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Nickel Creek – Why Should The Fire Die?

Nickel Creek - Why Should The Fire Die? album cover

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Label:

Sugar Hill Records (2) – SUG-CD-3990

Format:

CD, Album, Limited Edition

Country:

US

Released:

Genre:

Folk, World, & Country

Style:

Bluegrass

Tracklist

1When In Rome
Bass – Mark Schatz
Body Percussion [Stomps] – All*
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Guitar – Sean*
Lead Vocals [Lead Vocal], Mandolin, Bouzouki – Chris*
Music By, Lyrics By – Chris Thile
4:15
2Somebody More Like You
Bass – Mark Schatz
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Lead Vocals [Lead Vocal], Guitar [Guitars] – Sean*
Mandola, Harmony Vocals [Harmony Vocal] – Chris*
Music By, Lyrics By – Sean Watkins
3:00
3Jealous Of The Moon
Bass – Mark Schatz
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Guitar [Guitars], Harmony Vocals [Harmony Vocal] – Sean*
Lead Vocals [Lead Vocal] – Chris*
Music By, Lyrics By – Chris Thile, Gary Louris
4:40
4Scotch & Chocolate
Bass – Mark Schatz
Fiddle – Sara*
Guitar – Sean*
Mandolin – Chris*
3:07
5Can't Complain
Bass [Basses] – Mark Schatz
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Guitar, Piano, Harmony Vocals [Harmony Vocal] – Sean*
Lead Vocals [Lead Vocal], Tenor Guitar, Harmony Vocals [Harmony Vocal] – Chris*
Music By, Lyrics By – Chris Thile
5:34
6Tomorrow Is A Long Time
Guitar – Sean*
Lead Vocals [Lead Vocal], Fiddle – Sara*
Mandolin – Chris*
Music By, Lyrics By – Bob Dylan
3:36
7Eveline
Bass – Mark Schatz
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Guitar, Harmony Vocals [Harmony Vocal] – Sean*
Lead Vocals [Lead Vocal], Mandola – Chris*
Lyrics By – Chris Thile
3:10
8Stumptown
Bass – Mark Schatz
Fiddle – Sara*
Guitar – Sean*
Mandolin – Chris*
Music By – Chris Thile
1:43
9Anthony
Bass – Mark Schatz
Lead Vocals [Lead Vocal], Fiddle – Sara*
Mandolin, Whistling, Harmony Vocals [Harmony Vocal] – Chris*
Music By, Lyrics By – Sara Watkins
Ukulele, Guitar, Harmony Vocals [Harmony Vocal] – Sean*
1:55
10Best Of Luck
Bass – Mark Schatz
Guitar [Guitars], Baritone Guitar, Harmony Vocals [Harmony Vocal] – Sean*
Lead Vocals [Lead Vocal], Fiddle – Sara*
Mandolin [Mandolins], Banjo, Body Percussion [Stomps], Harmony Vocals [Harmony Vocal] – Chris*
3:22
11Doubting Thomas
Bass [Basses] – Mark Schatz
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Guitar, Twelve-String Guitar [12 String Guitar], Harmony Vocals [Harmony Vocal] – Sean*
Lead Vocals [Lead Vocal], Guitar – Chris*
Music By, Lyrics By – Chris Thile
3:18
12First And Last Waltz
Bass – Mark Schatz
Fiddle – Sara*
Guitar – Sean*
Mandolin – Chris*
1:53
13Helena
Bass [Basses] – Mark Schatz
Drums – Eric Valentine
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Lead Vocals [Lead Vocal], Mandolin, Harmony Vocals [Harmony Vocal] – Chris*
Music By, Lyrics By – Chris Thile
Tenor Guitar, Guitar, Piano, Bouzouki, Harmony Vocals [Harmony Vocal] – Sean*
4:45
14Why Should The Fire Die?
Fiddle, Harmony Vocals [Harmony Vocal] – Sara*
Guitar, Harmony Vocals [Harmony Vocal] – Sean*
Lead Vocals [Lead Vocal], Mandolin – Chris*
2:50
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Companies, etc.

  • Phonographic Copyright ℗ – Sugar Hill Records (2)
  • Copyright © – Sugar Hill Records (2)
  • Published By – Queen's Counsel Music
  • Published By – Mad German Music
  • Published By – Perfect Left Music
  • Published By – Absinthe Music (2)
  • Published By – Warner-Tamerlane Publishing Corp.
  • Published By – Fiddle And Fall Music
  • Published By – Special Rider Music
  • Recorded At – Barefoot Studios
  • Mixed At – Barefoot Studios
  • Mastered At – Barefoot Studios
  • Glass Mastered At – DADC – DIDX-113970

