Yasuaki Shimizu – Kakashi
Label: | Palto Flats – PFLP 007, We Release Whatever The Fuck We Want Records – WRWTFWW021 |
---|---|
Format: | Vinyl, LP, Album, Reissue |
Country: | USA & Europe |
Released: | |
Genre: | Electronic, Jazz |
Style: | Fusion, Ambient |
Tracklist
A1 | Suiren | |
A2 | Kakashi | |
A3 | Kono Yoni Yomeri (Sono 1) | |
A4 | Semi Tori No Hi | |
A5 | Kono Yoni Yomeri (Sono 2) | |
B1 | Yume Dewa | |
B2 | Umi No Ue Kara | |
B3 | Utsukushiki Tennen |
Companies, etc.
- Mastered At – Sterling Sound
- Remastered At – Dubplates & Mastering
- Lacquer Cut At – Dubplates & Mastering
- Pressed By – Record Technology Incorporated – 28489
- Licensed From – Nippon Columbia Co., Ltd.
Credits
- Bass – Aki Ikuta (tracks: B1), Morio Watanabe (tracks: A1, A2, B3)
- Cello – Mitsuru Orikasa (tracks: A1), Tomio Yajima (tracks: A2)
- Cello [Violoncello] – Mitsuru Orikasa, Tomio Yajima
- Drums [Trap Drums], Bass Drum, Percussion, Percussion [Chanchiki] – Hideo Yamaki (tracks: A1, A2, B3)
- Engineer – Seigen Ono
- French Horn – Koji Yamaguchi (tracks: A1)
- Guitar – Aki, Aki Ikuta (tracks: B2), Takayuki Hijikata (tracks: A1)
- Lacquer Cut By – mg*
- Layout, Design – Shadrach Lindo
- Liner Notes – Patrice Bollon, Soichiro Suzuki*
- Marimba – Masanori Sasaji (tracks: A2)
- Mastered By – Greg Calbi
- Musician [Engawa, Balafon], Wind Chimes [Wind Bells] – Morio Watanabe (tracks: B3)
- Photography By, Design – Aki Ikuta
- Producer – Aki Ikuta, Yasuaki Shimizu
- Remastered By, Lacquer Cut By – Mike Grinser*
- Translated By [Lyrics] – Johnny Barrett (2)
- Translated By [Patrice Bollon Liner Notes] – Sabrina Tamar
- Translated By [Soichiro Suzuki Liner Notes] – Pamela Miki
- Trumpet – Donpei Kanezaki* (tracks: A2, B3)
- Vocals, Liner Notes [Studio Banter], Trumpet, Saxophone, Flute, Clarinet, Piano, Drums, Percussion [Mallets], Percussion, Electronics, Charango, Tape, Percussion [Toys And Noises], Painting – Yasuaki Shimizu
- Voice [Frenchman & Irishman] – Johnny Barrett (2)
Notes
Production Staff: Kenichi Kishi, Tomoki Magota, Masashi Sasaki, Kiyoshi Ozawa, Paul Aoyama, Toshiaki Ota
Barcode and Other Identifiers
- Matrix / Runout (Etched A): PFLP 007 / WRWTFWW 21 - A 33 1/3 rpm 28489.1(2)... mg@d&m
- Matrix / Runout (Etched B): PFLP 007 / WRWTFWW 21 - B 33 1/3 rpm 28489.2(2)... mg@d&m
- Barcode: 881626512111
Other Versions (5 of 12)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Kakashi (LP, Album) | Better Days (2) | YF-7061-BD | Japan | 1982 | ||
New Submission | 案山子 (Cassette, Album) | Better Days (2) | CTK-7090-BD | Japan | 1982 | ||
New Submission | Kakashi (LP, Album, Promo) | Better Days (2) | YF-7061-BD | Japan | 1982 | ||
New Submission | Kakashi (CD, Album, Stereo) | Better Days (2) | COCA-9981 | Japan | 1992 | ||
Recently Edited | Kakashi (CD, Album, Reissue, Stereo) | Absord Music Japan | ABCS-47 | Japan | 2003 |
Recommendations
- 2017 Netherlands
Vinyl —LP, Compilation
Reviews
- Fabulous pressing. Superb sound as it is. A historic release like this are must to have for everyone love's experimental music.
- Very cool album! Umi No Ue Kara gives off the vibe of Bowies Lazarus with a bit of early Peter Gabriel thrown in for good measure.
- One the strangest and best records I own. Sounds awesome and the music is truly unique and enjoyable.
- Picked up a brand new, sealed copy today at a local record store outside Toronto for $28. Likely a repress.
Release
For sale on Discogs
Sell a copy45 copies from $20.95
Statistics
Videos (8)
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