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Tracklist Hide Credits
| 1-1a | –Daft Punk | Robot RockWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - Kae Williams / Thomas Bangalter - Guy Manuel de Homem-Christo - Kae WilliamsWritten-By – Guy Manuel de Homem-Christo*, Kae Williams*, Thomas Bangalter |
6:28 |
| 1-1b | –Daft Punk | Oh YeahWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
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| 1-2a | –Busta Rhymes | Touch ItEngineer – Brian Lodato, Glen MarcheseEngineer [Mix Assistance] – Bram TobeyProducer, Mixed By – Swizz BeatzRecorded By – Brian LodatoWritten By – T.Smith, Swizz Beatz, Thomas Bangalter, Guy Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Swizz Beatz, Thomas Bangalter, T.Smith* |
5:30 |
| 1-2b | –Daft Punk | TechnologicWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-3a | –Daft Punk | Television Rules The NationWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
4:51 |
| 1-3b | –Daft Punk | CrescendollsWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-4a | –Daft Punk | Too LongProducer – Daft Punk, RomanthonyVocals – RomanthonyWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - Anthony Moore / Thomas Bangalter - Guy-Manuel de Homem-Christo - Anthony MooreWritten-By – Anthony Moore*, Guy Manuel de Homem-Christo*, Thomas Bangalter |
7:02 |
| 1-4b | –Daft Punk | Steam MachineWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-5a | –Daft Punk | Around The WorldWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
5:43 |
| 1-5b | –Daft Punk | Harder Better Faster StrongerWritten By – Thomas Bangalter - E Birdsong - Guy Manuel de Homem-Christo / Thomas Bangalter - E Birdsong - Guy Manuel de Homem-ChristoWritten-By – E Birdsong*, Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-6a | –Daft Punk | Burnin'Written By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
7:12 |
| 1-6b | –Daft Punk | Too LongProducer – Daft Punk, RomanthonyVocals – RomanthonyWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - Anthony Moore / Thomas Bangalter - Guy-Manuel de Homem-Christo - Anthony MooreWritten-By – Anthony Moore*, Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-7a | –Daft Punk | Face To FaceProducer – Daft Punk, Todd EdwardsVocals – Todd EdwardsWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - Todd Imperatrice / Thomas Bangalter - Guy Manuel de Homem-Christo - Todd ImperatriceWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter, Todd Imperatrice |
4:55 |
| 1-7b | –Daft Punk | Short CircuitWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-8a | –Daft Punk | One More TimeVocals – RomanthonyWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - Anthony Moore / Thomas Bangalter - Guy-Manuel de Homem-Christo - Anthony MooreWritten-By – Anthony Moore*, Guy Manuel de Homem-Christo*, Thomas Bangalter |
6:11 |
| 1-8b | –Daft Punk | AerodynamicWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-9a | –Daft Punk | Aerodynamic BeatsWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem -ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
3:32 |
| 1-9b | –Gabrielle | Forget About The WorldProducer – The Boilerhouse BoysRecorded By, Mixed By – Chris Potter*Written By – Barson -Dean - Gabrielle - Wolff / Barson - Dean -Gabrielle - WolffWritten-By – Barson*, Dean - Wolff*, Gabrielle |
|
| 1-10a | –Daft Punk | Prime Time Of Your LifeWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo -/ Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
10:22 |
| 1-10b | –Daft Punk | BrainwasherWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-10c | –Daft Punk | Rollin' And Scratchin'Written By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-10d | –Daft Punk | AliveWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-11a | –Daft Punk | Da FunkWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
