Portugal The Man* – Woodstock
Label: | Atlantic – 7567-86608-2 |
|---|---|
Format: | |
Country: | Europe |
Released: | |
Genre: | Rock |
Style: | Psychedelic Rock |
Tracklist
| A1 | Number One | |
| A2 | Easy Tiger | |
| A3 | Live In The Moment | |
| A4 | Feel It Still | |
| A5 | Rich Friends | |
| B1 | Keep On | |
| B2 | So Young | |
| B3 | Mr Lonely | |
| B4 | Tidal Wave | |
| B5 | Noise Pollution (Version A, Vocal Up Mix 1.3) |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA International Inc.
- Mastered At – MPO
- Published By – WB Music Corp.
- Published By – Approaching AIRballoons
- Published By – Kobalt Music Publishing
- Published By – Jason Kreher LLC
- Published By – Stormy Forest Productions Inc.
- Published By – Pacific Electric Music Publishing
- Published By – Rodeoman Music
- Published By – EMI April Music
- Published By – Universal Music Publishing Ltd.
- Published By – Stint Music Publishing
- Published By – EMI Blackwood Music Inc.
- Published By – Maru Cha Cha
- Published By – Lotzah Balls Soup
- Published By – Where Da Kasz At
- Published By – Mikey Hart Publishing Designee
- Published By – Twonk Donklis
- Published By – Jobete Music Co., Inc.
- Published By – Stone Agate Music
- Published By – Demure Circuit Music
- Published By – Etherteen Music
- Published By – Songs Of The Mothership
- Published By – Bioloom Music
- Published By – Music Of The Mothership
- Published By – Derrick Stewart Publishing Designee
- Published By – Nick Koenig Publishing Designee
- Recorded At – Glacial Pace
- Recorded At – Kingsize Soundlabs
- Recorded At – The Lair
- Recorded At – Mondo Studio, Los Angeles
- Recorded At – Oregon Street Underground
- Recorded At – The Pool House
- Recorded At – Robert Lang Studios
- Recorded At – Rodeo Recordings
- Recorded At – Shangrila (2)
- Mixed At – Larrabee Sound Studios
- Mastered At – Larrabee Sound Studios
Credits
- A&R – Maureen Kenny
- Artwork, Layout, Design – Austin Sellers, John Gourley*, The Fantastic The
- Booking [Agent] – Emma Banks, Matt Hickey (2), Summer Marshall
- Engineer [Mix/Assistant] – Jeff Jackson (7), Robin Florent
- Engineer [Mix] – Chris Galland
- Engineer [Recording Engineer] – Casey Bates, Edgar McRae, Jason Lader, Kennie Takashi*, Rob Cohen, Sean Oakley, Todd Monfalcone
- Executive-Producer – Craig Kallman, Portugal. The Man
- Lacquer Cut By – PL*
- Legal [Attorney] – Dave Stein
- Management – Rich Holtzman
- Mastered By – Michelle Mancini
- Mixed By – Manny Marroquin
- Musician [Additional] – Aaron Steele, Brad Caulkins, Dave Palmer, John Hill (14), Kane Ritchotte, Matthew Compton, Matthew Cooker, Mike D, Mikey Hart, Nate Walcott, Nick Koenig, Nick Reinhart, Paul Cartwright
- Musician [Additional], Engineer [Recording Engineer] – Sonny DiPerri
- Musician [Additional], Vocals [Additional] – Ammar Malik, Asa Taccone, Inflo, Steve Smith (42)
- Musician [Additional], Vocals [Additional], Engineer [Recording Engineer] – Anthony Saffrey*
- Performer [The Approaching Airballoons Are] – Eric Howk, Jason Sechrist*, John Baldwin Gourley, Kyle O'Quin, Zachary Scott Carothers, Zoe Manville
- Photography By – Maclay Heriot
- Photography By [Cover] – Josh Welch
- Producer – Asa Taccone (tracks: A4, B1), Danger Mouse (tracks: A1, B2, B3), John Gourley* (tracks: B5), John Hill (14) (tracks: A2 to A5, B4), Mike D (tracks: B5), Rallier (tracks: A1), Stint (tracks: A2, B4)
- Producer [Additional] – Casey Bates (tracks: A1, A5, B3), Mike D (tracks: A1, A2), Mikey Hart (tracks: A2), Rallier (tracks: A3), Sonny DiPerri (tracks: B1)
- Vocals [Additional] – Danger Van Gorder, Fat Lip, Joshua Idehen, Lori LeChien, Mary Elizabeth Winstead, Son Little
- Written-By – Portugal. The Man
Notes
Gatefold with printed inner sleeve with lyrics, dowload card and hype sticker on shrink wrap.
