John Lee (3) / Gerry Brown Featuring: Chris Hinze & Gary Bartz – Infinite Jones
| Label: | Keytone – KT 444.056 |
|---|---|
| Format: | Vinyl, LP, Album |
| Country: | Netherlands |
| Released: | |
| Genre: | Jazz |
| Style: | Fusion |
Tracklist
| A1 | Infinite Jones | 6:42 | |
| A2 | Deliverance | 13:43 | |
| B1 | Jua | 7:04 | |
| B2 | Absitively Posolutely | 2:57 | |
| B3 | Rise On | 3:17 | |
| B4 | Who Can See The Shadow Of The Moon | 5:17 | |
| B5 | Bamboo Madness | 2:30 |
Companies, etc.
- Recorded At – Dureco Studio
Credits
- Alto Saxophone, Soprano Saxophone, Slide Whistle, Percussion – Gary Bartz
- Bass, Bass [Fender Bass], Percussion – John Lee (3)
- Design – Wouter Stips
- Drums, Percussion – Gerry Brown
- Engineer [Recording] – Emile Elsen
- Flute, Alto Flute, Bass Flute, Piccolo Flute, Flute [Bamboo Flute], Producer [Produced By] – Chris Hinze
- Liner Notes – Michael Cuscuna
- Percussion – Howard King
- Photography By – Laura Friedman
- Vocals, Percussion – Henny Vonk
Notes
On "Infinite Jones" piano-solo by Hubert Eaves
On "Deliverance" piano-solo by Jasper Van't Hof
Gary Bartz appears courtesy of Prestige Records
Chris Hinze appears courtesy of CBS Records
Recorded at the Dureco Studio, 16 track, Dolby system, Weesp, Holland.
Recording dates: June 23 and 24, 1973.
Reg. tone 10k.h.z. -10db + Dolby tone
The label on this release is as follows:
"Keytone Records
a division of Keytone Productions B.V.
Postbox 2813
The Hague
Holland"
On "Deliverance" piano-solo by Jasper Van't Hof
Gary Bartz appears courtesy of Prestige Records
Chris Hinze appears courtesy of CBS Records
Recorded at the Dureco Studio, 16 track, Dolby system, Weesp, Holland.
Recording dates: June 23 and 24, 1973.
Reg. tone 10k.h.z. -10db + Dolby tone
The label on this release is as follows:
"Keytone Records
a division of Keytone Productions B.V.
Postbox 2813
The Hague
Holland"
Barcode and Other Identifiers
- Matrix / Runout (Label side A): KT 444.056 SDUT 24.633
- Matrix / Runout (Label side B): KT 444.056 SDUT 24.634
- Matrix / Runout (Runout side A, stamped): 17 401 KT444056 A
- Matrix / Runout (Runout side B, stamped): 20 402 KT444056 B
- Rights Society: Stemra
Other Versions (5)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Infinite Jones (LP, Album) | Overseas Records | UXP-8-V | Japan | 1974 | ||
New Submission | Infinite Jones (LP, Album, Promo) | Overseas Records | UXP-8-V | Japan | 1974 | ||
Recently Edited | Infinite Jones (LP, Album, Reissue, Gatefold) | Keytone | KYT 710 | Netherlands | 1981 | ||
Recently Edited | Bamboo Madness (CD, Album, Remastered, Reissue) | Limetree Records | FCD 0001 | Netherlands | 1995 | ||
Recently Edited | Bamboo Madness (CD, Album, Limited Edition, Reissue, Remastered) | Solid Records (6), Timeless Records (3) | CDSOL-6419 | Japan | 2015 |
Recommendations
Reviews
right on! also this appears to be the same recording as "bamboo madness"- Take the deep spirituality of Carlos Garnett's Black Love, James Mtume's Rebirth Cycle and the vamping tunes from Kawaida, then cross it with the funkier elements of albums like Eddie Henderson's Realization and Jeremy Steig's Energy and you're right in that magical zone where music just elevates your life, that's what this album does all on it's own. This is deep spiritual jazz fusion at its best. Hardly surprising as this album is basically Gary Bartz with a few of his NTU Troop guys, and Chris Hinze and half his crew. I suppose when you've got a meeting of minds like that you're bound to get some amazing chemistry going on. My only fault with this album is that a few of the tunes on the B side feel like they're going to be monster grooves, like "Rise On" for example, here these guys sound like they're just going to jam on until the early hours, but these tunes have been edited to less than five minutes. I reckon this should have been a double album, and the band not have had to work to the time constraints of a single vinyl release. Other than that, this is totally killer stuff.
