Tsunami One + BT – Hip Hop Phenomenon
Label: | Marine Parade – MAPA005 |
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Format: | Vinyl, 12", 33 ⅓ RPM, Single Sided |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | Progressive Breaks |
Tracklist
A | Hip Hop Phenomenon (Original) | 9:24 |
Companies, etc.
- Phonographic Copyright ℗ – Marine Parade
- Copyright © – Marine Parade
- Published By – Embrace The Future Music
- Published By – Copyright Control
Credits
- Engineer [Engineering], Producer [Additional Production], Programmed By [Programming By] – Kevin Beber
- Lacquer Cut By – SMC*
- Written-By, Producer – Adam Freeland, Brian Transeau, Kevin Beber
Notes
Made in the U.K.
Barcode and Other Identifiers
- Barcode: 5024545086768
- Rights Society: BMI
- Matrix / Runout: SMC AG MAPA 005 A-1-1-1
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited | Hip Hop Phenomenon (12", 33 ⅓ RPM, Single Sided, White Label) | Marine Parade | MAPA005 | UK | 1999 |
Recommendations
Reviews
- Is there any BT tracks half as good as this one? I haven't heard ANY
Do tell!
How much input did beber/freeland have on this?
What are the best beber tracks I should own?
This joint is monstrous esp for 99 - Edited 3 years agoThe very first version of "The Hip Hop Phenomenon". This is one of BT's best tracks, HANDS DOWN. While this version has more of T1's touch, it sounds slightly empty compared to the final release on "Movement in Still Life". There are essentially 3 versions of this track: This one, the 4xLP version, and the 2xLP version. Each improving with instrumentation and mastering from the previous.
You can compare the 1999 and final versions with the videos under this release.
Aside from that, amazing track. - There are two versions of this landmark 'Nu-Skool' breaks track.
This one and the version on BT's album 'Movement In Still Life'
Each version is significantly different. Production wise this version, with Adam Freeland more influential on the production is simpler. It has a raw sound that highlights all the best bits of the track. Perfect for breaks heads. However the album version is more focused on the programming and sounds cleaner, it's a bit more 'whizz-bang'.
Either way, which ever version you prefer, still a classic track. - This is THE 'nu-skool' (or whatever) breaks track. Epic, progressive, noisy, squelchy, bleepy, robotic, fat, noisy and crazily danceable. My head span 720 degrees on my shoulders the first time I heard this. Still think it's one of the coolest tracks I've ever heard. I doubt very much that BT had any real input into it because it's far too good for him.
Release
For sale on Discogs
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