Depeche Mode – 101
Label: | Mute – Stumm101, Sony Music – 88985337711 |
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Format: | |
Country: | Europe |
Released: | |
Genre: | Electronic |
Style: | Synth-pop |
Tracklist
A1 | Pimpf | 0:53 | |
A2 | Behind The Wheel | 5:41 | |
A3 | Strangelove | 4:42 | |
A4 | Something To Do | 3:45 | |
A5 | Blasphemous Rumours | 5:06 | |
B1 | Stripped | 6:16 | |
B2 | Somebody | 4:27 | |
B3 | Things You Said | 4:09 | |
B4 | Black Celebration | 4:33 | |
C1 | Shake The Disease | 4:57 | |
C2 | Pleasure Little Treasure | 4:35 | |
C3 | People Are People | 4:54 | |
C4 | A Question Of Time | 4:09 | |
D1 | Never Let Me Down Again | 6:22 | |
D2 | Master And Servant | 4:24 | |
D3 | Just Can't Get Enough | 4:01 | |
D4 | Everything Counts | 6:07 |
Companies, etc.
- Phonographic Copyright ℗ – Venusnote Limited
- Copyright © – Venusnote Limited
- Licensed To – Sony Music Entertainment International Ltd.
- Record Company – Sony Music Entertainment International Services GmbH
- Published By – EMI Music Publishing Ltd.
- Published By – Grabbing Hands Music Ltd.
- Published By – Musical Moments (Europe) Ltd.
- Published By – Sony / ATV Music Publishing
- Recorded At – Rose Bowl Stadium
- Mixed At – Swanyard Studios
- Pressed By – Record Industry – 17021
Credits
- Cover – Anton Corbijn, Paul West (6)
- Engineer – Alan Moulder
- Photography By – Anton Corbijn
- Producer – Depeche Mode
- Recorded By – Randy Ezratty
- Recorded By [Assistant] – Billy Yodelman, John Harris, Mark Shane
- Written-By – Martin L. Gore (tracks: A1 to D2, D4), Vince Clarke (tracks: D3)
Notes
Identical to this version, but without Legacy label.
Includes a 16-page booklet of photos.
Recorded Live at the Pasadena Rose Bowl, June 18th 1988, for Effanel Music on the Westwood One Mobile
Mixed at Swanyard Studio, London
℗ 1989 Venusnote Ltd. under exclusive licence to Sony Music Entertainment International Ltd. © 1989, 2016 Venusnote Ltd. under exclusive licence to Sony Music Entertainment International Ltd. Made in the EU. Sony Music Entertainment International Service GmbH, PO Box 510, 33311 Gütersloh, Germany.
Includes a 16-page booklet of photos.
Recorded Live at the Pasadena Rose Bowl, June 18th 1988, for Effanel Music on the Westwood One Mobile
Mixed at Swanyard Studio, London
℗ 1989 Venusnote Ltd. under exclusive licence to Sony Music Entertainment International Ltd. © 1989, 2016 Venusnote Ltd. under exclusive licence to Sony Music Entertainment International Ltd. Made in the EU. Sony Music Entertainment International Service GmbH, PO Box 510, 33311 Gütersloh, Germany.
Barcode and Other Identifiers
- Barcode (Printed): 8 89853 37711 4
- Barcode (Scanned): 889853377114
- Matrix / Runout (Side A stamped runout): 17021 1A 88985337711
- Matrix / Runout (Side B stamped runout): 17021 1B 88985337711
- Matrix / Runout (Side C stamped runout): 17021 1C 88985337711
- Matrix / Runout (Side D stamped runout): 17021 1D 88985337711
- Label Code: LC 05834
Other Versions (5 of 368)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | 101 (2×LP, Album, Test Pressing, Envelope Sleeve) | Mute | Stumm 64 | UK | 1988 | ||
Recently Edited | 101 (2×CD, Album, Repress, Fatboy Jewel Case) | Mute | CDStumm 101 | UK | 1989 | ||
101 (2×LP, Album, Stereo, Envelope Sleeve) | Mute, Mute | INT 192.650, Stumm 101 | Germany | 1989 | |||
Recently Edited | 101 (2×CD, Album) | Alfa, Mute | 38B2-14/15 | Japan | 1989 | ||
Recently Edited | 101 (Cassette, Album) | Mute | CStumm 101 | UK | 1989 |
Recommendations
Reviews
- I've bought this release, because after comparing my friend's copy of this release to my original 1989 US copy, that was mint and sealed prior to listening, we agreed, that this remaster sounds better. It rarely happens, but this is one of the cases, when remaster sounds better. Original is too "midrange" and muffled.
- Hiss sounds on 'Something to do' and 'Blasphemous Rumors'. I have almost every album from the Depeche Mode 2016-2017 re-releases, and I must say this has the worst sound of them all. Besides the hissing, also a bit muffled. Maybe it's because it's a live album. The other ones in the series are of exceptional quality.
- It says here the release date was February 2017, but I bought my copy from the record store in December 2016 - just found an invoice.
Release
For sale on Discogs
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