Ad

Scott WalkerTilt

Genre:

Rock

Style:

Art Rock, Experimental

Year:

Tracklist

Farmer In The City6:37
The Cockfighter6:01
Bouncer See Bouncer8:46
Manhattan6:05
Face On Breast5:15
Bolivia '957:55
Patriot (A Single)8:27
Tilt5:12
Rosary2:40

Credits (10)

Versions

Filter by
    20 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of Tilt, 1995-05-08, VinylTilt
    LP, Album, Limited Edition, Numbered
    Fontana – 526 859-1Europe1995Europe1995
    Cover of Tilt, 1995, CDTilt
    CD, Album, Promo
    Fontana – TILT1Europe1995Europe1995
    Recently Edited
    Cover of Tilt, 1995-05-08, CDTilt
    CD, Album
    Fontana – 526 859-2Europe1995Europe1995
    Cover of Tilt, 1995-05-08, CDTilt
    CD, Album
    Fontana – 526 859-2Europe1995Europe1995
    New Submission
    Tilt
    CD, Album
    Fontana – PHCR-1373Japan1995Japan1995
    New Submission
    Cover of Tilt, 1995-05-08, CassetteTilt
    Cassette, Album
    Fontana – 526 859-4Indonesia1995Indonesia1995
    New Submission
    Cover of Tilt, 1997, VinylTilt
    LP, Album, Reissue
    Drag City – DC134US1997US1997
    Cover of Tilt, 1997, CDTilt
    CD, Album, Reissue
    Drag City – DC134CDUS1997US1997
    Recently Edited
    Cover of Tilt, 2019-10-25, VinylTilt
    2×LP, Album, Misprint, Reissue, 180 Gram
    Fontana – 779 854-6Europe2019Europe2019
    New Submission
    Tilt
    9×File, WAV, Album, Reissue
    Fontana – noneEurope2019Europe2019
    New Submission
    Cover of Tilt, 2024-04-20, VinylTilt
    2×LP, 45 RPM, Album, Record Store Day, Limited Edition, Reissue, Half Speed Mastered
    Fontana – 5884975Europe2024Europe2024
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album, Repress
    Fontana – 526 859-2EuropeEurope
    Recently Edited
    Cover of Tilt, , CDTilt
    CD, Album
    Fontana – 526 859-2UK & EuropeUK & Europe
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album, Repress
    Fontana – 526 859-2EuropeEurope
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album, Reissue
    Fontana – 526 859-2EuropeEurope
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album
    Fontana – 526 859-2UK & EuropeUK & Europe
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album, Repress
    Fontana – 526 859-2UK & EuropeUK & Europe
    Recently Edited
    Cover of Tilt, , FileTilt
    9×File, MP3, Album, Stereo
    Fontana – noneUSUS
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album, Reissue
    Fontana – 526 859-2EuropeEurope
    New Submission
    Cover of Tilt, , CDTilt
    CD, Album, Repress
    Fontana – 526 859-2EuropeEurope
    New Submission

    Recommendations

    • Scott Walker - The Drift
      The Drift
      2006 UK
      Vinyl —
      LP, Album
      Shop
    • Scott Walker - Soused
      Soused
      2014 UK & Europe
      Vinyl —
      LP
      Shop
    • Scott Walker - Scott 3
      Scott 3
      1969 UK
      Vinyl —
      LP, Album, Stereo
      Shop
    • Scott Walker - Bish Bosch
      Bish Bosch
      2012 UK & Europe
      Vinyl —
      LP, Album
      Shop
    • Scott Engel - Scott 4
      Scott 4
      1969 UK
      Vinyl —
      LP, Album, Stereo
      Shop
    • Scott Walker - Climate Of Hunter
      Climate Of Hunter
      1984 UK
      Vinyl —
      LP, Album
      Shop
    • David Bowie - Low
      Low
      1977 UK
      Vinyl —
      LP, Album, Stereo
      Shop
    • Portishead - Dummy
      Dummy
      1994 Europe
      Vinyl —
      LP, Album
      Shop
    • Public Image Limited - Metal Box
      Metal Box
      1979 UK
      Vinyl —
      12", 45 RPM, Album, Limited Edition
      Shop
    • David Bowie - Scary Monsters
      Scary Monsters
      1980 UK
      Vinyl —
      LP, Album, Stereo
      Shop

