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Masters At WorkOur Time Is Coming

Label:Tommy Boy – TBCD 1536, MAW Records – TBCD 1536
Format:
CD, Album
Country:US
Released:
Genre:Electronic, Reggae, Folk, World, & Country
Style:House, Garage House, Deep House, Soca, African

Tracklist

1Mr. V
ProducerKenny Dope*, Louie Vega
1:03
2Like A Butterfly (You Send Me)
BassGene Perez
Engineer [Recording And Mix Engineer]Steven Barkan
Featuring, Lead Vocals, Backing Vocals [Background Vocals]Patti Austin
GuitarMike Ciro
Producer, Mixed ByKenny Dope*, Louie Vega
3:40
3Backfired
Backing Vocals [Background Vocals]Bennie Diggs*, Cindy Mizelle, Connie Harvey, India, Jocelyn Brown
BassGene Perez
Drums [Live Drums], Congas [Live Congas]Mylious Johnson
Engineer [Mix Engineer]Steven Barkan
Engineer [Recording Engineer]Dave Darlington*, Steven Barkan
Featuring, Lead VocalsIndia
GuitarMike Ciro
ProducerKenny Dope*, Louie Vega
Tenor Saxophone [Tenor Sax]John Scarpulla
TromboneJohn Wheeler
Trumpet, Flugelhorn [Flugel Horn]Barry Danielian
Written-ByIndia, Luis F. Vega*
7:30
4Work
Backing Vocals [Background Vocals]Nas-T Boyz Crew, Silhouette (3)
Engineer [Recording And Mix Enigneer]Steven Barkan
FeaturingDenise*, Puppah Nas-T
Lead VocalsDenise Belfon
ProducerPuppah Nas-T
Producer [Additional Production By], Mixed By [Additional Mix By]Masters At Work
5:17
5MAW Expensive (A Tribute To Fela)
Backing Vocals [Background Vocals]Abiola Olanyi 77, Folorunsho "Foly" Kolade, Kunle Ade, Mojisola Adeagbo, Wunmi
Engineer [Assistant Engineer]Oscar Monsalve
Engineer [Mix Engineer]Steven Barkan
Engineer [Recording Engineer]Dave Darlington*
Featuring, Lead VocalsWunmi
FluteDave Valentin
Percussion [Live Percussion]Luisito Quintero
Producer, Mixed ByKenny Dope*, Louie Vega
Talking DrumFolorunsho "Foly" Kolade
Tenor Saxophone [Tenor Sax], Baritone Saxophone [Baritone Sax]John Scarpulla
TromboneJohn Wheeler
TrumpetTony Kadleck
Written-ByFela Anikulapo-Kuti*
4:48
6Our Time Is Coming
Backing Vocals [Background Vocals]Richard Shade, Roy Ayers
BassGene Perez
Engineer [Recording And Mix Engineer]Dave Darlington*
Featuring, Vibraphone [Vibes], Written-ByRoy Ayers
GuitarMike Ciro
KeyboardsSelan Lerner
PercussionLuisito Quintero
Producer, Mixed ByKenny Dope*, Louie Vega
4:56
7Lovin'
ProducerKenny Dope*, Louie Vega
0:27
8Every Now And Then
BassGene Perez
Engineer [Recording And Mix Engineer]Steven Barkan
Featuring, Lead Vocals, Backing Vocals [Background Vocals]Billie
GuitarMike Ciro
Keyboards, Organ [Organ Solo]Albert "Sterling" Menendez
ProducerKenny Dope*, Louie Vega
6:30
9Lean On Me
Backing Vocals [Background Vocals]James Ingram, Jocelyn Brown, Patti Austin
Engineer [Assistant Engineer]Yas Inoue
Engineer [Recording And Mix Engineer]Steven Barkan
Featuring, Lead Vocals, Electric Organ [B3 Organ Solo]James Ingram
Keyboards, Electric Organ [B3 Organ]Selan Lerner
ProducerKenny Dope*, Louie Vega
3:29
10Life Is But A Dream
Engineer [Recording And Mix Engineer]Steven Barkan
Featuring, Lead Vocals, Backing Vocals [Background Vocals]Lynae
GuitarMike Ciro
KeyboardsJosh Milan, Osunlade
Producer, Mixed ByKenny Dope*, Louie Vega
4:16
11Back In The Day
ProducerKenny Dope*, Louie Vega
0:46
12Latin Lover
Arranged By [Background Arrangements]Carl Hall
Backing Vocals [Background Vocals]Carl Hall, Karen Bernod, Sharlene Thomas, Stephanie Mills
BassGene Perez
Drums [Live Drums]Vidal Davis
Engineer [Assistant Engineer]Oscar Ramirez
Engineer [Recording And Mix Engineer]Dave Darlington*, Steven Barkan
Featuring, Lead VocalsStephanie Mills
GuitarMike Ciro
ProducerKenny Dope*, Louie Vega
8:25
13Pienso En Ti (I Think Of You)
Engineer [Assistant Engineer]Oscar Monsalve, Oscar Ramirez
Engineer [Mix Engineer]Dave Darlington*
Engineer [Recording Engineer]Dave Darlington*, Steven Barkan
Featuring, Lead Vocals, Acoustic GuitarLuis Salinas
KeyboardsAlbert Menendez*
PercussionLuisito Quintero
Producer, Mixed ByKenny Dope*, Louie Vega
6:19
14Deep & Dirty
ProducerKenny Dope*, Louie Vega
0:44
15Michele's Message2:17
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Credits

Notes

Tracks 1, 7, 11, 14 and 15 produced for Masters At Work, Inc.

