Tony Allen, Jeff Mills – Tomorrow Comes The Harvest
Label: | Blue Note Lab – 778630 6 |
|---|---|
Format: | Vinyl, 10", 33 ⅓ RPM, EP |
Country: | France |
Released: | |
Genre: | Electronic, Jazz, Folk, World, & Country |
Style: | Future Jazz, Afrobeat |
Tracklist
| A1 | Locked And Loaded | 7:46 | |
| A2 | Altitudes | 7:03 | |
| B1 | On The Run | 8:07 | |
| B2 | The Seed | 7:11 |
Companies, etc.
- Record Company – Universal France
- Record Company – Universal International Music B.V.
- Phonographic Copyright ℗ – Blue Note Records
- Copyright © – Blue Note Records
- Pressed By – Optimal Media GmbH – BI 39737
- Mastered At – Parelies Audio Visuel
- Recorded At – Studio CBE
Credits
- Artwork – Manzel Bowman
- Composed By, Arranged By, Keyboards – Jean Phi Dary*
- Design [Graphic] – Rebecca Meek
- Drums, Composed By, Arranged By – Tony Allen
- Engineer, Recorded By – David Mestre
- Executive-Producer – Eric Trosset
- Mastered By – Chab (2)
- Mixed By – François Kevorkian, S. Vaughan Merrick*
- Synthesizer, Drum Machine, Composed By, Arranged By – Jeff Mills
Notes
Recorded live in Paris at CBE Studio, mixed in New York.
Barcode and Other Identifiers
- Barcode (Text): 6 02567 78630 6
- Barcode (Scanned): 602567786306
- Label Code: LC 00133
- Matrix / Runout (Side A label): 778630 6-A
- Matrix / Runout (Side B label): 778630 6-B
- Matrix / Runout (Side A runout): 6778630 A .T2. PARELIES+∘ BI 39737-01 A1
- Matrix / Runout (Side B runout): 6778630 B .T3. PARELIES+∘ BI 39737-01 B1
- Rights Society: SACEM SACD SDRM SGDL
- Rights Society: SCPP
Other Versions (3)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Tomorrow Comes The Harvest (10×File, WAV, 24-bit 44.1 kHz) | Blue Note | none | Europe | 2018 | ||
New Submission | Tomorrow Comes The Harvest (CDr, Album, Promo) | Decca | none | UK & Europe | 2018 | ||
New Submission | Tomorrow Comes The Harvest (10×File, FLAC, 24-bit 44.1 kHz) | Universal Music Division Decca Records France, Decca Records France | none | US | 2018 |
Recommendations
Reviews
Edited 4 years agoInteresting, how here the opinions and listening experiences once again drift apart... there seems to be enormous differences in the pressing. OK, the sound is not too loud compared to other records at the same volume, that's right, is smoother, lighter, not so earthy. But my copy is absolutely superb, no pops, scratches, warping or the like, the sound is clean, no noise, the bass very feelable and wow - for me a great pressing and recording!- the more i listen to this the more bummed i get about the pressing...super low, very noisy in places and not much clarity when there's lots of sounds happening at once.
Edited 5 years agoThis pressing is amazing. As soon as the bass drum hit kicks in you are sent to the moon, my friends! Now this is DYNAMIC range.
One of the records you can use in your favor when discussing why vinyl is better.- on B2 the last kicks sound bad on my copy, does anyone has the same problem?
thx 
Edited 5 years agoAll too often, high profile collaborations end with up more style than substance – however right from the get go, ‘Tomorrow Comes The Harvest’ is everything you could wish to hope for. The skills of legendary drummer Tony Allen are balanced perfectly Mills’ live 909 programming and use of effects, in a space where nothing takes prominence. The addition of Allen’s bandmate Jean Phi Dary on keys gels their compositions together with the addition of his cosmically inspired keys.
Very impressive 10" ep. The music is superb. A diamond collaboration of two top musicians. The pressing alone is magnificent. Great bass and great clarity. A modern classic.
How's the pressing for everyone? Mine is super low.
Future classic. Hypnotic, new beats and tunes. Really successful collaboration.- This seems like a monster record for me, I'll be playing this for decades!!!!!!!!
- Edited 6 years agoOn The Run has got the feel of a dexter wansel cut - very nice indeed - what a collab
Release
For sale on Discogs
Sell a copy6 copies from $35.00
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