    Reviews

    • andreow's avatar
      andreow
      This has some audible surface noise and some crackle. Awful inner sleeves. Mastering is great, though. Would have been no need for running in 45 RPM. I assume. You don't get benefits from this at this side lengths. As flimpsy made as a lot of RSD-releases, but soundwise ok.
      • anah3ra's avatar
        anah3ra
        no surface noise or noticeable problems during quiet moments for me, sounds absolutely phenomenal. would've preferred a gatefold jacket though
        • mcorba's avatar
          mcorba
          Remarkable piece of work - the heart and soul he puts into his music - worth reading the curious life of Scott walker to support understanding of what this man was trying to do.
          • lross's avatar
            lross
            About as far removed as make it easy on yourself as it could be possibly imagined . As big a loss to music as Bowie. As Lennon .
            • Real_Googetter's avatar
              Like others I’m hearing a very noticeable rumble in the quiet parts, most noticeable between tracks or during the gentle intros. However once each track gets going this master sounds absolutely huge and triumphant and wonderful. I’m not disappointed. Got this on CD when I was 16 after a tutor played us Drift in college and the album changed my silly life. Very happy to have the opportunity to own it on vinyl at a price I can afford. This is an album I have listened to semi regularly for 20 years now and every time is magical.
              • CriticalMaasCollect's avatar
                I’m torn on this one. It has too much intrusive groove rumble in the quiet bits, but the excellent mastering makes this album sound huge, with one of the most immersive stereo listening experiences I’ve ever had.
                I’m resigned to buying multiple copies, just like I had to do with the In Rainbows 45rpm double LP.
                • kelvah's avatar
                  kelvah
                  Records sound good. My copy has some surface noise though. Inner sleeves are really cheap. Outer one looks fragile.
                  • TheCoolVault's avatar
                    TheCoolVault
                    This was the best record, of the Nineties, in my opinion. Totally unique, original and distinctive, unlike anything else, then or now. Like everyone one else in the 90s, I was blasting out Brit Pop and Grunge, I loved that stuff at the time, and still do, however these days I play Tilt, much more than any other record from the Nineties.
                    It's's timeless and universal, and proved that the old farts of the sixties, could still be innovative and relevant in the modern era, Scott actually did his fellow contemporary artists a favour with this avant-garde masterpiece. I wonder how many of them that he inspired, by not chasing the market, and just sticking to your guns, following your muse, and simply doing what you do best.
                    It's hard to believe that Tilt it was made, by a big star, of the Sixties. Scott was one of the very few from this era, that did not sell out looking for the big elusive hit in the 80s and 90s, he absolutely refused to play ball with the big record companies who would have required him, to drop his standards to throwaway chart levels. This is not just music, this is art at the very highest, level. All the Influences, of the huge amount of world cinema, that Scott consumed is interwoven, into the music.
                    Who are you? 21 21 21, I'll give you 21 21 21, I haven't a clue what he's singing about, but my goodness, it's infectious and singable, whilst at the same time adventurous, experimental, and aurally fascinating.

                    A Grain Of Salt, from

                    The🅒🅞🅞🅛 Vault
                    • TheCoolVault's avatar
                      TheCoolVault
                      This was the best record, of the Nineties, in my opinion. Totally unique, original and distinctive, unlike anything else, then or now. Like everyone one else in the 90s, I was blasting out Brit Pop and Grunge, I loved that stuff at the time, and still do, however these days I play Tilt, much more than any other record from the Nineties.
                      It's's timeless and universal, and proved that the old farts of the sixties, could still be innovative and relevant in the modern era, Scott actually did his fellow contemporary artists a favour with this avant-garde masterpiece. I wonder how many of them that he inspired, by not chasing the market, and just sticking to your guns, following your muse, and simply doing what you do best.
                      It's hard to believe that Tilt it was made, by a big star, of the Sixties. Scott was one of the very few from this era, that did not sell out looking for the big elusive hit in the 80s and 90s, he absolutely refused to play ball with the big record companies who would have required him, to drop his standards to throwaway chart levels. This is not just music, this is art at the very highest, level. All the Influences, of the huge amount of world cinema, that Scott consumed is interwoven, into the music.
                      Who are you? 21 21 21, I'll give you 21 21 21, I haven't a clue what he's singing about, but my goodness, it's infectious and singable, whilst at the same time adventurous, experimental, and aurally fascinating.

                      A Grain Of Salt, from

                      The🅒🅞🅞🅛 Vault
                      • TheCoolVault's avatar
                        TheCoolVault
                        This was the best record, of the Nineties, in my opinion. Totally unique, original and distinctive, unlike anything else, then or now. Like everyone one else in the 90s, I was blasting out Brit Pop and Grunge, I loved that stuff at the time, and still do, however these days I play Tilt, much more than any other record from the Nineties.
                        It's's timeless and universal, and proved that the old farts of the sixties, could still be innovative and relevant in the modern era, Scott actually did his fellow contemporary artists a favour with this avant-garde masterpiece. I wonder how many of them that he inspired, by not chasing the market, and just sticking to your guns, following your muse, and simply doing what you do best.
                        It's hard to believe that Tilt it was made, by a big star, of the Sixties. Scott was one of the very few from this era, that did not sell out looking for the big elusive hit in the 80s and 90s, he absolutely refused to play ball with the big record companies who would have required him, to drop his standards to throwaway chart levels. This is not just music, this is art at the very highest, level. All the Influences, of the huge amount of world cinema, that Scott consumed is interwoven, into the music.
                        Who are you? 21 21 21, I'll give you 21 21 21, I haven't a clue what he's singing about, but my goodness, it's infectious and singable, whilst at the same time adventurous, experimental, and aurally fascinating.

                        A Grain Of Salt, from

                        The🅒🅞🅞🅛 Vault

                        Master Release

                        For sale on Discogs

                        Sell a copy

                        Statistics

                        • Avg Rating:4.49 / 5
                        • Ratings:641
                        Ad

                        Videos (3)

                        Edit
                        Ad
                        Ad