Jean Gilles — Azema* - Nirouet* - Hite* - Mason* ┃ Ensemble Vocal Sagittarius, Choers Du Festival D'Aix-En-Provence, The Boston Camerata* / Joel Cohen (3) – Requiem
Tracklist
| Requiem [60:06] | |||
| 1 | Requiem Aeternam (Grégorien / Gregorian / Gregorianisch) | 4:01 | |
| 2 | Introit | 15:20 | |
| 3 | Kyrie | 2:21 | |
| 4 | Graduel | 4:21 | |
| 5 | Absolve Domine (Grégorien / Gregorian / Gregorianischer Choral) | 2:31 | |
| 6 | Dies Irae (Grégorien / Gregorian / Gregorianischer Choral) | 7:57 | |
| 7 | Offertorium | 10:37 | |
| 8 | Vere Dignum (Grégorien / Gregorian / Gregorianischer Choral) | 1:54 | |
| 9 | Sanctus | 4:15 | |
| 10 | Qui Lazarum (Grégorien / Gregorian / Gregorianischer Choral) | 2:36 | |
| 11 | Angus Dei | 5:21 | |
| 12 | Post Communion | 5:11 |
Companies, etc.
- Phonographic Copyright ℗ – Erato Disques S.A.
- Copyright © – Erato Disques S.A.
- Manufactured For – BMG Direct Marketing, Inc. – D 102548
Credits
- Baritone Vocals – Patrick Mason (2)
- Choir [Quintet of Male Vocalists] – Ensemble Vocal Sagittarius
- Chorus – Choers Du Festival D'Aix-En-Provence
- Composed By – Jean Gilles
- Concertmaster – Robert Mealy
- Conductor [Boston Camerata] – Joel Cohen (3)
- Conductor [Ensemble Vocal Sagittarius] – Michel Laplénie
- Countertenor Vocals – Jean Nirouët
- Cover [Recto: Illustration: "La Déploration du Christ par les Anges"] – Reynaud Levieux
- Edited By – Ysabelle Van Wersch-Cot
- Engineer [Sound] – Geneviève N'Guyen, Martine Guers
- Liner Notes – Joel Cohen (3)
- Liner Notes [Translation] – John Sidgwick
- Orchestra – Boston Camerata
- Photography By [Verso: Back Cover photo of Joel Cohen] – Jacques Sarrat
- Recording Supervisor – Joel Cohen (3), Michel Bernard, Ysabelle Van Wersch-Cot
- Soprano Vocals – Anne Azéma
- Tenor Vocals – William Hite
Notes
Total: 1 h 06
Mfd. for BMG Direct Marketing, Inc. under License
Recorded 16/17 Juillet 1989, 8 Août 1992, Festival d'Aix Provence (Direction Louis Erlo, Jean-Louis Pujol) Cathédrale Saint Sauveur, Aix en Provence
This performance of Gilles' Requiem (which was first published only in 1764, several decades after its composition) is based on the modern edition of John Hajdu which reverts to the oldest surviving manuscript copied in Toulouse around 1731. The editors have added a part for solo baroque tambour, in keeping with the well-documented tradition of drum participation in eighteenth-century performances of the music. Gregorian chants are interpreted by Ensemble Sagittarius accortding to their appropriate place in the Requiem liturgy.
CD is packaged in a standard black-tray jewel case along with a 16 page booklet, notes in English, including a text of the mass and chants in Latin and English translation.
Mfd. for BMG Direct Marketing, Inc. under License
Recorded 16/17 Juillet 1989, 8 Août 1992, Festival d'Aix Provence (Direction Louis Erlo, Jean-Louis Pujol) Cathédrale Saint Sauveur, Aix en Provence
This performance of Gilles' Requiem (which was first published only in 1764, several decades after its composition) is based on the modern edition of John Hajdu which reverts to the oldest surviving manuscript copied in Toulouse around 1731. The editors have added a part for solo baroque tambour, in keeping with the well-documented tradition of drum participation in eighteenth-century performances of the music. Gregorian chants are interpreted by Ensemble Sagittarius accortding to their appropriate place in the Requiem liturgy.
CD is packaged in a standard black-tray jewel case along with a 16 page booklet, notes in English, including a text of the mass and chants in Latin and English translation.
Barcode and Other Identifiers
- Matrix / Runout: 9 D 102548-2 SRC**01
- Other (Stamped on Matrix mirror ring): M1S1
- SPARS Code: DDD