6:37 |
| 1-11b | –Daft Punk | DaftendirektWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-12a | –Daft Punk | SuperheroesWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - B Manilow - Marty Panzer / Thomas Bangalter - Guy Manuel de Homem-Christo - B Manilow - Marty PanzerWritten-By – B Manilow*, Guy Manuel de Homem-Christo*, Marty Panzer, Thomas Bangalter |
5:41 |
| 1-12b | –Daft Punk | Human After AllWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 1-12c | –Daft Punk | Rock'n RollWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 2-1a | –Daft Punk | Human After AllWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo / Thomas Bangalter - Guy-Manuel de Homem-ChristoWritten-By – Guy Manuel de Homem-Christo*, Thomas Bangalter |
9:59 |
| 2-1b | –T. Bangalter* & DJ Falcon | TogetherWritten By – Thomas Bangalter, Stephane Queme, Keith NashWritten-By – Keith Nash, Stephane Queme*, Thomas Bangalter |
|
| 2-1c | –Daft Punk | One More Time (Reprise)Vocals – RomanthonyWritten By – Thomas Bangalter - Guy Manuel de Homem-Christo - Anthony Moore / Thomas Bangalter - Guy-Manuel de Homem-Christo - Anthony MooreWritten-By – Anthony Moore*, Guy Manuel de Homem-Christo*, Thomas Bangalter |
|
| 2-1d | –Stardust | Music Sounds Better With YouMixed By – Alan Braxe, Thomas BangalterProducer – Thomas BangalterProgrammed By – StardustVocals – Benjamin DiamondWritten By – Bangalter, Cohen, Queme, Musker, KingWritten-By – Queme*, Cohen*, King*, Musker*, Bangalter* |
|
| Bonus Video | |||
| 2-Video | –Daft Punk | Harder Better Faster Stronger (Alive 2007)Film Director [Video Directed By] – Olivier GondryFilm Producer [Video Produced By] – Paranoid (17) |
4:35 |
Companies, etc.
- Phonographic Copyright (p) – Daft Life Ltd.
- Copyright (c) – Daft Life Ltd.
- Licensed To – Virgin Music
- Licensed To – EMI Music France
- Published By – Pizzazz Music
- Phonographic Copyright (p) – Arista Records, Inc.
- Licensed From – Sony BMG Music Entertainment France SAS
- Published By – Daft Music
- Phonographic Copyright (p) – Daft Trax
- Published By – Delabel Editions
- Published By – T'Ziah's Music
- Published By – Ensign Music Corp.
- Published By – Swizz Beatz Publishing
- Published By – Universal Tunes
- Published By – Zomba Music Publishing Ltd.
- Published By – Zomba Songs Inc.
- Recorded At – Buzz Soundworks
- Mixed At – Sony Music Studios, New York City
- Licensed From – Capitol Records
- Published By – Third World Publishing
- Published By – Chesyl Publishing
- Published By – 2P'sW Music
- Published By – Ttuffttoney Music
- Published By – Edwin Birdsong Music
- Published By – WB Music
- Phonographic Copyright (p) – Go! Discs Ltd.
- Licensed From – Barclay
- Licensed From – Universal Music
- Published By – EMI Music Publishing
- Published By – Perfect Songs Ltd.
- Published By – Polygram Music Publishing
- Published By – Kamakazi Music Corp.
- Published By – Swanee Bravo Music
- Published By – Careers-BMG Music Publishing
- Published By – Global Art Publishing
- Published By – Lunch Money Music
- Published By – Brasco Music
- Published By – Zomba Music
- Licensed From – Warner Bros. Music
- Recorded At – Palais Omnisports Paris-Bercy
- Mastered At – Masterdisk
- Manufactured By – Mediamotion
Credits
- Engineer [Sound] – Peter Franco
- Mastered By – Howie Weinberg
- Performer – Daft Punk
- Photography By – Stéphane Quême
Notes
Limited deluxe edition of Alive 2007 tour that comes in a sturdy cardboard digipack with a 54 page booklet containing photographs of the event.
Recorded in Palais Omnisport Paris Bercy, 14 june 2007
Photography By Stéphane Quême (DJ Falcon)
"2-Video" recorded in Brooklyn, NYC.
℗ 2007 Daft Life Ltd under exclusive license to Virgin Music, a division of EMI Music France.
