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Clipse – Lord Willin'

Clipse - Lord Willin' album cover

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Label:Star Trak Entertainment – VMP-E065, Star Trak Entertainment – 19075810841, Sony Music Commercial Music Group – VMP-E065
Series:Vinyl Me, Please. Essentials – E065
Format:
2 x Vinyl, LP, 45 RPM, Album, Club Edition, Reissue, Green [Emerald]
Country:US
Released:
Genre:Hip Hop
Style:Gangsta

Tracklist

A1Clipse–Intro
2:16
A2Clipse–Young Boy
4:25
A3Clipse–Virginia
3:57
A4Clipse–Grindin'
4:24
B1Clipse–Cot Damn
5:01
B2Clipse–Ma, I Don't Love Her
Featuring – Faith Evans
4:17
B3Clipse–FamLay Freestyle
Featuring – FamLay*
1:57
B4Clipse–When The Last Time
4:14
C1Clipse–Ego
2:48
C2Clipse–Comedy Central
Featuring – Fabolous
4:33
C3Jermaine Dupri–Let's Talk About It
Engineer [Assistant Mix Engineer] – John Horesco IV
Featuring – Clipse
Mixed By – Jermaine Dupri, Phil Tan
Recorded By – Andrew Coleman (3)
5:10
C4Clipse–Gangsta Lean
5:20
D1Clipse–I'm Not You
4:18
Bonus Tracks
D2Clipse–Grindin' (Remix)
Featuring – Baby (2), Lil' Wayne*, N.O.R.E.
4:17
D3Clipse–Grindin' (Selector Remix)
3:47
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Companies, etc.

  • Copyright © – Arista Records LLC
  • Phonographic Copyright ℗ – Arista Records LLC
  • Phonographic Copyright ℗ – Arista Records, Inc.
  • Phonographic Copyright ℗ – Sony Music Entertainment Inc.
  • Phonographic Copyright ℗ – So So Def Recordings Inc.
  • Manufactured For – Vinyl Me, Please
  • Manufactured By – Sony Music Entertainment
  • Exclusive Retailer – Vinyl Me, Please
  • Mastered At – Sterling Sound
  • Produced For – Star Trak Entertainment
  • Recorded At – Mastersound Studio, Virginia Beach
  • Recorded At – Windmark Recording Studios, Virginia Beach
  • Recorded At – StarTrak Studios, Viginia Beach, VA
  • Recorded At – Silent Sound Studios
  • Recorded At – Patchwerk Recording Studios
  • Engineered At – Mastersound Studio, Virginia Beach
  • Engineered At – Windmark Recording Studios, Virginia Beach
  • Mixed At – SouthSide Studios
  • Published By – Bless Publishing Designee
  • Published By – Chase Chad Music
  • Published By – D. Brasco Music
  • Published By – Desert Storm Music
  • Published By – Dutty Rock Music
  • Published By – EMI April Music Inc.
  • Published By – EMI Blackwood Music Inc.
  • Published By – FamLay Publishing
  • Published By – GenMarc Publishing
  • Published By – Jae'wons Publishing
  • Published By – Justin Combs Publishing
  • Published By – Money Mack
  • Published By – Off Da Yelzabulb
  • Published By – One Man Music
  • Published By – Paniro's Publishing
  • Published By – So So Def Music
  • Published By – Terrardome Publishing
  • Published By – Waters Of Nazareth Publishing
  • Pressed By – GZ Media – 170639M

