Shocking Pinks – Emily

Genre:	Electronic, Rock
Style:	Glitch, Lo-Fi, Dub Techno, Tech House, Indie Rock
Year:	2008

Tracklist

		Emily	2:15
		Nothing Matters When We're Dancing	3:32
		Cutout (Expanding Head Band Version)	7:27
		Cutout (Lee Douglas Remix)	7:09
		Dressed To Please (Echospace Reduction)	11:42
		Dressed To Please (Deepchord Remix)	7:31
		Dressed To Please (Nathan Fake Remix)	4:57
		Emily

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7 versions

Image	,	–			In Your Collection, Wantlist, or Inventory	Version Details	Data Quality
	Emily CDr, Single, Promo	DFA – none, EMI – none	UK	2008	UK — 2008	Recently Edited
	Cutout / Dressed To Please 2×12", EP, Limited Edition, 33 ⅓ RPM, 45 RPM, Pre-Release	DFA – dfaemi 2194	UK	2008	UK — 2008	Recently Edited
	Emily CD, EP, Enhanced	DFA – dfaemi 2194cd, DFA – 5099951874605	UK & Europe	2008	UK & Europe — 2008
	Cutout / Dressed To Please 2×12", 45 RPM, 33 ⅓ RPM	DFA – dfaemi 2194, EMI – dfaemi 2194	UK	2008	UK — 2008	Recently Edited
	Emily CD, EP, Promo	DFA – dfaemidj 2194cd, EMI – 5099951874629	UK & Europe	2008	UK & Europe — 2008	Recently Edited
	Cutout / Dressed To Please 2×12", 45 RPM, 33 ⅓ RPM	DFA – dfaemidj 2194, EMI – dfaemidj 2194	UK	2008	UK — 2008	Recently Edited
	Cutout / Dressed To Please 2×12", 33 ⅓ RPM, 45 RPM, White Label	DFA – dfaemidj 2194	UK	2008	UK — 2008	New Submission

antec Jun 1, 2021
referencing Emily (CD, EP, Enhanced) dfaemi 2194cd
I agree with Mark, the Echospace Remix is the standout of this release. To me the guitar theme sounds a little too cheesy, but massively pitched down to about 110 bpm, it fits perfect to early 90s UK Ambient by the likes of The Orb or The KLF.
Mark_Anthony Apr 29, 2008
Edited 11 years ago
referencing Cutout / Dressed To Please (2×12", 45 RPM, 33 ⅓ RPM) dfaemi 2194
The standout on this release is the Echospace remix which has a really sweet sounding guitar twang type lead that is uplifting but also very subtle so as not to dominate the rest of the sounds. I'm a little disappointed with the Lee Douglas remix. It sounded much better in the sample than it does live. The mastering is a little harsh on the high end and I think if the treble were cut back a little bit it would do this track a favor.