Fennesz, Sakamoto* ‎– Cendre

Genre:
Style:
Year:

Tracklist

Oto 3:49
Aware 4:46
Haru 4:39
Trace 5:46
Kuni 2:24
Mono 4:13
Kokoro 4:16
Cendre 3:09
Amorph 5:58
Glow 7:12
Abyss 5:38

Versions (2)

Cat# Artist Title (Format) Label Cat# Country Year
Tone 32 Fennesz, Sakamoto* Cendre(CD, Album) Touch Tone 32 UK 2007 Sell This Version
RZCM-45525 Fennesz + Sakamoto Cendre(CD, Album) Commmons RZCM-45525 Japan 2007 Sell This Version

Reviews Show All 3 Reviews

Add Review

Headphone_Commute

Headphone_Commute

November 2, 2008
referencing Cendre, CD, Album, Tone 32
Here's a 2007 release that I've been meaning to cover in detail for a while. Touch Music was launched in 1982, initially releasing cassette magazines. Twenty five years later, Touch is at its peak, perfecting their output with carefully selected works by Christian Fennesz, Ryuuichi Sakamoto, Oren Ambarchi, Biosphere, Ryoji Ikeda, Philip Jeck, Chris Watson and Mika Vainio, amongst others. Since the 90s, Fennesz and Sakamoto have performed live, with Sala Santa Cecilia being their first collaborative EP (Touch, 2005), recorded live at Auditorium della Parco Musica for the Romaeuropa Festival. Two years later, the duo got together to compose their first full length LP, Cendre. In between these two releases, Fennesz recorded an album with Keith Rowe, Toshimaru Nakamura and Oren Ambarchi, under a collective moniker 4g, titled Cloud (Erstwhile, 2005). Meanwhile, prolific Sakamoto (recording since 1978) released a remix album, Bricolages (Warner Music Japan, 2006) with a collection of reworked tracks by an amazing roster of artists like Alva Noto, Taylor Deupree, Snd, Richard Devine, Slicker and even Craig Armstrong. Needless to say that I was pretty excited to hear what the couple come up with, with such an amazing web of connections and an array of experiences. And Cendre doesn't disappoint. Sakamoto is back at the piano, this time bathed in a warm lush of ambient bliss, as flooded by Fennesz. The reverberations of drone-like pads almost swallow the notes whole, occasionally letting them cut through the descending fog, and shoot up like a sparkling reflection of a dying star. Editors at Boomkat have said it best : "The fact that you're reading this review assumes you're of a certain musical disposition, and if you are in any way interested in the more beautiful things in life, the sensitive yet experimental end of modern music - pay close attention as this album is just about as good as it gets." A modern classical marvel. The latest from Fennesz is Transition EP (Touch, 2008), while Sakamoto released a collaboration with Christopher Willits, titled Ocean Fire (12k, 2008).
Headphone_Commute

Headphone_Commute

November 2, 2008
referencing Cendre, CD, Album, RZCM-45525
Here's a 2007 release that I've been meaning to cover in detail for a while. Touch Music was launched in 1982, initially releasing cassette magazines. Twenty five years later, Touch is at its peak, perfecting their output with carefully selected works by Christian Fennesz, Ryuuichi Sakamoto, Oren Ambarchi, Biosphere, Ryoji Ikeda, Philip Jeck, Chris Watson and Mika Vainio, amongst others. Since the 90s, Fennesz and Sakamoto have performed live, with Sala Santa Cecilia being their first collaborative EP (Touch, 2005), recorded live at Auditorium della Parco Musica for the Romaeuropa Festival. Two years later, the duo got together to compose their first full length LP, Cendre. In between these two releases, Fennesz recorded an album with Keith Rowe, Toshimaru Nakamura and Oren Ambarchi, under a collective moniker 4g, titled Cloud (Erstwhile, 2005). Meanwhile, prolific Sakamoto (recording since 1978) released a remix album, Bricolages (Warner Music Japan, 2006) with a collection of reworked tracks by an amazing roster of artists like Alva Noto, Taylor Deupree, Snd, Richard Devine, Slicker and even Craig Armstrong. Needless to say that I was pretty excited to hear what the couple come up with, with such an amazing web of connections and an array of experiences. And Cendre doesn't disappoint. Sakamoto is back at the piano, this time bathed in a warm lush of ambient bliss, as flooded by Fennesz. The reverberations of drone-like pads almost swallow the notes whole, occasionally letting them cut through the descending fog, and shoot up like a sparkling reflection of a dying star. Editors at Boomkat have said it best : "The fact that you're reading this review assumes you're of a certain musical disposition, and if you are in any way interested in the more beautiful things in life, the sensitive yet experimental end of modern music - pay close attention as this album is just about as good as it gets." A modern classical marvel. The latest from Fennesz is Transition EP (Touch, 2008), while Sakamoto released a collaboration with Christopher Willits, titled Ocean Fire (12k, 2008).
FLuViRuS

FLuViRuS

July 9, 2007
edited over 8 years ago
referencing Cendre, CD, Album, Tone 32

Cendre is a slow, moving, impressionistic collaboration of substantial quality between Fennesz and Sakamoto. Fennesz provides the sparse, sometimes-shimmering, sometimes-hazy atmospheric canvas upon which Sakamoto sprinkles his minimalist piano tinkles. Sakamoto's piano sings with emotive longingness (Haru, Trace, Abyss), flows like an unsettled river (Amorph, Mono, Kuni, Abyss), or flirts with the air with its chromatic sonorities (Aware, Oto, Cendre, Glow, Kokoro, Trace). As the final track, Abyss, fades off into an ethereal void thanks to Fennesz's magical touch, one emerges from an entranced state and realises what a beautiful album Cendre is.