Lost & Found (1998 - 2000) (CD, Album) album cover

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Sun Electric ‎– Lost & Found (1998 - 2000)

Label:
Shitkatapult ‎– strike 86
Format:
CD, Album
Country:
Germany
Released:
Oct 2007
Genre:
Electronic
Style:
Broken Beat, Downtempo, Ambient

Tracklist Hide Credits

1 Toninas
Double Bass [Upright Bass] – Danda
 5:46
2 Lomat 5:29
3 Sissy 3:35
4 Shuttle 5:02
5 Ohaya 5:20
6 Up At Dawn 5:24
7 Echelon 5:05
8 Umpa Lumpa 5:25
9 Choc Au Lait
Double Bass [Upright Bass] – Danda
 4:46
10 Afterglow 7:54

Companies, etc.

Credits

Notes

All tracks written in Berlin. Published by Flow Publishing/BMG. Mastered at Scape Studio. Distributed by MDM. ℗ + © Shitkatapult. Shitkatapult is a division of Random Noize Musick GmbH.

Tom Thiel of Sun Electric later released the self-titled album Tom Thiel on the same label.

Barcode and Other Identifiers

  • Barcode: 881390168620
  • Matrix / Runout: STRIKE86CD A797763-01 www.handlewithcare.de

Other Versions (1 of 1) View All

Cat# Artist Title (Format) Label Cat# Country Year
Strike 86 CD Sun Electric Lost & Found (1998 - 2000) ‎(CD, Album, Promo) Shitkatapult Strike 86 CD Germany 2007 Sell This Version

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scoundrel

scoundrel

July 16, 2012

Even though Sun Electric, as a project, has long ended, it still lives on in my heart, and LOST + FOUND will keep that heart pumping for a little longer. As a collection of tracks created after VIA NOSTRA, it gives further indication of where Thiel and Loderbauer were going with their sound. That is: more and more towards dub. "Toninas" bobs along, pressed forward by a jazzy piano line, but you can definitely hear a ~scape vibe present. But "Lomat" brings the jazz back in full force, with a bassline that purposefully clashes with the melody, and "Sissy" turns the the word into a piece of percussion. "Shuttle" brings things back to a smoother keel, and "Echelon" veers into glitchy micro-downtempo. "Umpa Lumpa" returns us to some off-kilter jazz, and "Afterglow" lets the album waft out on a soft cloud of beatlessness. A fitting cap to a excellent career.
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