rolling Stone magazine.
Peter Saville's design for the album cover has a colour-based code, similar to the singles Blue Monday and Confusion as well as to the album Section 25 - From The Hip. The decoding wheel is featured on the back cover, and on the cassette insert. The code on the front sleeve is "FACT 75". The code for the CD front cover is "FACD 75". The code for the inner sleeve reads "New Order Power Corruption And Lies".
The cover features a reproduction of the painting "A Basket of Roses" by French artist Henri Fantin-Latour, which Saville found on a postcard he bought at the National Gallery. His then girlfriend Martha Ladly (of Martha & The Muffins) asked him if he was going to use it for the cover. He then realised it was a great idea.
The album cover was chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010.
UK re-releases and re-pressings:
April 1986: Cassettes (cat# FACT 75c) - boxed and plastic cases.
April 1986: CD (cat# FACD 75).
July 1993: LP, MC, CD (cat# 520 019-1 / 2 / 4), with repressings in 1994, 1996 and 1998.
January 2000: CD (cat# 8573 81366-2), with repressings in 2005.
October 2008: CD (cat# 2564 69369 8) - Collector's Edition, with remastered reissue in 2009
July 2009: LP (cat# 2564-68880-5) - 180 gram remaster in original artwork, with repressings in 2015.
US releases:
10 May 1983: LP, MC (cat# FACTUS 12 / FACTUS 12C).
June 1985: LP, MC (cat# 9 25308-1 / 4 ), with reissues 1988 with different artwork.
November 1986: CD (cat# 9 25308-2), with CD repressings in 1998, 2001, 2005.
November 2008: CD (cat# R2 516186) - Collector's Edition, with remastered repress in 2009.
October 2009: LP (cat# R1 25308) - 180 gram remaster.
Japanese releases:
December 1983: LP (cat# YX-7331-AX).
November 1986: CD (cat# 33CY-1219).
February 1989: CD (cat# 25CY-3109).
November 1993: CD (cat# POCD-1884).
March 2000: CD (cat# AMCE-6101).
June 2005: CD (cat# WPCR-75042).
March 2008: CD (cat# WCPR-13168/9) - Collector's Edition.
January 2010: CD (cat# WPCR-13583~4) - Collector's Edition - remastered.
The single "Blue Monday" and its B-side "The Beach" were included on the Italian cassette and most US cassette and CD editions of this album only.
Versions
Filter by
149 versions
, | – | ||||||||
---|---|---|---|---|---|---|---|---|---|
![]() | Power, Corruption & Lies LP, Album | Factory – FACT 75 | UK | 1983 | UK — 1983 | ||||
![]() | Power, Corruption & Lies Cassette, Album CrO2 | Factory (US) – Factus 12C, Factory (US) – Factus 12 C | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | Factory – FACT 75, Factory – VR 22569 | Netherlands | 1983 | Netherlands — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | Factory (US) – FACTUS 12 | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption And Lies LP, Album Black Labels | Factory – FACD 11 | Canada | 1983 | Canada — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album Die-cut sleeve | Base Record – FACT 75, Factory – FACT 75 | Italy | 1983 | Italy — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | Factory – 201 946 | France | 1983 | France — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album Die-Cut Cover | Factory – FACT 75, MNW – FACT . 75, MNW – FACT SEVENTY FIVE +1 more label... | Scandinavia | 1983 | Scandinavia — 1983 | ||||
![]() | Power Corruption & Lies LP, Album | Factory – EMC 199, EMI – EMC199 | New Zealand | 1983 | New Zealand — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album Plain Sleeve | Factory – RTD 11, Factory – FACT 75, Factory – FACT SEVENTY FIVE +1 more label... | Germany | 1983 | Germany — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | GAP Records – FACT 75, Factory – FACT 75 | Australia | 1983 | Australia — 1983 | ||||
![]() | Power, Corruption & Lies Cassette, Album CrO2 | Factory (US) – Factus 12C, Factory (US) – Factus 12 C | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | Factory – FACT 75, Factory – 33-036 L, Nuevos Medios – 33-036 L, Nuevos Medios – 33-036 +2 more labels... | Spain | 1983 | Spain — 1983 | ||||
![]() | Power Corruption & Lies = 権力の美学 LP, Album, Stereo | Factory – YX-7331-AX, Factory – YX-7331 | Japan | 1983 | Japan — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Limited Edition, Promo Clear Marbled | Rough Trade – RTD 11 | Germany | 1983 | Germany — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Limited Edition, Promo Red Marbled | Rough Trade – RTD 11 | Germany | 1983 | Germany — 1983 | ||||
