Tracklist
おもい | |||
それはぼくぢゃないよ | |||
指切り | |||
びんぼう | |||
五月雨 | |||
ウララカ | |||
あつさのせい | |||
朝寝坊 | |||
水彩画の町 | |||
乱れ髪 | |||
恋の汽車ポッポ第二部 | |||
いかすぜ! この恋 |
Versions
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23 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
大瀧詠一/ファースト・アルバム LP, Album | Bellwood Records – OFL-7 | Japan | 1972 | Japan — 1972 | New Submission | ||||
大瀧詠一/ファースト・アルバム LP, Album, Reissue | Bellwood Records – SKM-7009 | Japan | 1979 | Japan — 1979 | New Submission | ||||
大瀧詠一/ファースト・アルバム LP, Album, Reissue | Bellwood Records – K25A-180 | Japan | 1981 | Japan — 1981 | New Submission | ||||
大瀧詠一 Cassette, Album, Reissue | Bellwood Records – K20H-412 | Japan | 1981 | Japan — 1981 | New Submission | ||||
大瀧詠一 (ファースト・アルバム) CD, Album, Reissue | Bellwood Records – K25X 371 | Japan | 1989 | Japan — 1989 | New Submission | ||||
ファースト・アルバム CD, Album, Reissue | Bellwood Records – KICS 2143 | Japan | 1992 | Japan — 1992 | New Submission | ||||
大瀧詠一 CD, Album, Reissue, Remastered, Stereo, Mono | Yoo-Loo – OOCO-1 | Japan | 1995 | Japan — 1995 | New Submission | ||||
大瀧詠一 CD, Album, Promo, Reissue, Remastered, Stereo, Mono | Yoo-Loo – OOCO-1 | Japan | 1995 | Japan — 1995 | New Submission | ||||
大瀧詠一/ファースト・アルバム LP, Album, Reissue | Bellwood Records – VSLP-4012, Vivid Sound – VSLP-4012 | Japan | 1996 | Japan — 1996 | New Submission | ||||
大瀧詠一 CD, Album, Reissue, Remastered, Stereo, Mono | Yoo-Loo – SRCL 4170 | Japan | 1997 | Japan — 1997 | New Submission | ||||
大瀧詠一ファースト CD, Album, Reissue, Remastered | Bellwood Records – KICS 8811, King Records – KICS 8811 | Japan | 2000 | Japan — 2000 | New Submission | ||||
大瀧詠一/ファースト・アルバム LP, Album, Reissue | Bellwood Records – BZJS-5006 | Japan | 2001 | Japan — 2001 | New Submission | ||||
大瀧詠一 CD, Album, Reissue, Remastered | Bellwood Records – KICS 2557 | Japan | 2012 | Japan — 2012 | New Submission | ||||
大瀧詠一 CD, Album, Limited Edition, Reissue, Remastered, Paper Sleeve, HR Cutting | Bellwood Records – KICS 91801, King Records – KICS 91801 | Japan | 2012 | Japan — 2012 | New Submission | ||||
大瀧詠一 LP, Album, Reissue, 180 Grams | Bellwood Records – KIJS-90005 | Japan | 2015 | Japan — 2015 | New Submission | ||||
大瀧詠一 2×12", 45 RPM, Album, Reissue | Fuji – FJLP1001, Bellwood Records – OFL-7 | Japan | 2017 | Japan — 2017 | New Submission | ||||
大瀧詠一 CD, Album, Reissue, Remastered, Stereo, UHQCD | Bellwood Records – KICS 2625 | Japan | 2017 | Japan — 2017 | New Submission | ||||
大瀧詠一/ファースト・アルバム Cassette, Album, Limited Edition, Reissue | Bellwood Records – FJCT101, Bellwood Records – DNT-9002 | Japan | 2018 | Japan — 2018 | New Submission | ||||
大瀧詠一 12×File, WAV, Album, Reissue, Stereo, 24bit/192kHz | Bellwood Records – NOHR-573 | Japan | 2022 | Japan — 2022 | New Submission | ||||
大瀧詠一 12×File, DSF, Reissue, Stereo, DSD 11.2MHz/1bit | Bellwood Records – NOHR-573 | Japan | 2022 | Japan — 2022 | New Submission | ||||
大瀧詠一 乗合馬車 (Omnibus) (50th Anniversary Edition) 2×CD, Album, Reissue, Remastered | Niagara Records – SRCL 12345~6 | Japan | 2022 | Japan — 2022 | New Submission | ||||
大瀧詠一 乗合馬車 (Omnibus) (50th Anniversary Edition) 2×LP, Album, Limited Edition, Stereo, Mono | Niagara Records – SRJL 1125~6, Bellwood Records – SRJL 1125~6 | Japan | 2023 | Japan — 2023 | New Submission | ||||
ファースト・アルバム CD, Album, Reissue, Repress | Bellwood Records – K25X 371 | Japan | Japan | New Submission |
Recommendations
Reviews
referencing 大瀧詠一 乗合馬車 (Omnibus) (50th Anniversary Edition) (2×LP, Album, Limited Edition, Stereo, Mono) SRJL 1125~6
Great pressing lot of details of this record since the beginning & story. The most important is the sound is so awesome!referencing 大瀧詠一 乗合馬車 (Omnibus) (50th Anniversary Edition) (2×LP, Album, Limited Edition, Stereo, Mono) SRJL 1125~6
Great songs and a great pressing. Nice and detailed and a great stereo image (other than a couple of mono tracks). A VERY clean pressing with no audible surface noise on the vinyl (only some tape hiss from the original recording). I’ve bought a bunch of Japanese records (Japanese music) lately and all of them have sounded great, I wish this standard and consistency was available on western music too. Highly recommended
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