Big Fun (Vinyl, 12", 33 ⅓ RPM, Stereo) capa do álbum

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Inner City ‎– Big Fun

Selo:
Virgin ‎– 0-96610
Formato:
Vinyl, 12", 33 ⅓ RPM, Stereo
País:
US
Lançado:
1988
Genre:
Electronic
Estilo:
House, Techno

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A1 Big Fun (Magic Juan Mix)
Remix – Magic Juan*
 7:39
A2 Big Fun (Duane Bradley Mix)
Remix – Duane Bradley
 5:01
B1 Big Fun (12" Remix)
Edited By [Re-edited By] – Master Reese*
 7:09
B2 Big Fun (Kick The Pump Mix)
Edited By [Re-edited By] – May Day*
 6:41

Companhias, etc.

Créditos

Notas

Produced at KMS Recording.
Drive On Music. Tracks licensed via Best Beat Ltd.
Manufactured & distributed by WEA through arrangement with Atlantic Records.
℗1988 10 Records Ltd.

Código de Barras e Outros Identificadores

  • Barcode (Text): 0 7567-96610-0
  • Barcode (Scanned): 075679661005
  • Matrix / Runout (A Side Runout): ST-DM-55969-55970-1 1-1 PRECISION SRC
  • Matrix / Runout (B Side Runout): ST-DM-55971-55972-1 1-1 PRECISION SRC

Outras versões (5 de 63) Ver tudo

Cat. nº Artista Título (Formato) Selo Cat. nº País Ano
KMS 015 Innercity* Big Fun ‎(12") KMS KMS 015 US 1988 Vender esta versão
TEN 240 Inner City Big Fun ‎(7", Single) 10 Records TEN 240 Australia 1988 Vender esta versão
80412 Inner City Big Fun ‎(12") 10 Records 80412 France 1988 Vender esta versão
TEN X 240 DJ Inner City Big Fun ‎(12", Promo) 10 Records TEN X 240 DJ UK 1988 Vender esta versão
none Inner City Big Fun (Remixes) ‎(8xFile, AAC, 256) Play It Again Sam [PIAS] none Europe 2003

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Mark_Anthony

Mark_Anthony

3 de novembro de 2019

My girlfriend thinks the lyric says "We're havin' meatballs" X-D The previous reviewer is right tho. The bongos in the B1 will murder it any time any place.
Responder Notifique-me 1 Helpful
rrileyy

rrileyy

10 de outubro de 2019
It is wild that this record is still totally smashing dancefloors in 2019. Over 30 years goin!!
Responder Notifique-me 3 Helpful
bitonti

bitonti

6 de novembro de 2013
editado over 7 years ago

the "Kick the Pump Mix" by Derrick May (listed as May-Day) is almost like hearing him DJ live he hits the first synths multiple times like they are in a sampler pad. May then throws in some filter and the "ohh" sample from the vocals for a few min. The mix is aggressive and dramatic you know he's operating back there. Heavy use of delay effect and filters. At one point he stops it with a rub like he's got a finger on the vinyl (but then edits out the beat that he's behind). Really clever stuff, the full "we don't need a crowd" sample doesn't even show up until the 3 minute mark. It's a playful "re-edit" about 119 BPM, call it proto-deep house or slow techno either way move aside cause Derrick May is coming through...
Responder Notifique-me 6 Helpful