John HiattTerms Of My Surrender

Genre:

Rock

Style:

Country Rock

Year:

Tracklist

Long Time Comin'
Face Of God
Marlene
Wind Don't Have To Hurry
Nobody Knew His Name
Baby's Gonna Kick
Nothin' I Love
Terms Of My Surrender
Here To Stay
Old People
Come Back Home
Live From The Franklin Theatre
Drive South
Tennessee Plates
Crossing Muddy Waters
Nothin' I Love
Terms Of My Surrender
Perfectly Good Guitar
Feels Like Rain
Thing Called Love
Slow Turning
Have A Little Faith In Me

Credits (53)

Versions

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    4 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of Terms Of My Surrender, 2014-07-15, VinylTerms Of My Surrender
    LP, Album, Limited Edition
    New West Records – NW5083US2014US2014
    New Submission
    Cover of Terms Of My Surrender, 2014-07-15, CDTerms Of My Surrender
    CD, Album, Stereo; DVD, DVD-Video, Stereo
    New West Records – NW6315US2014US2014
    Recently Edited
    Cover of Terms Of My Surrender, 2014-07-15, CDTerms Of My Surrender
    CD, Album
    New West Records – NW6284, New West Records – NW6284/6315US2014US2014
    New Submission
    Cover of Terms Of My Surrender, 2014, CDTerms Of My Surrender
    CD, Album, Promo
    New West Records – NWA3075US2014US2014
    New Submission

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    Reviews

    • Lee_Armstrong's avatar
      Lee_Armstrong
      John Hiatt's "Terms of My Surrender" is the Hiatt set you want to play to help you nap. Hiatt's pretty much asleep throughout. What is gone is Hiatt's sense of melody. Yes, this music emulates the blues, but even traditional blues songs have more melodic spark than the awful "Nobody Knew His Name" that goes up on the end of one line and then down on the next. So predictable. Doug Lancio who did a blockbuster job on producing Gretchen Peters' country weeper set "Blackbirds" plays guitars, banjo and mandolin. He puts some energy into the opening track "Long Time Comin'," which is all there is there for me. The plodding mess of "Baby's Gonna Kick" might be helpful if one were an alcoholic jumping off the wagon. Hiatt's imitation of Willie Nelson on the title track sinks with his pathetic higher register warbling. "Face of God" lays Hiatt's vocals over a strong blues progression; and although it fails to rivet me, it's less awful that the last three tracks "Here To Stay," "Old People" & "Come Back Home." "Marlene" is the only track on the set that I almost like with its lighter tone and Kenneth Blevins' drums making it almost fun. Unfortunately, it's kind of boring too. Somebody please buy John a cup of coffee and wake him up. This snooze fest is a must to avoid. Taxi!

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      • Avg Rating:4.15 / 5
      • Ratings:123

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