![]() | Power Corruption And Lies Cassette, Album | EMI – TC-EMC199, EMI – TC EMC 199 | New Zealand | 1983 | New Zealand — 1983 | ||||
![]() | Power, Corruption & Lies Cassette, Album | Base Record – Fact 7573MC, Base Record – Fact 7573 MC, Base Record – FACT 7573 MC, Factory – Fact 7573MC, Factory – Fact 7573 MC, Factory – FACT 7573 MC +4 more labels... | Italy | 1983 | Italy — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Test Pressing | Factory (US) – FACTUS 12 | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | Factory (US) – FACTUS 12 | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Repress | Factory – FACT 75 | UK | 1983 | UK — 1983 | ||||
![]() | Power Corruption & Lies LP, Album White labels | Factory – FACD 11 | Canada | 1983 | Canada — 1983 | ||||
![]() | Power, Corruption & Lies Cassette, Album Grey Shells | Factory – FACD4-11 | Canada | 1983 | Canada — 1983 | ||||
![]() | Power, Corruption & Lies Cassette, Album Dolby | Virgin – 401946, Virgin – 401.946 | France | 1983 | France — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album Die-cut Sleeve | Factory – FACT 75, Factory – FACT SEVENTY FIVE, Rough Trade – RTD 11 +1 more label... | Germany | 1983 | Germany — 1983 | ||||
![]() | Power Corruption & Lies LP, Album | Factory – FACT 75 | Ireland | 1983 | Ireland — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album | Factory – FACT 75, MNW – FACT . 75, MNW – FACT SEVENTY FIVE +1 more label... | Sweden | 1983 | Sweden — 1983 | ||||
![]() | Power Corruption & Lies = 権力の美学 LP, Album, Promo | Factory – YX-7331-AX, Factory – YX-7331 | Japan | 1983 | Japan — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, White Label | Base Record – FACT 75, Factory – FACT 75 | Italy | 1983 | Italy — 1983 | ||||
![]() | Power, Corruption & Lies Cassette, Album White Shells, Black Letters | Factory – FACTC 75, GAP Records – FACTC 75 | Australia | 1983 | Australia — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Test Pressing | Factory (US) – FACTUS 12 | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Limited Edition, Promo Yellow Marbled | Rough Trade – RTD 11 | Germany | 1983 | Germany — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album RTI | Factory (US) – FACTUS 12 | US | 1983 | US — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Promo | GAP Records – FACT 75, Factory – FACT 75 | Australia | 1983 | Australia — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Mispress | Factory – FACD 11 | Canada | 1983 | Canada — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album Saint-Quentin Print | Factory – 201 946, Factory – 201946 | France | 1983 | France — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Repress | Factory – FACT 75 | UK | 1983 | UK — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, White Label | Factory – FACT-75 | UK | 1983 | UK — 1983 | ||||
![]() | Power Corruption And Lies Cassette, Album White Shell | EMI – TC-EMC199, EMI – TC EMC 199 | New Zealand | 1983 | New Zealand — 1983 | ||||
![]() | Power, Corruption & Lies LP, Album, Reissue | Factory – 70168 | France | 1984 | France — 1984 |
Recommendations
Reviews
Show All 84 ReviewsEdited one month ago
I think that in general, everything from this era that was pressed in Japan sounds much better than almost all other pressings. It’s one reason these albums are highly coveted and they cost a lot more than other pressings. I remember that the very first Japanese pressing I purchased was from a large store called “Peaches Records and Tapes” because CDs hadn’t been invented yet. It was a copy of The Cure - Boys Don’t Cry. I had to order it through the store and pay for it up front. It took me about a month to get this album. I have another copy of this exact album now, because my stepbrother was into bands like April Wine and Heavy Metal and scratched it up. It’s why I have no contact with any of my step siblings now, nor do I ever wish to see them. They we’re older and just mean. They blamed their dad because their mother was having an affair with the preacher. Enough personal information, so here’s what I think about this incredible album.