On sticker:
"Portugal The Man Woodstock 180-gram vinyl featuring the global smash Hit "Feel it still" Download card included"
On back sleeve:
Atlantic Recording Corporation, New York. A Warner Music Group Company
℗ & © 2017 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Manufactured in the E.U.
Gatefold inner side:
Mixed at Larrabee Studios (North Hollywood, CA)
On printed inner sleeve:
Publishers:
A1: WB Music Corp. / Approaching Airballoons (ASCAP), Kobalt Music Publishing (ASCAP), Jason Kreher LLC (ASCAP), Stormy Forest Productions Inc./Pacific Electric Music (ASCAP); Contains elements from "Freedom" written and performed by Richie Havens. Licensed courtesy of Warner Bros. Entertainment Inc., The Estate of Richie Havens, and Stormy Forest Productions Inc. Published by Stormy Forest Productions Inc./Pacific Electric Music (ASCAP). Used by permission. All rights reserved.
A2: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Universal Publishing Ltd (PRS), Stint Music Publishing (SOCAN) (Exclusively Administered by EMI Blackwood Music Inc.), Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI), Mikey Hart Publishing Designee
A3: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI)
A4: WB Music Corp. / Approaching Airballoons (ASCAP), Twonk Donklis (ASCAP), Rodeoman Music (GMR) / EMI April Music, Jobete Music Co. Inc. (ASCAP) / Stone Agate Music / EMI Blackwood Music Inc. (BMI); Contains an interpolation of "Please Mr. Postman" (R. Bateman/F. Gorman/B. Holland). Published by Jobete Music Co. Inc. (ASCAP) / Stone Agate Music / EMI Blackwood Music Inc. (BMI). Used by permission. All rights reserved.
A5: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI), Demure Circuit / Etherteen Music administered by Songs of the Mothership (ASCAP), Bioloom Music administered by Music of the Mothership (BMI); Contains an interpolation of "Turnstile Blues" (C. Azar/E. Goreshter/G. Edwards). Published by Demure Circuit / Etherteen Music administered by Songs of the Mothership (ASCAP), Bioloom Music administered by Music of the Mothership (BMI). Used by permission. All rights reserved.
B1: WB Music Corp. / Approaching Airballoons (ASCAP), Twonk Donklis (ASCAP)
B2: WB Music Corp. / Approaching Airballoons (ASCAP), Kobalt Music Publishing (ASCAP), Jason Kreher LLC (ASCAP)
B3: WB Music Corp. / Approaching Airballoons (ASCAP), Kobalt Music Publishing (ASCAP), Derrick Stewart Publishing Designee; Excerpt from Portlandia courtesy of The Broadway Video Group, Inc.
B4: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Stint Music Publishing (SOCAN) (Exclusively Administered by EMI Blackwood Music Inc.), Nick Koenig Publishing Designee, Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI)
B5: WB Music Corp. / Approaching Airballoons (ASCAP)
Recorded at Glacial Pace (Portland, OR - misspelled as Glacier Pace on sleeve), Kingsize Studios (Eagle Rock, CA), The Lair (Los Angeles, CA), Mondo Studios (Los Angeles, CA), Oregon Street Underground (Portland, OR), The Pool House (Malibu, CA), Robert Lang Studios (Seattle, WA), Rodeo Recordings (Santa Monica, CA), Shangrila (Malibu, CA)
Sample clearance by Danny Zook & Ron Calites for Alien Music.
On labels:
℗2017 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Made in the E.U.
Runouts are hand-etched, on some runouts, there is a mirrored stamper number neighboring to the MPO etching. The 'PL' signature is intertwined and is a lacquer cut credit.
Some runout variants have laser etched 'MPO'-parts, indicated by 'MPO®'. These are later pressings, as MPO changed their runout inscription in 2017 from hand-etched to laser-etched.
