Hybrid – Remix And Additional Production By...

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Image	,	–			In Your Collection, Wantlist, or Inventory	Version Details	Data Quality
	Remix And Additional Production By... CD, Compilation, Mixed	Distinct'ive Breaks – DISNCD67	UK	2000	UK — 2000	Recently Edited
	Remix And Additional Production By... CDr, Mixed, Promo	Distinct'ive Breaks – none	UK	2000	UK — 2000	Recently Edited
	Remix & Additional Production By 2×CDr, Advance	Distinct'ive Breaks – none	UK	2000	UK — 2000	Recently Edited
	Remix And Additional Production By... CD, Mixed, Unofficial Release	Distinct'ive Breaks (2) – DISNCD67	Russia	2000	Russia — 2000	New Submission
	Remix And Additional Production By... 3×12", 33 ⅓ RPM, Compilation	Distinct'ive Breaks – DISNLP67	UK	2001	UK — 2001	Recently Edited

zhangmeng Dec 14, 2014
Edited 10 years ago
referencing Remix & Additional Production By (2×CDr, Advance) none
the best progressive breaks album ever
scoundrel Jul 9, 2004
Edited 20 years ago
referencing Remix And Additional Production By... (CD, Compilation, Mixed) DISNCD67
Hybrid, on their compilation REMIX & ADDITIONAL PRODUCTION BY... put their progressive breaks on a number of artists with floor-storming results. There's really no room for subtlety, so they instead go for the slam. I'm not complaining, though -- Hybrid know how to make a track flow. The stronger tracks, no surprisingly, comes from the tracks that were already great in their original form: Future Sound of London's "Papua New Guinea"; Monk & Canatella's "Enter the Monk." By their transformation of OK tracks into floorfillers is something to behold. For instance, the vocals in Andreas Johnson's "Glorious" could've gone terribly wrong, but they manage to do it right. The whole album is a testament to that.