© 2007 Daft Life Ltd under exclusive license to Virgin Music, a division of EMI Music France.
Printed in the EU
1-1a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Incorporation elements of "Release The Beast" performed by Breakwater. Published by Pizzazz Music. ℗ 1980 Arista Records Inc. Courtesy of SONY BMG Music Entertainment France. Zomba Music for world (Except France). Published by Daft Music adm by Because Ed (France only).
1-1b ℗ 2005 Daft Trax license exclusive de EMI Music France. Published by Daft Music Delabel Editions Zomba.
1-2a Published by T'Ziah's Music / Ensign Music Corp. (BMI) / Swizz Beatz / Universal Tunes, a Division of Universal, Inc. (SESAC) / Zomba Music Publishing Ltd. c/o Zomba Songs, Inc, a Division of BMG Music Publishing NA, Inc. Recorded at Buzz Soundwerks, NYC. Mixed at Sony Music Studios, Inc. NYC. Contains portions of "Technologic" performed by Daft Punk and published by Zomba Music Publishing Ltd c/o Zomba Songs Inc, a Division of BMG Music Publishing NA, Inc. Courtesy of Capitol Records.
1-2b ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-3a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-3b ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France). Contains a sample from "Can You Imagine" performed by The Imperials. Published by Third World Publishing & Chesyl Publishing, used by permission of Power Exchange.
1-4a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - 2P'SW Music Ttuffttoney Music BMI C/O - Zomba Music for world (except France)
1-4b & 1-6b ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-5a ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
1-5b ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Contains a sample from "Cola Bottle Baby" performed by Edwin Birdsong, used by permission of SONY Music Entertainment. Published by Edwin Birdsong Music (ASCAP) and WB Music (ASCAP). Published by Zomba Music for world (except France) - Daft Music - Delable Editions for France.
1-6a ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
1-7a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France).
1-7b ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France).
1-8a & 2-1c ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - 2P'SW Music Ttuffttoney Music BMI C/O - Zomba Music for world (except France)
1-8b & 1-9a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France).
1-9b ℗ 1997 Go Discs Ltd. licence exclusive de EMI Music France. Courtesy of Barclay / Universal Music - published by EMI Music Publishing Perfect Song Ltd - Polygram Music Publishing
1-10a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-10b ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-10c ℗ 1996 Daft Life Ltd license exclusive de EMI Music France. Published by Zomba Music for world (except France) - Daft Music / Delabel Editions for France.
1-10d ℗ 1996 Daft Life Ltd license exclusive de EMI Music France. Published by Zomba Music for world (except France) - Daft Music / Delabel Editions for France.
1-11a ℗ 1996 Daft Life Ltd license exclusive de EMI Music France. Published by Zomba Music for world (except France) - Daft Music / Delabel Editions for France.
1-11b ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
1-12a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France). Contains a sample from "Who's Been Sleeping In My Bed" performed by Barry Manilow, used by permission of Arista Records. Published by Kamakazi Music Corp. (BMI) and SwaneeBRAVO! Music (BMI) administered by Careers - BMG Music Publishing (BMI).
1-12b & 2-1a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-12c ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
2-1b published by Zomba-Music / Delabel Editions / Daft Music. Contains a sample from "Because Of You" by Keith Nash. Published by Global Art Publishing o/b/o Itself and Lunch Money Music (BMI). ℗ & © 2000 Roulé Music
2-1d recorded @ DaftHouse in Paris. Published by Zomba Publishing, Brasco Music, Daft Music - featuring samples from "Fate" as recorded by Chaka Khan. Published by EMI Publishing. Produced under license from Warner Bros Records with Warner Special Products. ℗ & © 1998 Roulé Music. Stardust appears courtesy of Roulé Music
Recorded in Palais Omnisport Paris Bercy, 14 june 2007
Photography By Stéphane Quême (DJ Falcon)
"2-Video" recorded in Brooklyn, NYC.