Credits

  • A&R [A&R Coordinator], Coordinator [A&R Coordinator] – Nicole Plantin
  • A&R [A&R Direction] – Rob Walker (2)
  • Art Direction, Design – Courtney Walter
  • Artwork [Original Artwork By, Print] – The Super Poor Kids
  • Booking – Jesse Kay (2), Peter Seitz
  • Booking [For] – ATA (16)
  • Cover [Album Cover Painting], Painting [Album Cover Painting] – Vicki Berndt
  • Creative Director – Joe Mama-Nitzberg
  • Design [Clipse Web Design, For] – HaleStorm Multimedia Inc.
  • Design [Clipse Web Design] – Charles Hale (3)
  • Engineer – Andrew "Drew" Coleman*
  • Engineer [Assistant Mix Engineer] – John Horesco IV (tracks: C3)
  • Executive-Producer – Chad Hugo, Pharrell Williams, Rob Walker (2)
  • Legal [Legal Counsel] – Dave Mantell, Esq.*
  • Legal [Star Trak Legal Representation] – Selverne, Mandelbaum & Mintz, LLP
  • Management – Anthony "Geezy" Gonzalez*, Mike "Milo" Odom*
  • Management [For] – Soul Provider Entertainment, Inc.
  • Mastered By – Chris Athens, Tom Coyne
  • Mixed By – Phil Tan (tracks: A1 to C2, C4 to D3)
  • Photography By – Clay Patrick McBride
  • Producer – The Neptunes
  • Producer, Performer, Arranged By [All Songs Produced, Performed & Arranged By] – Chad Hugo, Pharrell Williams
  • Promotion [Arista Marketing] – Phillana Williams
  • Promotion [Star Trak Marketing] – Marcus Logan

Notes

Comes with an obi strip.
Each LP housed in custom inner sleeves.
Includes an art print.

Sticker:
Sourced From the Original Masters
2LP Emerald Vinyl
Heavyweight Gatefold Tip-On Jacket

Track durations taken from LP labels. They differ slightly from the ones listed on the rear cover.

Mastered [...] at Sterling Sound, NYC

© 2002, 2018 Arista Records LLC / ℗ 2002 Arista Records LLC / Manufactured for Vinyl Me, Please by Sony Music Entertainment / 25 Madison Avenue, New York, NY 10010-8601

On inner sleeve: ℗ 2001 Arista Records, Inc.

A1, A2, A3, A4, B1, B2, B4, C1, C4
Published by GenMarc Publishing/Terrardome Publishing (ASCAP)/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc. (ASCAP)

B3
Published by FamLay Publishing/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc. (ASCAP)

C2
Published by GenMarc Publishing/Terrardome Publishing (ASCAP)/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc./D. Brasco Music (ASCAP)/Desert Storm Music (BMI)

C3
Published by EMI-April Music, Inc. o/b/o itself & So So Def Music/GenMarc Publishing/Terrardome Publishing (ASCAP)/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc. (ASCAP)
Recorded [...] at Patchwerk Recording Studios, Atlanta, GA
Mixed [...] at SouthSide Studios, Atlanta, GA
℗ 2001 A Joint Venture between Sony Music Entertainment Inc. & So So Def Recordings Inc.

D1
Published by Terrardome Music/GenMarc Publishing (ASCAP)/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc./Jaewon's Publishing/Justin Combs Publishing, adm. by EMI-April Music, Inc./Paniro's Publishing/Justin Combs Publishing, adm. by EMI-April Music, Inc. (ASCAP)

D2
Published by Terrardome Music/GenMarc Publishing (ASCAP)/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc. (ASCAP)/Off Da Yelzabulb/Money Mack/Money Mack (BMI)

D3
Published by Terrardome Music/GenMarc Publishing (ASCAP)/Waters Of Nazareth Publishing/EMI-Blackwood Music Inc. (BMI)/Chase Chad Music/EMI-April Music, Inc./Dutty Rock Music (ASCAP)/One Man Music/Bless Publishing Designee

All Songs Recorded at MasterSound & Windmark Studios, Virginia Beach, VA • Except "Grindin'," Recorded at Star Trak Studios, Virginia Beach, VA & "Cot Damn," Recorded at Silent Sound Studios, Atlanta, GA (& where noted) • All Songs Engineered [...] at MasterSound & Windmark Studios, Virginia Beach, VA • All Songs Mixed by Phil Tan at Silent Sound Studios, Atlanta GA (Except where noted)

Barcode and Other Identifiers

  • Matrix / Runout (Side A label): 19075810841A
  • Matrix / Runout (Side B label): 19075810841B
  • Matrix / Runout (Side C label): 19075810841C
  • Matrix / Runout (Side D label): 19075810841D
  • Matrix / Runout (Side A runout, stamped): 170639M1/A
  • Matrix / Runout (Side B runout, stamped): 170639M2/A
  • Matrix / Runout (Side C runout, stamped): 170639M3/B
  • Matrix / Runout (Side D runout, stamped): 170639M4/A
  • Rights Society: ASCAP
  • Rights Society: BMI

