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RadioheadOK Computer

Label:Capitol Records – CDP 7243 8 55229 2 5
Format:
CD, Album
Country:US
Released:
Genre:Rock
Style:Alternative Rock, Art Rock, Experimental

Tracklist

1Airbag4:44
2Paranoid Android6:23
3Subterranean Homesick Alien4:28
4Exit Music (For A Film)4:25
5Let Down4:59
6Karma Police4:22
7Fitter Happier1:57
8Electioneering3:51
9Climbing Up The Walls4:45
10No Surprises3:49
11Lucky4:20
12The Tourist5:25
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Companies, etc.

  • Copyright ©EMI Records Ltd.
  • Phonographic Copyright ℗EMI Records Ltd.
  • Manufactured ByCapitol Records, Inc.
  • Recorded ByCanned Applause? Mobile
  • Recorded AtAbbey Road Studios
  • Recorded AtMayfair Studios
  • Recorded AtAir Lyndhurst Hall
  • Recorded AtCourtyard Studio
  • Recorded AtThe Church, London
  • Overdubbed AtAbbey Road Studios
  • Overdubbed AtMayfair Studios
  • Overdubbed AtAir Lyndhurst Hall
  • Overdubbed AtCourtyard Studio
  • Overdubbed AtThe Church, London
  • Mastered AtAbbey Road Studios
  • Designed AtHubdesign
  • Designed AtThe Whole Hog
  • Published ByWarner Chappell Ltd.
  • Glass Mastered AtEMI MFG.

Credits

  • A&R [Artistic Freedom In The Market Place Maintained By]Keith Wozencroft, Tony Wadsworth
  • A&R [Artistic Freedom In The Market Place Maintained With]Perry Watts-Russell
  • Arranged By [Strings]Radiohead
  • Artwork [Additional Complicated Artwork Skills Supplied By, @ Hubdesign]Matt Bale
  • Artwork [Additional Complicated Artwork Skills Supplied By, @ The Whole Hog]Mr. Barry
  • Artwork [Pictures Done By]The White Chocolate Farm
  • Artwork [Pictures Done By], Other [Web Site Maintained(?) By]Stanley Donwood
  • Booking [Performing Monkey Bookings Taken By]Charlie Myatt, ITB
  • Conductor [Strings Conducted By]Nick Ingman
  • Engineer [Studio Assistant]Chris Scard, Gerard Navarro, Jon Bailey
  • Lighting, Stage Manager [Stage Design, Smoke And Production]Andi Watson
  • Management [Cash Dealings And Other Assistance]Big Al (21)
  • Management [International Ambassador]Carol Baxter
  • Management [Office Run By]Julie Calland
  • Management [Patiently Managed By]Brian Message, Bryce Edge, Chris Hufford, Courtyard*
  • Mastered ByChris'King Fader'Blair*
  • Mixed By [Audio Levels Balanced]Nigel Godrich
  • Music ByColin Greenwood, Ed O'Brien, Jonny Greenwood, Phil Selway, Thom Yorke
  • Public Relations [Media Handling]Caffy St Luce
  • Realization [Video Realisation With]Dilly Gent
  • Recorded By [Committed To Tape By]Nigel Godrich
  • Recorded By [Committed To Tape With]Radiohead
  • Sound Designer [Performance Sound Enhancement For The Audience Balanced By]Jim Warren
  • Stage Manager [Stage Managing], Other [Instrument Modifications And Equipment Shifting Into Difficult Places]Plank (3)
  • Technician [Additional Guitar Stuff]Adam Cummings
  • Technician [Guitar Maintenance And Deck Chairs]Duncan Swift (2)
  • Technician [Sound Reference], Other [Physics Teaching]Tree (37)
  • Tour ManagerTim Greaves (2)

Notes

Audio recordings made using the Canned Applause? Mobile.
Mastered at Abbey Road.
Audio fixing and dubbing done at Mayfair, Abbey Road, Air Lyndhurst, Courtyard and The Church using the wonders of a digital and analogue age.

All songs are published by Warner Chappell Ltd.

Sample from Flight Of The Condor used with permission.

℗1997 The copyright in this sound recording is owned by EMI Records Ltd. ©1997 EMI Records Ltd.
Printed in U.S.A.

Barcode and Other Identifiers

  • Barcode (Text): 7 2438-55229-2 5
  • Barcode (Scanned): 724385522925
  • Matrix / Runout (Variant 1): 724385522925 MASTERED BY EMI MFG. 1-1-6
  • Mastering SID Code (Variant 1): IFPI L043
  • Mould SID Code (Variant 1): ifpi 1650
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  • Mastering SID Code (Variant 2): IFPI L043
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  • Mastering SID Code (Variant 3): IFPI L043
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  • Other (Variant 3, stamped in mould): M1S1
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  • Matrix / Runout (Variant 32): 724385522925 ‧ MASTERED BY EMI MFG. 1-1-6
  • Mastering SID Code (Variant 32): IFPI L043
  • Mould SID Code (Variant 32): ifpi 1678

Other Versions (5 of 224)

View All
Title (Format)LabelCat#CountryYear
OK Computer (CD, Album, Stereo)Parlophone, Parlophone7243 8 55229 2 5, CDNODATA 02Europe1997
Recently Edited
OK Computer (CD, Album)Parlophone7243 8 55229 2 5Canada1997
Recently Edited
OK Computer (Minidisc, Album)Parlophone7243 8 55229 8 7UK1997
Recently Edited
OK Computer (CD, Advance, Album, Numbered, Promo)ParlophoneCDPP 005UK1997
New Submission
OK Computer (All Media, Limited Edition, Slipcase Set, CD, Album, CD, Maxi-Single)Parlophone7243 8 21338 2 7Europe1997

Recommendations

Reviews

  • djproject's avatar
    djproject
    Edited 18 years ago
    After the moderate success of The Bends (which also secured them as being beyond just "the band that does the song 'Creep'"), Radiohead was inspired to do more of their own thing. Inspired greatly by the Beatles' self titled "white" album, Radiohead set to make what many have called "The Dark Side of the Moon of the 1990s."

    While denying the progressive rock connections that critics have made, it's hard not to see some attributes of progressive rock in this album. In fact, it's better to call it more of an art rock album. There is a unity between the songs that shows more of a state of mind, rather than a linear narrative or an explicit construct. The state of mind is living in the modern world with its emphasis on better living through science. And yet the 19th century notion of letting science and technology advance the human race into a better utopia has resulted in devasating wars and other forms of misery... far from being idyllic and peaceful.

    Perhaps the song that really makes the point is the "intermission" song "Fitter Happier." Delivered coldly (and quite humorously) using a Macintosh computer, it states what the modern society looks for in a modern individual: someone who is basically programmed to do the right thing at the right time. This is their version of W.H. Auden's poem "The Unknown Citizen."

    This is one of the many reasons many can point to as far as what Radiohead was able to create through this album. But like the album it's used to compare this to, OK Computer gives you space to think and ponder and not force you into a particular idea.

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