℗ 2007 Daft Life Ltd under exclusive license to Virgin Music, a division of EMI Music France.
© 2007 Daft Life Ltd under exclusive license to Virgin Music, a division of EMI Music France.
Printed in the EU
1-1a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Incorporation elements of "Release The Beast" performed by Breakwater. Published by Pizzazz Music. ℗ 1980 Arista Records Inc. Courtesy of SONY BMG Music Entertainment France. Zomba Music for world (Except France). Published by Daft Music adm by Because Ed (France only).
1-1b ℗ 2005 Daft Trax license exclusive de EMI Music France. Published by Daft Music Delabel Editions Zomba.
1-2a Published by T'Ziah's Music / Ensign Music Corp. (BMI) / Swizz Beatz / Universal Tunes, a Division of Universal, Inc. (SESAC) / Zomba Music Publishing Ltd. c/o Zomba Songs, Inc, a Division of BMG Music Publishing NA, Inc. Recorded at Buzz Soundwerks, NYC. Mixed at Sony Music Studios, Inc. NYC. Contains portions of "Technologic" performed by Daft Punk and published by Zomba Music Publishing Ltd c/o Zomba Songs Inc, a Division of BMG Music Publishing NA, Inc. Courtesy of Capitol Records.
1-2b ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-3a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-3b ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France). Contains a sample from "Can You Imagine" performed by The Imperials. Published by Third World Publishing & Chesyl Publishing, used by permission of Power Exchange.
1-4a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - 2P'SW Music Ttuffttoney Music BMI C/O - Zomba Music for world (except France)
1-4b & 1-6b ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-5a ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
1-5b ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Contains a sample from "Cola Bottle Baby" performed by Edwin Birdsong, used by permission of SONY Music Entertainment. Published by Edwin Birdsong Music (ASCAP) and WB Music (ASCAP). Published by Zomba Music for world (except France) - Daft Music - Delable Editions for France.
1-6a ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
1-7a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France).
1-7b ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France).
1-8a & 2-1c ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - 2P'SW Music Ttuffttoney Music BMI C/O - Zomba Music for world (except France)
1-8b & 1-9a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France).
1-9b ℗ 1997 Go Discs Ltd. licence exclusive de EMI Music France. Courtesy of Barclay / Universal Music - published by EMI Music Publishing Perfect Song Ltd - Polygram Music Publishing
1-10a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-10b ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-10c ℗ 1996 Daft Life Ltd license exclusive de EMI Music France. Published by Zomba Music for world (except France) - Daft Music / Delabel Editions for France.
1-10d ℗ 1996 Daft Life Ltd license exclusive de EMI Music France. Published by Zomba Music for world (except France) - Daft Music / Delabel Editions for France.
1-11a ℗ 1996 Daft Life Ltd license exclusive de EMI Music France. Published by Zomba Music for world (except France) - Daft Music / Delabel Editions for France.
1-11b ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
1-12a ℗ 2001 Daft Life Ltd licence exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba Music for world (except France). Contains a sample from "Who's Been Sleeping In My Bed" performed by Barry Manilow, used by permission of Arista Records. Published by Kamakazi Music Corp. (BMI) and SwaneeBRAVO! Music (BMI) administered by Careers - BMG Music Publishing (BMI).
1-12b & 2-1a ℗ 2005 Daft Life Ltd licence exclusive de EMI Music France. Published by Zomba Music Publishing Ltd - Daft Music adm by Because Ed (France only).
1-12c ℗ 1996 Daft Trax license exclusive de EMI Music France. Published by Daft Music - Delabel Editions - Zomba.
