Tipica 73 ,Canta: Jose Alberto*En Cuba - Intercambio Cultural

Label:Fania Records – JM-00542
Vinyl, LP, Album, Stereo
Style:Salsa, Guaracha, Descarga


A1Muriendome De Risa
A2Un Pedacito
A4Fiesta De Tambores
B1Majestad Antillana
B2Ese Animal
B3Pa' Gozar

Companies, etc.



1979 US Fania Records 1st Palm Tree label variation edition with a large ring pressing. Released with COMPATIBLE STEREO, SIDE A / SIDE B, JM-00542 all in capital letters on the mid right sides of the center record labels.
Originally released with a 23" X 20" full color poster.
Recorded at Egrem Studios, Havana, Cuba.

Barcode and Other Identifiers

  • Matrix / Runout (Side A, etched, MASTERDISK stamped): FANIA - JM- 00542-A MASTERDISK RL I GOL
  • Matrix / Runout (Side AB, etched, MASTERDISK stamped): FANIA - JM- 00542-B MASTERDISK RL I GOL

Other Versions (5 of 11)

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Title (Format)LabelCat#CountryYear
Recently Edited
En Cuba Intercambio Cultural (LP, Album)Fania RecordsSLP 542France1979
New Submission
En Cuba - Intercambio Cultural (LP, Album)Fania RecordsLPS 99158Venezuela1979
New Submission
En Cuba - Intercambio Cultural (LP, Album)Fania RecordsFML 50Spain1979
New Submission
En Cuba - Intercambio Cultural (LP, Album)Fania RecordsLPS-99158Venezuela1979
New Submission
En Cuba - Intercambio Cultural (LP, Album, Stereo)Indica5010Costa Rica1979


  • MamboMadness's avatar
    Formed in New York by a number of musicians from Ray Barretto‘s band, the Cuban charanga and Salsa band, Tipica 73, enjoyed great success in the 1970s and 1980s. (The term típica refers to the “typical” configuration of a Cuban Charanga with violin, and 73 to the year of founding the group) The legendary band is notable for for its experimental style and being the first US-based salsa orchestra to record in Cuba– the result of which was the album “Típica 73 En Cuba Intercambio Cultural.” At the time, Tipica 73 featured several Salsa musicians who would go on to become famous as solo artists, including vocalist José “El Canario” Alberto and violinist Alfredo De La Fé. In the nascent and thriving New York Latin jazz and salsa scene in the early 1970s, the group began with Johnny “Dandy” Rodriguez Jr and four of Ray Barretto‘s original band including Adalberto Santiago (who all left Barretto simultaneously to start Tipica 73 in 1972), and, after combining the conjunto percussive style (congas, timbales, and bongos) with a horn section the band became one of the biggest stars of the salsa movement in the US.
    However, the band’s lineup ended up with an almost different cast by the start of the following decade, with several of the original members having left after differences in the late 1970s, and Santiago and three others leaving to form Los Kimbos. Rodriguez Jr was the only constant in the band, and he and remaining members would split in 1982, but not without a tribute to the Charanga style, the 1980 release “Charangueando con la Tipica 73“, which included standout versions of Tito Puentes’ ”A Donde Vas” and Cachao’s “Chanchullo,” In 1995, Tipica 73 reunited for a successful concert in Puerto Rico, which led to a series of shows four years later.



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