Rachmaninov*, Concertgebouw Orchestra* / Vladimir AshkenazySymphony No.1

Sergei Vasilyevich Rachmaninoff - Symphony No.1 album cover

Genre:

Classical

Style:

Romantic

Year:

Tracklist

Symphony No. 1, Op. 13
Grave - Allegro Ma Non Troppo13:00
Allegro Animato7:39
Larghetto8:48
Allegro Con Fuoco12:35

Credits (9)

Versions

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    8 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of Symphony No.1, 1983, CassetteSymphony No.1
    Cassette, Album
    Decca – KSXDC 7603UK1983UK1983
    New Submission
    Cover of Symphony No.1, 1983, VinylSymphony No.1
    LP
    London Records – LDR 71103Netherlands1983Netherlands1983
    Recently Edited
    Cover of Symphony No.1, 1983, VinylSymphony No.1
    LP, Album, Stereo
    Decca – SXDL 7603Europe1983Europe1983
    Recently Edited
    Cover of Symphony No.1, 1983, VinylSymphony No.1
    LP, Album
    London Records – L28C-1708Japan1983Japan1983
    New Submission
    Cover of Symphony No.1, 1984, CDSymphony No.1
    CD, Album
    Decca – 411 657-2Europe1984Europe1984
    New Submission
    Cover of Symphony No.1, , CDSymphony No.1
    CD, Album
    Decca – 411 657-2GermanyGermany
    Cover of Symphony No.1, , CDSymphony No.1
    CD
    London Records – 411 657-2USUS
    Recently Edited
    Cover of Symphony No.1, , CDSymphony No.1
    CD, Reissue, Stereo
    Decca – 411 657-2EuropeEurope
    New Submission

    Reviews

    • SoundsOfGoodbye's avatar
      Wow! This pressing is stunning. Dead quiet. I bought this used, but this 40 year vinyl was well taken care of. Colin Moorfoot is the engineer and it’s one of the most beautiful and realistic recordings I’ve ever heard. It sounds and feels like I’m in the symphony hall. I noticed that not many people own it on Discogs. This is definitely a hidden gem.
      • davemuy's avatar
        davemuy
        An early 1984(?) digital recording from Decca with the usual Colin Moorfoot "wall of sound" recording quality. If anything it is a tribute to the Amsterdam Concertgebouw hall rather than Ashkenazy 's conducting which is slight and completely lacking in understanding of the strings in a symphonic work. This entry into the catalogue has the superficial benefit of the usual pumped up Decca sound, but in terms of shaping of the music, clarity and sheer playing - either in ensemble or in the many solo instrumental passages which are breathtakingly lovely - Lorin Maazel and the Berlin Philharmonic from DGG around the same year in digital completely outclass this performance and recording. Some will hold their nose and put Maazel down (compared to this crude Decca) as merely neat and tidy and not involving enough - but listen to the sheer precision and beat-perfect playing of the trumpets in the thrilling beginning of the finale and the highly satisfying way the DG engineers let the orchestra, superior here to the Concertgebouw, "sing" even here at full force while reserving even more power for the final bars. You might out of personal taste prefer Ashkenazy 's efforts, but I urge a listen to Maazel for a more expert musical account.

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        • Avg Rating:4.19 / 5
        • Ratings:16

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