2-1b published by Zomba-Music / Delabel Editions / Daft Music. Contains a sample from "Because Of You" by Keith Nash. Published by Global Art Publishing o/b/o Itself and Lunch Money Music (BMI). ℗ & © 2000 Roulé Music
2-1d recorded @ DaftHouse in Paris. Published by Zomba Publishing, Brasco Music, Daft Music - featuring samples from "Fate" as recorded by Chaka Khan. Published by EMI Publishing. Produced under license from Warner Bros Records with Warner Special Products. ℗ & © 1998 Roulé Music. Stardust appears courtesy of Roulé Music
Other Versions (5 of 24) View All
| Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| CDVIR 224, 5099950984121 | Daft Punk | Alive 2007 (CD, Album, Mixed) | Virgin, Virgin | CDVIR 224, 5099950984121 | France | 2007 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| none | Daft Punk | Alive 2007 (CDr, Album, Promo) | Virgin | none | Australia | 2007 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 0825646225378 | Daft Punk | Alive 2007 (2xLP, Album, Mixed, Tri) | Atlantic | 0825646225378 | Europe | 2014 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 509995 09841 2 1 | Daft Punk | Alive 2007 (CD, Album, Mixed) | Virgin Records America, Inc. | 509995 09841 2 1 | US | 2007 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| TOCP-54142 | Daft Punk | Alive 2007 (CD, Album, Ltd) | Virgin | TOCP-54142 | Japan | 2009 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Reviews Show All 4 Reviews
ledjfab
February 25, 2010
I am probably one of the only persons on earth to be a little more critical towards 'Alive 2007'. Like many others, I went to see the show (Montreal) with little on my mind. I already saw the whole performance on You Tube from precedent dates, and had no special expectations.
I knew that all the tracks from their three albums were mashed-up together to a level where they were sometimes barely recognizable. For those like me who did not like 'Human After All', it seemed like another way to push it down my throat, a little bit without my consent.
I wonder if an exact performance of their three opus, one after another, would have been preferable. I thought about Pink Floyd playing 'Dark Side Of The Moon' integrally in their shows; why not Daft Punk. But, it was not the concept.
A lot of people in the audience were just ridiculous. Some people left after the big tunes like 'Around The World' because they felt there was nothing else to be played. Some others thought it was some sort of 'Rave party' and came dressed accordingly with pills hidden in their underwears. A lot of these didn't knew anything about electronic music in general and just came back to their homes after the show to slip a CD of Céline Dion in their players. Dementia always ends.
The encore contained the famous 'Together'. Nobody recognized the tune. Some didn't even knew Stardust comprised Thomas Bangalter.
Finally, who on earth could convince me that the two guys standing in that pyramid were Bangalter & De Christo? They could have been the actors of Electroma: nobody would have ever notice. That is the other side of their anonymous status.
Nobody ever convinced me that the music was played live. I think the whole thing could have been pre-recorded and just played with the two robots mimicking the technicity. No offense, it doesn't bother me much: electronic music have limits. But there was absolutely no difference from what I have heard on You Tube, and what I heard that night at Molson Center. Not a single note.
I think that in general, reactions towards this show are greatly overrated. If you have been in a big dicotheque, or in a huge show before, there is no big difference with what happened in 'Alive 2007': a bunch of lights, loud music, huge crowd. That's about it.
I left the show after the encore, and was unable to tell if I was satisfied with it or not. And it's still the same today. I'm mixed up and puzzled, and still think people should probably be more critical about what they saw.
I remember hearing Felix Da Housecat saying in an interview (talking about the anonymous aspect of their persona): 'This is the exact opposite of what they should be doing. They should help us to put a face on Electronic music! This is what we need!'. All of this leaves me thinking, and thinking. And in the end, I just don't know what to think.
I knew that all the tracks from their three albums were mashed-up together to a level where they were sometimes barely recognizable. For those like me who did not like 'Human After All', it seemed like another way to push it down my throat, a little bit without my consent.
I wonder if an exact performance of their three opus, one after another, would have been preferable. I thought about Pink Floyd playing 'Dark Side Of The Moon' integrally in their shows; why not Daft Punk. But, it was not the concept.