I have almost all of the Japanese pressings by New Order and several 12”singles that are Japanese pressing as well and they all sound superior to any other pressing I own or have ever heard. I remember being told that Japanese pressings sound better because of the fact they used virgin vinyl for their pressings. That most pressing facilities in the U.S. and other countries swept up the excess vinyl and filtered it to get out the particles and they used the excess to produce other albums. This may be just a rumor but I remember buying a few albums that were brand new and they had pops in them that you couldn’t get out no matter how much you cleaned them. I purchased most of my Japanese pressings from a local man who was downsizing his stuff and moving into an apartment. He had mint condition Japanese pressings. He had every single New Order studio pressing except “Technique” which I’ve been hunting down for years now. He was also the original owner.
This album is the best sounding version I’ve ever owned and It sounds incredible as most of my Japanese pressings do to any other reissue or even first pressings.
Even the few Japanese copies of other artist that I’ve purchased from Japanese sellers have been in exceptional condition. I think it’s just a cultural thing that we American’s just don’t have. The Japanese people seem to take much better care of their stuff than we do. I guess we feel like if we screw it up, we can just go buy another copy.
It’s also worth noting that many of the Mobile Fidelity early pressings where Japanese pressings and they are extremely coveted by collectors like most Japanese vinyl pressings. I am also a huge fan of the way they store their vinyl in resealable outer sleeves as it keeps out the dust and makes keeping any pressing more manageable with less attention to cleaning them as often, just a few turns with a carbon brush does the trick.
I have almost all of the Japanese pressings by New Order and several 12”singles that are Japanese pressing as well and they all sound superior to any other pressing I own or have ever heard. I remember being told that Japanese pressings sound better because of the fact they used virgin vinyl for their pressings. That most pressing facilities in the U.S. and other countries swept up the excess vinyl and filtered it to get out the particles and they used the excess to produce other albums. This may be just a rumor but I remember buying a few albums that were brand new and they had pops in them that you couldn’t get out no matter how much you cleaned them. I purchased most of my Japanese pressings from a local man who was downsizing his stuff and moving into an apartment. He had mint condition Japanese pressings. He had every single New Order studio pressing except “Technique” which I’ve been hunting down for years now. He was also the original owner.
This album is the best sounding version I’ve ever owned and It sounds incredible as most of my Japanese pressings do to any other reissue or even first pressings.
Even the few Japanese copies of other artist that I’ve purchased from Japanese sellers have been in exceptional condition. I think it’s just a cultural thing that we American’s just don’t have. The Japanese people seem to take much better care of their stuff than we do. I guess we feel like if we screw it up, we can just go buy another copy.
It’s also worth noting that many of the Mobile Fidelity early pressings where Japanese pressings and they are extremely coveted by collectors like most Japanese vinyl pressings. I am also a huge fan of the way they store their vinyl in resealable outer sleeves as it keeps out the dust and makes keeping any pressing more manageable with less attention to cleaning them as often, just a few turns with a carbon brush does the trick.

Really good sounding cd. Also a fantastic New Order album. I never had this on Vinyl ..only on cassette..as..at the time it was released...this album was very hard to find other than the import section. So the cassette was the only option. Step forward to this cd. The sound is fantastic and I have had no problems listening or ripping the contects.
Edited 2 months ago
referencing Power, Corruption & Lies (CD, Album, Reissue, CD, Compilation, All Media, Remastered) R2 516186
The bonus tracks are fantastic but this is all about the album proper, and it sounds fantastic. As well the two disc format to ensure artistic integrity, nice.
Aside from the finalised song titles, the numbers 586 absent from the swirled lettering inner credits on the j-card.

Presentación MUY BUENA, sonido masomenos, parece sacado de CD. Pero por el precio vale mucho la pena.

Edited 6 months ago
referencing Power Corruption & Lies (LP, Album) FACT 75
Best sounding pressing from the early ones. Crisp highs and good sounding bass(depending on your system). Both sides of this album are a masterpiece.