Chad Jackson ‎– Hear The Drummer (Get Wicked)

Label:
Big Wave (2) ‎– BWRT 36
Format:
Vinyl, 12", Single, 45 RPM
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A Hear The Drummer (Get Wicked) (Extended Version)
Engineer – Steve & Mac*
6:36
B1 Hear The Drummer (Get Wicked) (Radio Edit)
Engineer – Steve & Mac*
3:43
B2 High On Life (Live From Manchester) 6:46

Companies, etc.

Credits

Notes

Mastered at Copymasters, London.
Pressed at DFI.
Published by: Marylebone Music
Marketed and Distributed by Big Wave
℗ © 1990 Big Wave Records Ltd.

Charted from 02-06-90 for 10 weeks.

Barcode and Other Identifiers

  • Barcode: 5 016862 003665
  • Matrix / Runout (Etchings side A): DFI 90 5 BWRT 36 A POUNDA COPYMASTERS
  • Matrix / Runout (Etchings side B): DFI 90 5 BWRT 36 B

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razvanc68

razvanc68

April 4, 2016
I also have a copy of this release, from BigWave (via BMG) , "made in France" .
Great tunes, both of them.
DJSteil

DJSteil

July 29, 2011
Many copies of this record sold in australia, including my copy, have the same cat #, same track listing on the record etc, but don't actually have high on life on the record itself. Even though it's listed on the record cover.
PHOOEY

PHOOEY

January 9, 2010

It is generally thought that Father Forgive Them by Holy Noise was the first dance tune to sample the Amen break. However, I would like to make a case for High On Life (Live From Manchester) being the first. This was released very early in 1990 & it must be a good shout for being out prior to Holy Noise. As for the tune itself, it's an extremely high quality B-side with elements of jazz guitar & alto sax (think it's a saxophone), Amen break & deep bass. One tune sadly missing on YouTube - someone upload it please.
destangofah

destangofah

December 26, 2008

Yeeah,

On this record there is not only the drummer getting wicked. It is the saxophone and the chorus effected bassline that makes me driving wicked. The extended version includes a very deep bass too what gives the track a very complete sounding.

This track is miles ahead of his time and fits in a house set as well as in a techno or techno-pop set.

This track represents the sound of 1990 very good and gives the audience a positve feeling.