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Contributors
Various – Treat The Gods As If They Exist
| Label: | Auf Abwegen – AATP02 |
|---|---|
| Format: | CD, Compilation, Limited Edition, Numbered, Remastered |
| Country: | Germany |
| Released: | |
| Genre: | Electronic |
| Style: | Industrial, Experimental, Ambient |
Tracklist
| 1 | Beequeen– | Tabletalk | 5:04 |
| 2 | Drome– | Cheezy Birth | 2:42 |
| 3 | Chris & Cosey– | Her Knee (Of Special Taste) | 6:54 |
| 4 | Schloss Tegal– | Black Static Transmission | 5:11 |
| 5 | O Yuki Conjugate– | Roseland (Live) | 8:56 |
| 6 | RLW– | Waving Goodbye To Friendly Gods | 2:48 |
| 7 | SKRANK!– | Acid Creep (V.03) | 4:13 |
| 8 | ELpH Vs. Coil– | It Wasn't Wolves, What Was It? | 2:52 |
| 9 | Barbed– | Orpheus 2 | 6:51 |
| 10 | Stewart Home– | Old Farts Out! (Live) | 3:06 |
| 11 | Halcam– | Occidental Pow Wow | 7:43 |
| 12 | Legion– | Trinity Voices | 7:18 |
| 13 | Ultramarine– | Naf Gonad | 6:47 |
| 14 | Asmus Tietchens– | Nur Ton | 2:15 |
Companies, etc.
- Remastered At – Gewalt Am Objekt
- Copyright © – Auf Abwegen Multimedia Verlags-GmbH
Credits
Notes
Limited edition of 1000 hand-numbered copies.
Standard jewel case/clear tray packaging.
On the front cover: "An all exclusive collection of dark atmospheres from around the planet".
On the booklet: "A collection collection of dark atmospheres assembled by AUF ABWEGEN."
Remastered at 'Gewalt am Objekt'-Studio 9/'96.
Photos taken at Borobudur site, Central Java, Indonesia.
Standard jewel case/clear tray packaging.
On the front cover: "An all exclusive collection of dark atmospheres from around the planet".
On the booklet: "A collection collection of dark atmospheres assembled by AUF ABWEGEN."
Remastered at 'Gewalt am Objekt'-Studio 9/'96.
Photos taken at Borobudur site, Central Java, Indonesia.
Recommendations
Coil Presents Black Light District
Reviews
Fun fact: one of the "artists" listed is actually a god. Quoting from ELpH's artist page:
"During the studio sessions that developed into what would become "Worship the Glitch", Coil became aware of random compositions emitting from their gear, and were at odds with constant "accidents" that were perpetually plaguing the recordings. The band called these unintentional emissions "ELpH": a conceptual being that is one part physical equipment, one part celestial being... constantly playing the role of trickster, throwing a wrench into Coil's methodology. Eventually, these accidents and mistakes were embraced by the band, and the process of misusing audio software to create intentional "errors" was adopted as a musical technique. The acceptance of the "mistake", and the use of discovered mistakes as intentional elements slowly became the drive and concept behind the album, thus birthing the title "Worship the Glitch".
"During the studio sessions that developed into what would become "Worship the Glitch", Coil became aware of random compositions emitting from their gear, and were at odds with constant "accidents" that were perpetually plaguing the recordings. The band called these unintentional emissions "ELpH": a conceptual being that is one part physical equipment, one part celestial being... constantly playing the role of trickster, throwing a wrench into Coil's methodology. Eventually, these accidents and mistakes were embraced by the band, and the process of misusing audio software to create intentional "errors" was adopted as a musical technique. The acceptance of the "mistake", and the use of discovered mistakes as intentional elements slowly became the drive and concept behind the album, thus birthing the title "Worship the Glitch".