Rachmaninov*, Concertgebouw Orchestra* / Vladimir Ashkenazy – Symphony No.1
Tracklist
Symphony No. 1, Op. 13 | |||
Grave - Allegro Ma Non Troppo | 13:00 | ||
Allegro Animato | 7:39 | ||
Larghetto | 8:48 | ||
Allegro Con Fuoco | 12:35 |
Credits (9)
- Sergei Rachmaninov*Composed By
- Vladimir AshkenazyConductor
- Colin MoorfootEngineer [Sound]
- Christopher PalmerLiner Notes
- N. Lesieur*Liner Notes [French Translation]
- Henning WeberLiner Notes [German Translation]
Versions
Filter by
8 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
![]() | Symphony No.1 Cassette, Album | Decca – KSXDC 7603 | UK | 1983 | UK — 1983 | New Submission | |||
![]() | Symphony No.1 LP | London Records – LDR 71103 | Netherlands | 1983 | Netherlands — 1983 | Recently Edited | |||
![]() | Symphony No.1 LP, Album, Stereo | Decca – SXDL 7603 | Europe | 1983 | Europe — 1983 | Recently Edited | |||
![]() | Symphony No.1 LP, Album | London Records – L28C-1708 | Japan | 1983 | Japan — 1983 | New Submission | |||
![]() | Symphony No.1 CD, Album | Decca – 411 657-2 | Europe | 1984 | Europe — 1984 | New Submission | |||
![]() | Symphony No.1 CD, Album | Decca – 411 657-2 | Germany | Germany | |||||
![]() | Symphony No.1 CD | London Records – 411 657-2 | US | US | Recently Edited | ||||
![]() | Symphony No.1 CD, Reissue, Stereo | Decca – 411 657-2 | Europe | Europe | New Submission |
Reviews
referencing Symphony No.1 (LP) LDR 71103
Wow! This pressing is stunning. Dead quiet. I bought this used, but this 40 year vinyl was well taken care of. Colin Moorfoot is the engineer and it’s one of the most beautiful and realistic recordings I’ve ever heard. It sounds and feels like I’m in the symphony hall. I noticed that not many people own it on Discogs. This is definitely a hidden gem.referencing Symphony No.1 (CD, Reissue, Stereo) 411 657-2
An early 1984(?) digital recording from Decca with the usual Colin Moorfoot "wall of sound" recording quality. If anything it is a tribute to the Amsterdam Concertgebouw hall rather than Ashkenazy 's conducting which is slight and completely lacking in understanding of the strings in a symphonic work. This entry into the catalogue has the superficial benefit of the usual pumped up Decca sound, but in terms of shaping of the music, clarity and sheer playing - either in ensemble or in the many solo instrumental passages which are breathtakingly lovely - Lorin Maazel and the Berlin Philharmonic from DGG around the same year in digital completely outclass this performance and recording. Some will hold their nose and put Maazel down (compared to this crude Decca) as merely neat and tidy and not involving enough - but listen to the sheer precision and beat-perfect playing of the trumpets in the thrilling beginning of the finale and the highly satisfying way the DG engineers let the orchestra, superior here to the Concertgebouw, "sing" even here at full force while reserving even more power for the final bars. You might out of personal taste prefer Ashkenazy 's efforts, but I urge a listen to Maazel for a more expert musical account.
Master Release
Edit Master Release
Data Correct
Data Correct
For sale on Discogs
Sell a copy55 copies from $1.44