Tracklist
| What Kind Of Power We Got? (Album Version) | 5:30 | ||
| What Kind Of Power We Got? (Long Version Project Fonk Fixx) | 5:12 | ||
| What Kind Of Power We Got? (Rumbo In The Jungo Mixx) | 6:24 | ||
| I Stand Accused (Sleek's School Of Self-Defense Mixx) | 4:32 | ||
| Mao Tse Tung | 4:33 |
Credits (7)
Kerwin YoungCo-producer
Flavor FlavProducer
Hank ShockleeRemix
Keith ShockleeRemix
E. Record*Written-By- K. Young*Written-By
Versions
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9 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
|---|---|---|---|---|---|---|---|---|---|
 | What Kind Of Power We Got? 12" | Def Jam Recordings – 422-853-939-1 | US | 1994 | US — 1994 | Recently Edited | |||
 | What Kind Of Power We Got? / I Stand Accused CD, Maxi-Single | Def Jam Recordings – 851 267-2 | Europe | 1994 | Europe — 1994 | Recently Edited | |||
 | What Kind Of Power We Got? CD, Maxi-Single, Promo | Def Jam Recordings – 851239-2 | Europe | 1994 | Europe — 1994 | Recently Edited | |||
 | What Kind Of Power We Got? CD, Maxi-Single | Def Jam Recordings – 8539392, PolyGram Records Pty. Limited – 8539392 | Australasia | 1994 | Australasia — 1994 | ||||
 | What Kind Of Power We Got? Cassette, Single | Def Jam Recordings – 422 853 938-4 | US | 1994 | US — 1994 | New Submission | |||
 | What Kind Of Power We Got? Cassette, Maxi-Single | Def Jam Recordings – 422 853-939-4 | US | 1994 | US — 1994 | New Submission | |||
| What Kind Of Power We Got? CD, Maxi-Single, Promo | Def Jam Recordings – 851 239-2 | UK & Europe | 1994 | UK & Europe — 1994 | New Submission | ||||
 | What Kind Of Power We Got? CD, Single, Promo | Def Jam Recordings – PRCD-6873-2 | US | 1994 | US — 1994 | New Submission | |||
 | What Kind Of Power We Got? / I Stand Accused CD, Single, Cardboard sleeve | Def Jam Recordings – 851 266-2 | Europe | 1994 | Europe — 1994 | New Submission |
Recommendations
Reviews
referencing What Kind Of Power We Got? (12") 422-853-939-1
"I Stand Accused" may be one of the more underrated Easy Mo Bee productions, he knows how to make a beat sound very gritty and post-apocalyptic. Definitely up there with some of the beats he provided for 2Pac, Biggie and Craig Mack.
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