A lot of people in the audience were just ridiculous. Some people left after the big tunes like 'Around The World' because they felt there was nothing else to be played. Some others thought it was some sort of 'Rave party' and came dressed accordingly with pills hidden in their underwears. A lot of these didn't knew anything about electronic music in general and just came back to their homes after the show to slip a CD of Céline Dion in their players. Dementia always ends.
The encore contained the famous 'Together'. Nobody recognized the tune. Some didn't even knew Stardust comprised Thomas Bangalter.
Finally, who on earth could convince me that the two guys standing in that pyramid were Bangalter & De Christo? They could have been the actors of Electroma: nobody would have ever notice. That is the other side of their anonymous status.
Nobody ever convinced me that the music was played live. I think the whole thing could have been pre-recorded and just played with the two robots mimicking the technicity. No offense, it doesn't bother me much: electronic music have limits. But there was absolutely no difference from what I have heard on You Tube, and what I heard that night at Molson Center. Not a single note.
I think that in general, reactions towards this show are greatly overrated. If you have been in a big dicotheque, or in a huge show before, there is no big difference with what happened in 'Alive 2007': a bunch of lights, loud music, huge crowd. That's about it.
I left the show after the encore, and was unable to tell if I was satisfied with it or not. And it's still the same today. I'm mixed up and puzzled, and still think people should probably be more critical about what they saw.
I remember hearing Felix Da Housecat saying in an interview (talking about the anonymous aspect of their persona): 'This is the exact opposite of what they should be doing. They should help us to put a face on Electronic music! This is what we need!'. All of this leaves me thinking, and thinking. And in the end, I just don't know what to think.
Jumped-up_Custard
August 20, 2008
Back with a revised set from 2006, this performance is tighter than ever. In fact, it's arguably the best set they have ever recorded. Beautifully arranged from start to finish, the duo manage to build this incredible vibe and energy, then sustain the excitement with the crowd throughout the live set!
What makes this so fabulous is the fact that no two bars are the same, the DJs are constantly evolving and progressing the samples as well as blending everything together with the various EQs. This is especially true of "Prime Time Of Your Life / Brainwasher / Rollin' And Scratchin' / Alive", which is so expertly mixed that someone who has never heard Daft Punk would not be able to distinguish how may tracks were mixed together, despite them spanning two or three albums and house music styles.
The ending manages to stay climatic even though the amount of energy in the performance is at an extreme level anyway.
Now, the extra track is worth the money, especially if you're a die hard fan of these two artists. The encore is a mix of Stardust's "Music Sounds Better With You" with the vocals from "One More Time" laid over the top and, my favourite Roulé track, Bangalter & Falcon's "Together", in which Daft Punk play the synths to live from the pyramid.
The video, however, is a very slight disappointment because of the quality, this is understandable though, as it was filmed on handycams be various members of the audience. The video keeps the live energy and will bring back fond memories for who ever has seen them live.
The booklet is nice too, but the main special feature in this package is the extra track.
What makes this so fabulous is the fact that no two bars are the same, the DJs are constantly evolving and progressing the samples as well as blending everything together with the various EQs. This is especially true of "Prime Time Of Your Life / Brainwasher / Rollin' And Scratchin' / Alive", which is so expertly mixed that someone who has never heard Daft Punk would not be able to distinguish how may tracks were mixed together, despite them spanning two or three albums and house music styles.
The ending manages to stay climatic even though the amount of energy in the performance is at an extreme level anyway.
Now, the extra track is worth the money, especially if you're a die hard fan of these two artists. The encore is a mix of Stardust's "Music Sounds Better With You" with the vocals from "One More Time" laid over the top and, my favourite Roulé track, Bangalter & Falcon's "Together", in which Daft Punk play the synths to live from the pyramid.
The video, however, is a very slight disappointment because of the quality, this is understandable though, as it was filmed on handycams be various members of the audience. The video keeps the live energy and will bring back fond memories for who ever has seen them live.
The booklet is nice too, but the main special feature in this package is the extra track.
northregent
November 12, 2010