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Eric GaleGinseng Woman

Label:Columbia – 34421, Columbia – PC 34421
Format:
Vinyl, LP, Album, Stereo
Country:US
Released:
Genre:Jazz
Style:Jazz-Rock, Jazz-Funk

Tracklist

A1Ginseng Woman
Written-ByB. James*
7:41
A2Red Ground
Written-ByE. Gale*
3:50
A3Sara Smile
Written-ByJ. Oates - D. Hall*
6:19
B1De Rabbit
Written-ByE. Gale*
6:15
B2She Is My Lady
Written-ByM. Ames*
6:10
B3East End, West End
Written-ByE.Gale*
6:07
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Companies, etc.

  • Record CompanyCBS Inc.
  • Manufactured ByColumbia Records
  • Phonographic Copyright ℗CBS Inc.
  • Copyright ©CBS Inc.
  • Recorded AtMediasound
  • Recorded AtColumbia Recording Studios
  • Mixed AtMediasound
  • Mastered AtColumbia Recording Studios

Credits

  • Arranged ByBob James (tracks: A1, B2), Bill Eaton* (tracks: B1)
  • Arranged By [Strings & Horns]Bob James (tracks: A2, B3)
  • Arranged By [Strings]Bob James (tracks: A3)
  • Arranged By [Voices]Bill Eaton* (tracks: A3)
  • BassAnthony Jackson (tracks: A1, B1), Gary King (tracks: A2, A3, B2, B3)
  • CelloAlan Shulman, Charles McCraken*
  • ClavinetBob James (tracks: A3)
  • DrumsAndrew Smith (4) (tracks: A2, A3, B2), Steve Gadd (tracks: A1, A3)
  • Electric Piano [Fender Rhodes]Bob James
  • EngineerDon Puluse, Joe Jorgensen
  • GuitarEric Gale
  • Mastered ByVladimir Meller*
  • OrganRichard Tee (tracks: A3)
  • PercussionRalph MacDonald
  • PianoRichard Tee (tracks: A1, B1 to B3)
  • ProducerBob James
  • Producer [Associate]Joe Jorgensen
  • SaxophoneEddie Daniels, George Young (2), Mike Brecker*
  • Saxophone [Solo]George Young (2) (tracks: B2), Grover Washington, Jr. (tracks: A1, B3)
  • Steel Drums [Electric]Bob James (tracks: B1)
  • SynthesizerBob James (tracks: A1, A3)
  • Tin WhistleGrover Washington, Jr. (tracks: A2)
  • TromboneDave Taylor*, Wayne Andre
  • TrumpetAlan Rubin, Jon Faddis, Lou Soloff*, Randy Brecker
  • ViolaEmanuel Vardi, Lamarr Alsop*
  • ViolinDavid Nadien, Diane Halprin*, Harold Kohon, Harry Cykman, Harry Glickman, Marvin Morgenstern, Max Ellen, Max Pollikoff, Paul Gershman
  • VocalsLani Groves, Patti Austin, Ray Simpson, Vivian Cherry, Bill Eaton*, Zack Sanders*

Notes

Recorded and mixed at Media Sound.
Strings and Horns recorded at Columbia Recording Studios N.Y.C.
Mastered at Columbia Recording Studios N.Y.C.

Printed in U.S.A.

1877-1977: 100 Years Of Recorded Sound

Barcode and Other Identifiers

  • Price Code (On spine): X699
  • Matrix / Runout (A-side label): AL 34421
  • Matrix / Runout (B-side label): BL 34421
  • Matrix / Runout (A-side runout variant 1): AL 34421-1D AS
  • Matrix / Runout (B-side runout variant 1): BL 34421-1C B/o
  • Matrix / Runout (A-side runout stamped variant 2): AL 34421-1A
  • Matrix / Runout (B-side runout stamped variant 2): BL 34421-1A

Other Versions (5 of 22)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Ginseng Woman (LP, Album)CBS, CBS, CBS82058, CBS 82058, S CBS 82058UK1977
New Submission
Ginseng Woman (LP, Album)ColumbiaPC 34421Canada1977
New Submission
Ginseng Woman (LP, Album)CBSSBP 234987Australia1977
New Submission
Ginseng Woman (LP, Album)CBSASF 1974South Africa1977
New Submission
Ginseng Woman (LP, Album)CBSCBS 82058UK1977

Recommendations

Reviews

  • dainis.karklins's avatar
    I obtained this record because somebody labeled this as a jazz-funk. Well, for me it is not, and even less it is a jazz-rock (so maybe guys can update style tag here as well). But for this record it is easier to say what it's not, than what it is. Eric Gale blends many styles here with a great effort. Some jazz, some funk, some pop, some reggae, some soul, and I constantly hear Eric is playing those blues lines on his guitar. I liked it in the beginning, and still do, but for me it sounds a bit too sweet. Yet still recommendable for calm summer evening.
    • shadesofjae's avatar
      shadesofjae
      This album IS hip-hop! "De Rabbit" is basically a dope loop in itself; "East End West End" is straight-up euphoric, lushly orchestrated funk; "Red Ground" has that Scandinavian 70s film music air about it, Jayson Lindh type stuff; "She is My Lady" is basically Cinematic Orchestra long before they were even conceived as an idea, very Charles Stepney-orientated; "Sara Smile" is melancholy Balearic reggae; and - finally - the title track is pure dramatics, golden fodder for the loop digga (very much in the vein of Hubert Laws "Undecided", come to think of it).

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