On sticker:
"Portugal The Man Woodstock 180-gram vinyl featuring the global smash Hit "Feel it still" Download card included"
On back sleeve:
Atlantic Recording Corporation, New York. A Warner Music Group Company
℗ & © 2017 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Manufactured in the E.U.
Gatefold inner side:
Mixed at Larrabee Studios (North Hollywood, CA)
On printed inner sleeve:
Publishers:
A1: WB Music Corp. / Approaching Airballoons (ASCAP), Kobalt Music Publishing (ASCAP), Jason Kreher LLC (ASCAP), Stormy Forest Productions Inc./Pacific Electric Music (ASCAP); Contains elements from "Freedom" written and performed by Richie Havens. Licensed courtesy of Warner Bros. Entertainment Inc., The Estate of Richie Havens, and Stormy Forest Productions Inc. Published by Stormy Forest Productions Inc./Pacific Electric Music (ASCAP). Used by permission. All rights reserved.
A2: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Universal Publishing Ltd (PRS), Stint Music Publishing (SOCAN) (Exclusively Administered by EMI Blackwood Music Inc.), Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI), Mikey Hart Publishing Designee
A3: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI)
A4: WB Music Corp. / Approaching Airballoons (ASCAP), Twonk Donklis (ASCAP), Rodeoman Music (GMR) / EMI April Music, Jobete Music Co. Inc. (ASCAP) / Stone Agate Music / EMI Blackwood Music Inc. (BMI); Contains an interpolation of "Please Mr. Postman" (R. Bateman/F. Gorman/B. Holland). Published by Jobete Music Co. Inc. (ASCAP) / Stone Agate Music / EMI Blackwood Music Inc. (BMI). Used by permission. All rights reserved.
A5: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI), Demure Circuit / Etherteen Music administered by Songs of the Mothership (ASCAP), Bioloom Music administered by Music of the Mothership (BMI); Contains an interpolation of "Turnstile Blues" (C. Azar/E. Goreshter/G. Edwards). Published by Demure Circuit / Etherteen Music administered by Songs of the Mothership (ASCAP), Bioloom Music administered by Music of the Mothership (BMI). Used by permission. All rights reserved.
B1: WB Music Corp. / Approaching Airballoons (ASCAP), Twonk Donklis (ASCAP)
B2: WB Music Corp. / Approaching Airballoons (ASCAP), Kobalt Music Publishing (ASCAP), Jason Kreher LLC (ASCAP)
B3: WB Music Corp. / Approaching Airballoons (ASCAP), Kobalt Music Publishing (ASCAP), Derrick Stewart Publishing Designee; Excerpt from Portlandia courtesy of The Broadway Video Group, Inc.
B4: WB Music Corp. / Approaching Airballoons (ASCAP), Rodeoman Music (GMR) / EMI April Music, Stint Music Publishing (SOCAN) (Exclusively Administered by EMI Blackwood Music Inc.), Nick Koenig Publishing Designee, Maru Cha Cha / Lotzah Balls Soup / Where Da Kasz At (BMI)
B5: WB Music Corp. / Approaching Airballoons (ASCAP)
Recorded at Glacial Pace (Portland, OR - misspelled as Glacier Pace on sleeve), Kingsize Studios (Eagle Rock, CA), The Lair (Los Angeles, CA), Mondo Studios (Los Angeles, CA), Oregon Street Underground (Portland, OR), The Pool House (Malibu, CA), Robert Lang Studios (Seattle, WA), Rodeo Recordings (Santa Monica, CA), Shangrila (Malibu, CA)
Sample clearance by Danny Zook & Ron Calites for Alien Music.
On labels:
℗2017 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Made in the E.U.
Runouts are hand-etched, on some runouts, there is a mirrored stamper number neighboring to the MPO etching. The 'PL' signature is intertwined and is a lacquer cut credit.
Some runout variants have laser etched 'MPO'-parts, indicated by 'MPO®'. These are later pressings, as MPO changed their runout inscription in 2017 from hand-etched to laser-etched.
