Tracklist
I'm Torn Up | 3:37 |
Don't Mean A Thing | 3:06 |
Call Me | 2:51 |
Like A Mighty River | 3:23 |
That Glow | 3:04 |
Broken Bones & Pocket Change | 3:47 |
Sugar Dyed | 2:28 |
Half The City | 3:17 |
Grass Is Greener | 4:14 |
Let It Be So | 3:19 |
Dixie Rothko | 3:32 |
It's Midnight | 2:31 |
Credits (18)
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Browan Lollar Backing Vocals, Guitar
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Jesse Phillips Bass, Written-By
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Paul Janeway Vocals, Written-By
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Aaron Gresham Art Direction
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Big Communications Art Direction
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Jamie Harper (2) Baritone Saxophone
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Frank Riley (2) Booking
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Andrew Lee (12) Drums, Percussion
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Thirty Tigers Management
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Traci Thomas Management
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Steve Berson Mastered By
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Al Gamble Organ
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David McClister Photography By
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Ben Tanner Producer, Recorded By, Mixed By
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Lester Nuby III Recorded By
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Ben Griner Trombone, Tuba
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Allen Bransetter Trumpet, Flugelhorn
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St. Paul & The Broken Bones Written-By
Versions (6)
Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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SL 003 | St. Paul & The Broken Bones | Half The City (CD, Album) | Single Lock Records | SL 003 | US | 2014 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
PCD-18777 | St. Paul & The Broken Bones | Half The City (CD, Album) | P-Vine Records | PCD-18777 | Japan | 2014 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
SL 003 | St. Paul & The Broken Bones | Half The City (LP, Album) | Single Lock Records | SL 003 | US | 2014 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
SL 003 | St. Paul & The Broken Bones | Half The City (LP, Album, 180) | Single Lock Records | SL 003 | US | 2014 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
SL 003 | St. Paul & The Broken Bones | Half The City (LP, Album, Ltd, RP, Pin) | Single Lock Records | SL 003 | US | 2014 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
SL 003 | St. Paul & The Broken Bones | Half The City (LP, Album) | Single Lock Records | SL 003 | US | 2019 | Sell This Version |
Recommendations
Reviews Show All 4 Reviews
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WizzD
May 10, 2018
referencing Half The City, LP, Album, SL 003
Really good punch to this record and very quiet pressing in my opinion.
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Anmas
April 6, 2014
referencing Half The City, LP, Album, 180, SL 003
Pick! Excellent record from a rising Birmingham talent. Paul Janeway is the answer to the corners of the music world that find their singers restrained. The devout background Janeway experienced growing up can be felt in his delivery which makes the record sound at times like a big-tent revival.
The Otis Redding influence is strong throughout, and in the best possible way. As a fan that listened to absolutely nothing but Otis for several years, I am not at all turned off by this expansion of the soul sound, which sounds nothing like Redding, and is similar only in approach.
Fans of this could look to Redding protege James Govan, the Capsoul and Prix labels of the seventies to explore other under-appreciated but essential soul documents.
The band is currently on tour, and well worth traveling to see.
The Otis Redding influence is strong throughout, and in the best possible way. As a fan that listened to absolutely nothing but Otis for several years, I am not at all turned off by this expansion of the soul sound, which sounds nothing like Redding, and is similar only in approach.
Fans of this could look to Redding protege James Govan, the Capsoul and Prix labels of the seventies to explore other under-appreciated but essential soul documents.
The band is currently on tour, and well worth traveling to see.
3sgtejeff
July 17, 2019Sound also well mixed, albeit just a tad flat...but the vocals still shine through.
Great experience all in all...of this doesn’t give you goosebumps, you’re dead.