Kenneth Gaburo – Music For Voices, Instruments & Electronic Sounds
Label: | Nonesuch – H-71199 |
|---|---|
Format: | Vinyl, LP, Album |
Country: | US |
Released: | |
Genre: | Electronic, Classical |
Style: | Musique Concrète, Contemporary, Experimental |
Tracklist
| A | Antiphony III (Pearl-White Moments) | 16:24 | |
| B1 | Exit Music I: The Wasting Of Lucrecetzia | 3:43 | |
| B2 | Antiphony IV (Poised) | 9:24 | |
| B3 | Exit Music II: Fat Mille's Lament | 4:34 |
Credits
- Art Direction – William S. Harvey
- Commissioned By – The Contemporary Chamber Players Of The University Of Illinois, The Fromm Foundation
- Composed By, Liner Notes – Kenneth Gaburo
- Coordinator – Teresa Sterne
- Design [Cover] – Elaine Gongora
- Engineer – Carl Volkers
Notes
This release has the 15 Columbus Circle Nonesuch address on the sleeve, and no address on the disc labels.
Antiphony III (Pearl-White Moments) (1962) 16 voices & electronics; commissioned in 1960 by the Fromm Music Foundation; composed during 1962-63 at the Yale and Unversity of Illinois Electronic Music Studios; premiered on February 21, 1967 at the University of Chicago
Exit Music I: The Wasting Of Lucrecetzia (1964) concrète & electronic sounds
Antiphony IV (Poised) (1967) voice, piccolo, bass trombone, double-bass & electronics; commissioned by the University of Illinois Contemporary Chamber Players in 1966; premiered at Smith College, January 23, 1968
Exit Music II: Fat Mille's Lament (1965) concrète & electronic sounds
This album marks the recording debut of the New Music Choral Ensemble and members of the University of Illinois Contemporary Chamber Players.
Antiphony III (Pearl-White Moments) (1962) 16 voices & electronics; commissioned in 1960 by the Fromm Music Foundation; composed during 1962-63 at the Yale and Unversity of Illinois Electronic Music Studios; premiered on February 21, 1967 at the University of Chicago
Exit Music I: The Wasting Of Lucrecetzia (1964) concrète & electronic sounds
Antiphony IV (Poised) (1967) voice, piccolo, bass trombone, double-bass & electronics; commissioned by the University of Illinois Contemporary Chamber Players in 1966; premiered at Smith College, January 23, 1968
Exit Music II: Fat Mille's Lament (1965) concrète & electronic sounds
This album marks the recording debut of the New Music Choral Ensemble and members of the University of Illinois Contemporary Chamber Players.
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Music For Voices, Instruments & Electronic Sounds (LP, Album, Stereo) | Nonesuch | H-71199 | UK | 1968 | ||
Recently Edited | Music For Voices, Instruments & Electronic Sounds (LP, Album, Stereo) | Nonesuch | H-71199 | US | 1968 | ||
Recently Edited | Music For Voices, Instruments & Electronic Sounds (LP, Album, Repress) | Nonesuch | H-71199 | US | Unknown | ||
Recently Edited | Music For Voices, Instruments & Electronic Sounds (LP, Album, Repress) | Nonesuch | H-71199 | Canada | Unknown | ||
Recently Edited | Music For Voices, Instruments & Electronic Sounds (LP, Reissue, Stereo, Purple Cover Variant) | Nonesuch | H-71199 | US | Unknown |
Recommendations
1968 USVinyl —LP, Album, Stereo
Reviews
After flipping the record over and employing the needle to side two, the listener might be forgiven for thinking they had wandered into a Nurse With Wound recording..
This may be one of the most abrasive and annoying avant garde albums ever recorded. I like it. I used to intentionally drive my ex-wife to the brink of insanity by playing this loudly (on purpose).
Edited 11 years agoStrange and curious electronic avangard performance with synthesizer vocal voices. Sounds as soundtrack to Space witches orgy- B-side wins again.
Release
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