Stewart Copeland – Rumble Fish (Original Motion Picture Soundtrack)
| Label: | A&M Records – SP-6-4983 |
|---|---|
| Format: | Vinyl, LP, Album |
| Country: | US |
| Released: | |
| Genre: | Rock, Stage & Screen |
| Style: | Soundtrack, Experimental |
Tracklist
| A1 | Don't Box Me In | 4:36 | |
| A2 | Tulsa Tango | 3:45 | |
| A3 | Our Mother Is Alive | 4:13 | |
| A4 | Party At Someone Else's Place | 2:32 | |
| A5 | Biff Gets Stomped By Rusty James | 2:22 | |
| A6 | Brothers On Wheels | 4:08 | |
| B1 | West Tulsa Story | 4:00 | |
| B2 | Tulsa Rags | 1:33 | |
| B3 | Father On The Stairs | 3:01 | |
| B4 | Hostile Bridge To Benny's | 1:52 | |
| B5 | Your Mother Is Not Crazy | 2:48 | |
| B6 | Personal Midget / Cain's Ballroom | 5:54 | |
| B7 | Motorboy's Fate | 2:06 |
Companies, etc.
- Phonographic Copyright ℗ – A&M Records
- Published By – Regatta Music
- Published By – Illegal Songs, Inc.
- Recorded At – Tres Virgos Studios
- Recorded At – Long Branch Studio, Tulsa, OK
- Recorded At – Omni Zoetrope Studios
- Mixed At – The Worried Rabbit Studios
- Mastered At – A&M Studios
- Pressed By – Electrosound Group Midwest, Inc.
Credits
- Art Direction – Chuck Beeson
- Artwork [Front Cover Illustration, © 1983] – Hot Weather Films
- Concept By [Creative Assistance], Technician [Technical Assistance] – Jeff Seitz
- Contractor – Pavel Farkas
- Double Bass – Buell Neidlinger
- Engineer – Robin Yeager
- Engineer [Additional Recording At Long Branch Studio, Tulsa, Oklahoma] – Bill Belknap
- Engineer [Additional Recording At Zoetrope Studios, San Francisco] – Kathy Morton, Richard Beggs
- Engineer [Mix At Worried Rabbit, Nineveh, Assyriah] – Jonney Jeronymides
- French Horn – Art Krahble*, Lory Westin
- Mastered By [A&M Studios, Hollywood] – Bernie Grundman
- Other [Musync] – Robert Randles
- Photography By [Back Cover] – Jane O'Neal
- Photography By [Inner Sleeve] – Michael Jacobs (2)
- Piano, Guitar, Banjo, Bass [Fender], Double Bass, Keyboards, Synthesizer [Rhythm], Percussion [Tuned], Percussion [Typewriter], Drums, Kazoo, Composed By, Performer – Stewart Copeland
- Producer – Stewart Copeland
- Saxophone, Score [Scoring] – Mel Martin
- Strings – Pavel Strings
- Tape Op [Tape Operator] – Gordon Lyons
- Trumpet – Stan Friedman
- Written-By – Stewart Copeland (tracks: A1)
- Written-By, Vocals, Harmonica, Synthesizer [String] – Stanard Ridgway* (tracks: A1)
Notes
B on bottom of center label to the left of A&M logo, both sides
With printed inner sleeve.
With printed inner sleeve.
Barcode and Other Identifiers
- Barcode (Text): 0 7502-14983-1
- Barcode (Scan): 075021498310
- Matrix / Runout (Side A): A&M SP-06-4983A-ES2 EMW
- Matrix / Runout (Side B): A&M SP-06-4983B-ES2 EMW
- Rights Society: BMI
Other Versions (5 of 20)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Rumble Fish (Original Motion Picture Soundtrack) (LP, Album) | A&M Records | AMLX 64983 | UK | 1983 | ||
Recently Edited | Rumble Fish (Original Motion Picture Soundtrack) (LP, Album) | A&M Records | AMLH 20153 | Netherlands | 1983 | ||
Recently Edited | Rumble Fish (The Original Motion Picture Soundtrack) (LP, Album) | A&M Records, A&M Records | AMLH 64983, SP-6-4983 | Europe | 1983 | ||
New Submission | Rumble Fish (Original Motion Picture Soundtrack) (LP, Album) | A&M Records | L38141 | Australia | 1983 | ||
New Submission | Rumble Fish (Original Motion Picture Soundtrack) (LP, Album) | A&M Records | AMP-28087 | Japan | 1983 |
Recommendations
Reviews
- This is an absolutely incredible album, and is a testament to Stewart Copeland's virtuosity. This soundtrack is not only accessible as a standalone collection of songs, it's integrated into the film's action like no other. The relentless forward motion of "our mother is alive" drives Rusty James' movement onscreen, but also delivers a melancholy, emotional punch that any listener to relate to. "Biff gets stomped by Rusty James" follows the menacing tempo of Biff's drug fueled, spastic fighting style, ending with the crescendo as the Motorcycle Boy returns, distracts Rusty James, and Biff takes the opportunity to slash him with a broken piece of glass.
Well worth picking up, and I wish a modern label would remaster and press an audiophile version.
