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XRay*Let's Go

Genre:

Electronic

Style:

Techno

Year:

Tracklist

Let's Go (AMix)
Let's Go (DubMix)
Untitled

Credits (5)

Notes

First pressings state that the production credits go to Aaron Atkins, Juan Atkins and Derrick May, while subsequent pressings state that the production credits go to Juan Atkins alone.

As the Untitled B2 track is not listed on the labels of any pressing, specific credits should not be added.

Versions

Filter by
    15 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of Let's Go, 1986, VinylLet's Go
    12", 33 ⅓ RPM
    Transmat – MS 001US1986US1986
    Recently Edited
    Cover of Let's Go, 1986, VinylLet's Go
    12", 33 ⅓ RPM, Remastered
    Transmat – MS 001US1986US1986
    Recently Edited
    Cover of Let's Go, 1986, VinylLet's Go
    12", 33 ⅓ RPM
    Transmat – MS001US1986US1986
    Recently Edited
    Cover of Let's Go, 1986, VinylLet's Go
    12", 33 ⅓ RPM, Remastered
    Transmat – MS 001US1986US1986
    Recently Edited
    Cover of Let's Go, 1986, VinylLet's Go
    12", 33 ⅓ RPM, Promo
    Transmat – MS001US1986US1986
    Recently Edited
    Let's Go
    12", 33 ⅓ RPM, White Label
    Transmat – MS 001US1986US1986
    Recently Edited
    Cover of Let's Go, 1986, VinylLet's Go
    12", 33 ⅓ RPM
    Transmat – MS 001US1986US1986
    Recently Edited
    Cover of Let's Go (Remixes), 1987, VinylLet's Go (Remixes)
    12", 33 ⅓ RPM
    Fantasy – D-284US1987US1987
    Recently Edited
    Cover of Let's Go (Remixes), 1987, VinylLet's Go (Remixes)
    12", 33 ⅓ RPM, Promo
    Fantasy – D-284US1987US1987
    Recently Edited
    Cover of Let's Go (Remixes), 1987, VinylLet's Go (Remixes)
    12", 33 ⅓ RPM, Test Pressing
    Fantasy – D-284US1987US1987
    New Submission
    Cover of Let's Go, 1992, VinylLet's Go
    12", 33 ⅓ RPM, Repress
    Transmat – MS. 1US1992US1992
    Recently Edited
    Cover of Let's Go, 1992-01-00, VinylLet's Go
    12", 33 ⅓ RPM, Reissue
    Transmat – MS 001US1992US1992
    Cover of Let's Go, 1992, VinylLet's Go
    12", 33 ⅓ RPM, Reissue
    Transmat – MS 001US1992US1992
    New Submission
    Cover of Let's Go, , VinylLet's Go
    12", 33 ⅓ RPM, Reissue
    Transmat – MS-1USUS
    Recently Edited
    Cover of Let's Go, , VinylLet's Go
    12", 33 ⅓ RPM, Reissue
    Transmat – MS-1USUS
    New Submission

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    Reviews

    • Scatter.Gun's avatar
      Scatter.Gun
      X-ray - untitled is the kind of track you would of heard at night time on holiday in Mallorca, Spain as a child in the late 80s, like me.

      • dhoshi5's avatar
        dhoshi5
        X-Ray - Untitled (Mayday Mix) - No doubt fire!!! One of those tracks the dj didn't need to blend the beat, just push the fader over and start at the right moment.
        • Alain_Patrick's avatar
          'Untitled' has been considered by some of the true experts as the "1st Techno piece in history". It's true that the straight 4/4 beats and the ethereal atmospheres give it a proper Detroit Techno feeling. Even though, Juan said to me once in a phone interview that he doesn't "differentiate the Techno and Electro he did", which means to him, 'Alleys Of Your Mind' is the 1st Techno single. Many consider the 1st Metroplex (No UFOs by Model 500) the starting point as well. Whatever you may think, 'Untitled' is arguably a landmark in Detroit Techno history. Proper future dancefloor music.
          • Floorbanger's avatar
            Floorbanger
            Edited 2 years ago
            What can you say? First ever Transmat release! Before the birth of Internet & Discogs. Probably was a limited track to find back in the record shop hey days. This pressing is from 88, love the artwork as with all 88/89 Transmat releases, the original was from 86! Untitled is the track with TR808 drums, synths sound like Yamaha DX7 which doesn't sound dated as (ThaPrinz mentioned). One for the "History of Detroit Techno." Definitely one for the vinyl collection, Peace!
            • MI's avatar
              MI
              A classic piece of Detroit techno history, no doubt. But in light of the allegations made against May this is very hard to listen to nowadays. I mean ‘Let’s Go - You Ho’ 😬 I’ll probably skip on playing this out - there’s so much other great music about waiting to get heard.
              • glenn.king.au's avatar
                glenn.king.au
                I have been buying lots of 80's house, electro and techno records these last few years (it has become quite the side project within my collection). I have been seeking the origins of all the music we love, what tracks were pivotal, who was influential and what great records have become lost to time.

                Sharivari, Techno City, No UFO's, Alleys of you Mind always get mentioned as the beginning tracks of it all. I tend to agree what significant influence they all had on the creation of the House sound, the Detroit sound, Electro or Techno.

                I sincerely feel this record was the true birth of Detroit Techno. This one just sounds like it's not trying to be a variation of Chicago House records, this one was 'something new' to release to the world. While many of this generation may not consider this as 'Detroit Techno', this is it's birth certificate and a statement that a new style and genre was born.
                • Manakeesh's avatar
                  Manakeesh
                  pivotal point for techno pivotal point for techno pivotal point
                  • Advocx's avatar
                    Advocx
                    Untitled (B2) is a real beauty full of emotion and the vibe and beats are still relevant and not outdated instead of Let's Go.
                    The production sounds like Derrick May did this one solo, and why not (as being the label boss).
                    This record will surely not leave my collection as I also really love the great artwork by Flywheel with the x-ray vision image on side B.
                    • Sneaker2's avatar
                      Sneaker2
                      Just for the balance I will disagree, that "Let's go" sounds dated or little inventive. I discovered the track only 5 years ago and since that time it's the destillation of a certain vibe I'm looking for in electronic music. However this sound is more 'housey'. So it might not match expectations on the sound of Atkins and May. However it sounds close to what I love Saunderson's tracks for and honestly he always was more a brilliant house producer to me than "one of the three inventors of the techno sound of Detroit". I simply love listening to the track. 5/5
                      • detroitologist's avatar
                        Yeah, the "untitled" track will strike a cord in your central nervous system... 100% techno

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