Barcode and Other Identifiers
- Barcode (Text): 0 75678 66082 5
- Barcode (Scanned): 075678660825
- Label Code: LC00121
- Rights Society (Publishers): ASCAP
- Rights Society (Publishers): GMR
- Rights Society (Publishers): PRS
- Rights Society (Publishers): SOCAN
- Rights Society (Publishers): BMI
- Other (On spine): B
- Matrix / Runout (Runout side A, variant 1): ES MPO 1-561633 A2 RE1 [PL intertwined]
- Matrix / Runout (Runout side B, variant 1): 1-56133 B2 RE1 MPO [PL intertwined]
- Matrix / Runout (Runout side A, variant 2): MPO 1-561633 A2 RE1 [PL intertwined]
- Matrix / Runout (Runout side B, variant 2): 1-561622 B2 RE1 MPO [PL intertwined]
- Matrix / Runout (Runout side A, variant 3): MPO 1-561633 A2 RE1 [PL intertwined] MPO® 18 29148
- Matrix / Runout (Runout side B, variant 3): 1-561633 B2 RE1 MPO [PL intertwined] MPO® 18 29147
- Matrix / Runout (Runout side A, variant 4): MPO 28 1-561633 A2 RE1 [PL intertwined]
- Matrix / Runout (Runout side B, variant 4): 1-561633 B2 RE1 24 MPO [PL intertwined]
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Woodstock (CD, Album, Stereo) | Atlantic | 561633-2 | US | 2017 | ||
Recently Edited | Woodstock (CD, Album) | Atlantic | 2-561633 | Canada | 2017 | ||
New Submission | Woodstock (10×File, MP3, Album, Limited Edition, 320 kbps) | Atlantic | 561633-1 | US | 2017 | ||
| Woodstock (CD, Album, Digipak) | Atlantic, Atlantic | 7567-86608-3, 7567866083 | Europe | 2017 | |||
New Submission | Woodstock (Box Set, Deluxe Edition, LP, Album, 7", Single, Maroon) | Atlantic, Atlantic, Atlantic | 561635-1, 7567-86608-2, 561635-7 | US | 2017 |
Recommendations
Released2013 — USVinyl —LP, Album
Released2013 — USVinyl —LP, Album
Released2013 — UK, Europe & USVinyl —LP, Album, Stereo
Released2014 — WorldwideVinyl —LP, Album, Etched, Special Cut, Stereo
Released2011 — USVinyl —LP, Album, Stereo
Released2013 — EuropeVinyl —LP, Album, Reissue
Released2011 — USVinyl —LP, Album
Released2012 — USVinyl —LP, Album, Deluxe Edition
Released2014 — WorldwideVinyl —LP, Album, Stereo
Vinyl —LP, Album
Reviews
They just put this back up on their webstore so I gave it a shot - still sounds rough. Some really dull and quiet songs, and inconsistent across tracks.
I read the reviews and had to check out for myself if it was really as bad as everyone describes it! I really like this album so I put myself on the line and ordered one! I have to agree that this album could have been mastered so much more better. Vinyl itself do not have any significant crackles or pops. It is overall fine. But the mastering on this sucks. It could have been one of the best albums to be mastered for the vinyl, but Michelle Mancini seems to have let us all down. It delivers no bass or treble. If i crank one up, I lose other one. I would suggest enyone who is concidering to buy this one, to look for realy cheap copy, so you wouldn't end up dissapointed.
Edited 5 years agoI have to agree with everyone, this is an offensive pressing and totally not worth owning. It's so highly compressed, muffled, no high end whatsoever. Just shockingly bad. To pour salt into the wound, the digital download included is only valid until the end of 2018. I'm deeply offended. 1 star for me for the pressing. Content would be 5 star. Don't even bother, await a repress or just settle for digital.
In Italy the song "Feel It Still" is a soundtrack of the television program "Le Iene" in Year 2017/2018
Edited 6 years agoFirst copy arrived significantly warped and the replacement had an unfinished edge. Mass production at its worst; makes me sad that the Equal Vision Records days are gone for PtM.- This LP's sound quality is a disaster. How can an artist allow this to happen?
- Not the best quality pressing, it sounds very murky !
Is this record sound better than europian edition of album?
Really love this band, this album, and the album artwork. But as people told, the sound quality is really bad... So I don't have a choice to continue enjoying album on Apple Music only.- Yes, record very quiet, and soud quality very low :((
Release
For sale on Discogs
Sell a copy74 copies from $3.00