Credits

  • Booking [International] – Helterskelter*
  • Booking [North America] – William Morris Agency
  • Coordinator [Session Coordinator / Assistant] – Trevor Whatever
  • Creative Director [Creative Direction] – Nickel Creek, Wendy Stamberger
  • Design – The Stamberger Company, Wendy Stamberger
  • Engineer [Assistant Engineer] – Chris Roach
  • Engineer [Engineered By], Mixed By, Mastered By – Eric Valentine
  • Equipment [Additional Mixing Equipment] – Stephan Jarvis Rentals
  • Hair [Grooming] – Asia Geiger, Celestine (12)
  • Management – John Peets, Q Prime, Inc.*
  • Photography By – Danny Clinch
  • Photography By [Assistant] – Brett Williams (11), Gary Ashley (2)
  • Producer [Produced By] – Eric Valentine, Tony Berg
  • Stylist [Assistant] – Andrew McCarthy (6)
  • Stylist [Styling] – Margaret Maldonado Agency, Marjan Malakpour

Notes

Limited numbered (number in top left corner on the back) edition 4 panel digipak with a clear plastic tray on the inside right panel and a tunnel pocket on the left panel containing a 20-page booklet.

In booklet:
track 1: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP)
track 2: © 2005 Queen's Counsel Music (ASCAP); Perfect Left Music (ASCAP)
track 3: Absinthe Music, BMI & Warner-Tamerlane Publishing Corp. (BMI); © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP)
track 4: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP); Fiddle and Fall Music (ASCAP)
track 5: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP)
track 6: © Special Rider Music (SESAC)
track 7: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP); Perfect Left Music (ASCAP)
track 8: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP)
track 9: © 2005 Queen's Counsel Music (ASCAP); Fiddle and Fall Music (ASCAP)
track 10: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP); Fiddle and Fall Music (ASCAP); Perfect Left Music (ASCAP)
track 11: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP)
track 12: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP); Fiddle and Fall Music (ASCAP); Perfect Left Music (ASCAP)
track 13: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP)
track 14: © 2005 Queen's Counsel Music (ASCAP); Mad German Music (ASCAP); Fiddle and Fall Music (ASCAP); Perfect Left Music (ASCAP)

Recorded, mixed and mastered at Barefoot Recording

On disc+ on back of digipak:
℗ & © 2005 Sugar Hill Records, a Welk Music Group company
Manufactured in the U.S.A.

Barcode and Other Identifiers

  • Barcode (Text): 0 15891 39902 7
  • Barcode (Scanned: UPC-A): 015891399027
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Rights Society: SESAC
  • Matrix / Runout (Variant 1): DIDX-113970 1
  • Matrix / Runout (Variant 1, Mirrored): B05
  • Mastering SID Code (Variant 1): IFPI L327
  • Mould SID Code (Variant 1): IFPI 50AC
  • Matrix / Runout (Variant 2,): DIDX-113870 1
  • Matrix / Runout (Variant 2, Mirrored): B04
  • Mastering SID Code (Variant 2): IFPI L327
  • Mould SID Code (Variant 2): IFPI 50DF
  • Matrix / Runout (Variant 3): DIDX-113870 1
  • Matrix / Runout (Variant 3, Mirrored): B06
  • Mastering SID Code (Variant 3): IFPI L327
  • Mould SID Code (Variant 3): IFPI 50A6
  • Matrix / Runout (Variant 4): DIDX-113870 1
  • Matrix / Runout (Variant 4, Mirrored): B01
  • Mastering SID Code (Variant 4): IFPI L327
  • Mould SID Code (Variant 4): IFPI 50AB
  • Matrix / Runout (Variant 5): DIDX-113870 1
  • Matrix / Runout (Variant 5, Mirrored): B0A
  • Mastering SID Code (Variant 5): IFPI L327
  • Mould SID Code (Variant 5): IFPI 50FC
  • Matrix / Runout (Variant 6): DIDX-113870 1
  • Matrix / Runout (Variant 6, Mirrored): B05
  • Mastering SID Code (Variant 6): IFPI L327
  • Mould SID Code (Variant 6): IFPI 50FC

Other Versions (3)

View All
Title (Format)LabelCat#CountryYear
New Submission
Why Should The Fire Die? (2×12", 33 ⅓ RPM, Record Store Day, Reissue, Remastered, Gatefold)Sugar Hill Records (2)SUG-LP-3990US2011
New Submission
Why Should The Fire Die? (2×LP, 45 RPM, Album, Reissue, Remastered, 180g, Gatefold)Craft Recordings, Sugar Hill Records (2)CR00335, noneUS2020
New Submission
Why Should The Fire Die? (2×12", 45 RPM, Album, Limited Edition, Reissue, Remastered, Gold Translucent and Red Marble, 180g, Gatefold)Craft Recordings, Sugar Hill Records (2)CR00335, noneUS2020

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Reviews

  • movceo's avatar
    movceo
    "Limited Edition 410,047" - if there are over 400,000 copies produced, it's an odd choice by the label to call this "limited"!

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    • Avg Rating:3.98 / 5
    • Ratings:46

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