Howard Jones – Cross That Line

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Label:	WEA – WX225, WEA – WX 225, WEA – 244176-1
Format:	Vinyl, LP, Album
Country:	UK & Europe
Released:	Apr 1, 1989
Genre:	Electronic, Rock
Style:	Pop Rock, Synth-pop

Tracklist

A1		The Prisoner Drums – Chris Hughes Guitar – Andy Ross Keyboards – Howard Jones, Ian Stanley Producer, Recorded By – Chris Hughes, Ian Stanley, Ross Cullum Vocals – Howard Jones
A2		Everlasting Love Drums – Chris Hughes Guitar – Andy Ross, Martin Jones (2) Keyboards – Howard Jones, Ian Stanley Producer, Recorded By – Chris Hughes, Ian Stanley, Ross Cullum Vocals – Howard Jones Vocals [Additional] – Sandy McLelland
A3		Powerhouse Alto Saxophone – Simon Clarke (2) Arranged By [Horns] – Howard Jones, Kick Horns* Brass – Kick Horns* Drum Programming – Danny D* Drums [Drunm Kit] – Trevor Morais Guitar [Electric] – Phil Palmer Mixed By – Danny D* Recorded By [Drumkit] – Andy Scarth* Tenor Saxophone – Tim Sanders Trumpet – Roddy Lorimer, Steve Sidwell Vocals – Inga Humpe Vocals, Drums, Keyboards [Fairlight Guitar], Organ [Hammond] – Howard Jones Alto Saxophone – Simon Clarke (2) Arranged By [Horns] – Howard Jones, Kick Horns* Brass – Kick Horns* Drum Programming – Danny D* Drums [Drunm Kit] – Trevor Morais Guitar [Electric] – Phil Palmer Mixed By – Danny D* Recorded By [Drumkit] – Andy Scarth* Tenor Saxophone – Tim Sanders Trumpet – Roddy Lorimer, Steve Sidwell Vocals – Inga Humpe Vocals, Drums, Keyboards [Fairlight Guitar], Organ [Hammond] – Howard Jones
A4		Last Supper Acoustic Guitar – Phil Palmer Vocals, Drums, Keyboards – Howard Jones
A5		Cross That Line Arranged By [Horns] – Howard Jones, Kick Horns* Backing Vocals – Claudia Fontaine Bass [Wal] – Martin Jones (2) Brass – Kick Horns* Drums [Drunm Kit] – Trevor Morais Flute, Alto Saxophone – Simon Clarke (2) Guitar [Electric] – Phil Palmer Recorded By [Drumkit] – Andy Scarth* Soprano Saxophone, Tenor Saxophone – Tim Sanders Trumpet, Flugelhorn [Solo] – Roddy Lorimer Vocals, Piano, Flute [Solo], Keyboards [Fairlight Guitar] – Howard Jones Arranged By [Horns] – Howard Jones, Kick Horns* Backing Vocals – Claudia Fontaine Bass [Wal] – Martin Jones (2) Brass – Kick Horns* Drums [Drunm Kit] – Trevor Morais Flute, Alto Saxophone – Simon Clarke (2) Guitar [Electric] – Phil Palmer Recorded By [Drumkit] – Andy Scarth* Soprano Saxophone, Tenor Saxophone – Tim Sanders Trumpet, Flugelhorn [Solo] – Roddy Lorimer Vocals, Piano, Flute [Solo], Keyboards [Fairlight Guitar] – Howard Jones
B1		Out Of Thin Air Piano – Howard Jones
B2		Guardians Of The Breath Bass [Wal] – Martin Jones (2) Guitar [E.bow Seagull] – Steg Noises [Chainsaw] – Alan Hewitt Vocals, Sampler [Body], Keyboards, Guitar [Solo] – Howard Jones
B3		Fresh Air Waltz Bass [Wal], Guitar [Electric] – Martin Jones (2) Vocals, Organ [Hammond], Piano, Drums, Keyboards [Fairlight Strings] – Howard Jones
B4		Wanders To You Alto Saxophone, Flute – Simon Clarke (2) Arranged By [Horns] – Howard Jones, Kick Horns* Bass [Wal] – Martin Jones (2) Drums [Drunm Kit] – Trevor Morais Flugelhorn – Roddy Lorimer Guitar [Electric] – Phil Palmer Horns – Kick Horns* Recorded By [Drumkit] – Andy Scarth* Soprano Saxophone [Soloist] – Tim Sanders Soprano Saxophone, Tenor Saxophone – Tim Sanders Trombone – Pete Thoms* Vocals – Howard Jones Alto Saxophone, Flute – Simon Clarke (2) Arranged By [Horns] – Howard Jones, Kick Horns* Bass [Wal] – Martin Jones (2) Drums [Drunm Kit] – Trevor Morais Flugelhorn – Roddy Lorimer Guitar [Electric] – Phil Palmer Horns – Kick Horns* Recorded By [Drumkit] – Andy Scarth* Soprano Saxophone [Soloist] – Tim Sanders Soprano Saxophone, Tenor Saxophone – Tim Sanders Trombone – Pete Thoms* Vocals – Howard Jones
B5		Those Who Move Clouds Vocals, Drums, Keyboards – Howard Jones Voice [Laughter] – Osheen Jones

