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    Rei HarakamiRed Curb

    Label:Sublime Records (3) – IDCS-1004, Music Mine ID – IDCS-1004
    Format:
    CD, Album
    Country:Japan
    Released:
    Genre:Electronic
    Style:Breakbeat, Techno, Downtempo, Ambient

    Tracklist

    1Unexpected Situations1:43
    2The Backstroke
    Bass [Harmonics Bass]Max Brennan
    4:45
    3Cape5:33
    4Wrest6:32
    5Red Curb3:33
    6Vapor3:28
    7June6:43
    8Remain5:04
    92 Creams7:00
    10Again6:25
    11Put Off8:20
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    Credits

    Notes

    Composed and arranged 2000.

    Thanks to: Tomoko Iwata, Max Brennan, Satomi Maekawa, Manabu Yamazaki, Emi Mari, Satoshi Endo, Sakai Hideq.

    ©℗2001 Music Mine ID.
    Made in Japan.

    Released in a heavy cardboard gatefold sleeve with foldout insert with notes in Japanese and obi strip.

    Barcode and Other Identifiers

    • Barcode (Text): 4 935228 989560
    • Barcode (Scanned): 4935228989560
    • Matrix / Runout (Variation 1): IDCS-1004 MT 262
    • Matrix / Runout (Variation 2, mirrored): <IDCS-1004>GL202E A2
    • Mastering SID Code (Variation 1): IFPI LT46
    • Mastering SID Code (Variation 2): IFPI L461
    • Mould SID Code (Variation 1): IFPI 441G
    • Mould SID Code (Variation 2): IFPI 7833
    • Rights Society: JASRAC

    Other Versions (5 of 7)View All

    Title (Format)LabelCat#CountryYear
    Red Curb (2×LP)Sublime Records (3)SBLLP018Japan2001
    New Submission
    Red Curb (2×LP, Promo, White Label)Sublime Records (3)SBLLP018Japan2001
    New Submission
    Red Curb (CD, Album, Promo)Sublime Records (3), Music Mine IDIDCS-1004Japan2001
    New Submission
    Red Curb (CD, Album, Promo, Stereo, paper sleeve)Sublime Records (3), Music Mine IDIDCS-1004Japan2001
    New Submission
    Red Curb (2×LP, Reissue, Remastered)Rings, Disk UnionRINR-006Japan2020

    Reviews

    mixmastermorris's profile picture
    mixmastermorris
    Edited 17 years ago
    If you like complex sophisticated electronica that's brimming with intelligence, this is the release you have been looking for. Although his earlier CDs are fine, this is his magnum opus where he proves he is one of the most original artists working today. His control of synthesis is awe inspiring, resulting in music that blows people away. His other distinguishing marks are tricky ever-changing programming and bizarre pitchbending that turns his keys into a 'fretless synth'..... Imagine Plaid, Akufen, Takemura and Yokota all sitting in the rotenburo drinking sake.... and you'd not even be close.