Other Versions (5 of 23)

View All
Title (Format)LabelCat#CountryYear
Lord Willin' (2×LP, Album)Star Trak Entertainment, Arista07822-14735-1US2002
Recently Edited
Lord Willin' (CD, Album, Enhanced, Sonopress Pressing)Star Trak Entertainment07822-14735-2US2002
Lord Willin' (CD, Album)Star Trak Entertainment07822-14735-2Europe2002
Recently Edited
Lord Willin' (CD, Album)BMG Australia82876507252Australia2002
Recently Edited
Lord Willin' (2×LP, Album, Promo)Star Trak Entertainment, Star Trak EntertainmentARDP-14735-1, 07822-14735-1US2002

Recommendations

Reviews

  • randall814's avatar
    randall814
    Definitely cut a little hot but the dynamics are all there. A little bit of distortion on some of the more sibilant parts, and a few S sounds on the vocals, but great overall.
    • tomaaaaa's avatar
      tomaaaaa
      got this for 40 from my local. Sounds and looks amazing. Really does this album justice
      • CaptainMurphy95's avatar
        CaptainMurphy95
        How does this pressing compare to the one being sold on Get on Down?
        • jobiwankenob's avatar
          jobiwankenob
          This sounds fuckin incredible. Forget every other format of this album, this one….is the fuckin one.
          • seth-n-naads's avatar
            seth-n-naads
            anyone make that drink recipe on the inside of the obi strip? lol
            • jheath79's avatar
              jheath79
              Let's cut the critique. This is an amazing sounding pressing. Any distortion you find will certainly not detract from your listening experience. On first play, it brought me outta my chair. If you love this album, you want this pressing. Trust me.
              • dicedpeas's avatar
                dicedpeas
                Edited 4 years ago
                This is sex to my ears. Pure cocaine bliss. Almost makes me want to go to Virginia. Almost.

                Edit: There is a bit of distortion on the vocals for Young Boy and Got Damn, but man... it otherwise sounds great. Just cut a lil hot.
                • cottonmouthVII's avatar
                  cottonmouthVII
                  We're on a run of oddly mainstream choices for record of the month, but I can't complain at all about this one. I have always loved this album, so I'll take a new fresh copy to listen to. This is top 25 favorite all-time rap albums material for me.

                  Little bits of vocal distortion here and there on my copy, but overall a very well done pressing. The wax is gorgeous. The sleeves fit in the jacket again, so hopefully that issue is behind VMP!
                  • LallumCowes's avatar
                    LallumCowes
                    A very special package that presents a very special moment within both rap music as well as within hip-hop as a whole. The Clipse mastered the art of street-rap with Malice and Pusha operating on an almost telepathic level that only the best rap groups can accomplish. This was married to production that would bang in the club and out the whip but also make the average hipster take note due to the sheer weirdness of the beats. This combined with a commercial appeal that was borderline essential for a major-label release at this point in time resulted in an album that could only exist in one particular moment in our history. This release sounds fantastic, the 45rpm affords the neptunes' idiosyncratic production the blunt-force impact it needs to shake your speakers apart and makes Pusha T's beady-eyed observations and wry humour as well as Malice's soul-bearing confessionals seem all the more visceral and essential within the hip-hop canon. Whilst this record isn't the same as it blasting out of a 2002 Benz wagon with rims the size of hula-hoops and 3 metric tonnes of amps and speaker stuffed into the chassis its about as close as you're liable to get in 2018.
                    • agnew's avatar
                      agnew
                      I was skeptical when I heard all the praise - at the very least I figured that I wouldnt be able to notice a difference - but this version sounds fantastic

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                      SpinningPlates, vinylenoch, Fool-Me-Thrice, leeving, michael_c, Tefhaas, andygrayrecords, submachi, alexhawkins, Harrison_Bergeron, Chris_Der, edm4150, Xmipod, DJCOOLFX, dlebryk
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