Companies, etc.

Phonographic Copyright ℗ – WEA Records Ltd.
Copyright © – WEA Records Ltd.
Recorded At – The Shed
Recorded At – The Wool Hall
Mixed At – The Shed
Manufactured By – TELDEC Record Service GmbH
Published By – Hojo Music Ltd.
Pressed By – Record Service Alsdorf
Made By – WEA Musik GmbH

Credits

Composed By, Arranged By – Howard Jones
Mixed By – Mike Roarty (tracks: A1, A2, A4 to B5)
Producer – Howard Jones (tracks: A3 to A5, B1 to B5)
Recorded By, Programmed By [Fairlight Operation] – Mike Roarty

Notes

Variant with same barcode, labels, covers, and pressing info but with lacquer cutting at Tape One ("DB.Tape One" in runouts): Cross That Line

A1 & A2 produced and recorded for the I.S.A.

Recorded and mixed at The Shed, Maidenhead, England, except 'The Prisoner' recorded at The Wool Hall, Bath, England.

Published by Hojo Music Ltd.
℗ 1989 WEA Records Ltd.
© 1989 WEA Records Ltd.
Made in Germany. Presse en Allemagne. Teldec Record Service GmbH. A Warner Communications Company.

Includes a custom printed inner sleeve containing lyrics.

Barcode and Other Identifiers

Barcode (Text): 0 22924 41761 0
Rights Society: GEMA
Rights Society: BIEM
Label Code: LC 4281
Matrix / Runout (Runout area side A): R / S Alsdorf 244176-1-A
Matrix / Runout (Runout area side B): R / S Alsdorf 244176-1-B2
Price Code (France): WE 381
Price Code: Ⓤ

Other Versions (5 of 33)

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	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Cross That Line (LP, Album, Specialty Pressing)	Elektra, Elektra	9 60794-1, 60794-1	US	1989
	Cross That Line (CD, Album)	WEA, WEA	244176-2, 244 176-2	Europe	1989
Recently Edited	Cross That Line (CD, Album)	Elektra, Elektra	9 60794-2, 60794-2	US	1989
Recently Edited	Cross That Line (Cassette, Album, SR, Dolby HX Pro, B NR)	Elektra, Elektra	9 60794-4, 60794-4	US	1989
Recently Edited	Cross That Line (LP, Album)	WEA, WEA	24 41761, 24 41761 CR	Canada	1989

Reviews

Numanoid Feb 17, 2022
Edited one year ago
An important thing with vinyl/cassette back in the day, was that there were definite sides. How I wish "Last Supper / Out Of Thin Air / Guardians Of The Breath / Those Who Move Clouds" would have been sequenced together on one side of this album. That would create a lush ambient art-rock side-long song suite. I have had a love/hate relationship with this release over the years, but seeing the songs together like that makes it the most "grown-up" release yet from Jones at the time.