Track 2 [published by] Nia Songs (BMI) / That Boy Music (BMI) / K-Dope Music (ASCAP). Produced and mixed for Masters At Work, Inc. Recording and mix engineered for Platinum Audio, NYC.

Track 3 [published by] Tribe Rhythm Music (BMI) / That Boy Music (BMI). Produced for Masters At Work, Inc. Mix engineered for Platinum Audio, NYC. Recording engineered for Platinum Audio, NYC.

Track 4 [published by] Digital Drum Music (ASCAP). Recording and mix engineered for Platinum Audio, NYC.

Track 5 [published by] Fela Anikulapo-Kuti Estate Ltd. / EMI Publishing France. Produced and mixed for Masters At Work, Inc. Mix engineered for Platinum Audio, NYC. Recording engineered for Platinum Audio, NYC.

Track 6 [published by] Warner Chappell (ASCAP). Produced and mixed for Masters At Work, Inc. Recording and mix engineered for Platinum Audio, NYC. Recorded and mixed at Mirror Image, NYC. © 2001 MAW Records.

Track 8 [published by] Stonybrown Music (ASCAP) / Sterling Blue Music (ASCAP) / That Boy Music (BMI) / K-Dope Music (ASCAP). Produced for Masters At Work, Inc. Recording and mix engineered for Platinum Audio, NYC.

Track 9 [published by] Yah-Mo Publishing Co. (BMI) / K-Dope Music (ASCAP) / That Boy Music (BMI) / Enok Music Publishing (AB) / Soul-On Productions (ASCAP). Produced for Masters At Work, Inc. Recording and mix engineered for Platinum Audio, NYC.

Track 10 [published by] That Boy Music (BMI) / K-Dope Music (ASCAP) / Nia Songs (BMI). Produced and mixed for Masters At Work, Inc. Recording and mix engineered for Platinum Audio, NYC.

Track 12 [published by] Song Bird Incorporated (ASCAP) / That Boy Music (BMI) / K-Dope Music (ASCAP). Produced for Masters At Work, Inc. Recording and mix engineered for Platinum Audio, NYC.

Track 13 [published by] K-Dope Music (ASCAP) / That Boy Music (BMI). Produced and mixed for Masters At Work, Inc. Mix engineered for Platinum Audio, NYC. Recording engineered for Platinum Audio, NYC. © 2001 MAW Records.

Mastered at Hit Factory, NYC.

℗ 2002 MAW Records, Inc. © 2002 Tommy Boy Music. Manufactured for and distributed by Tommy Boy Music.

The release is housed in a standard jewel case with front and rear inserts.

Barcode and Other Identifiers

  • Barcode: 6 61868 15362 0
  • Barcode (Scanned): 661868153620
  • Matrix / Runout (Variant 1): [wea mfg. OLYPHANT] Y18879 43 1536-2 02
  • Matrix / Runout (Variant 1, Mother / Stamper Code): M1S1
  • Mastering SID Code (Variant 1): ifpi L903
  • Mould SID Code (Variant 1): IFPI 2U6B
  • Matrix / Runout (Variant 2): [wea mfg. OLYPHANT] Y18879 43 1536-2 02
  • Matrix / Runout (Variant 2, Mother / Stamper Code): M1S4
  • Mastering SID Code (Variant 2): ifpi L903
  • Mould SID Code (Variant 2): IFPI 2U4A

Other Versions (5 of 27)

View All
Title (Format)LabelCat#CountryYear
Our Time Is Coming (CD, Promo)Tommy BoyTBCD 1536 PROMO2001
Our Time Is Coming (CD, Album)Tommy Boy, MAW Records, Wagram Music307 62 02France2001
Our Time Is Coming (Advance Album Release) (CDr, )Tommy Boy, MAW RecordsnoneUS2001
Recently Edited
Our Time Is Coming (CD, Album)Playground Music ScandinaviaTBCD 1536Scandinavia2001
Our Time Is Coming (CD, Album)Tommy BoyTBCD 1536Germany2001

Reviews

  • caio.ck1's avatar
    caio.ck1
    Edited 10 years ago
    I know MAW since 1992 at this time They produced many fabulous mixes and in 1993 released the first debut album “Masters At Work – The Album” many stomp hits mixes born from there… and in fact they´re give a big support to the underground scene house music, but, I can not say the same about de second album “Our Time Is Coming” for me, doing this way this album should be called “Our Time is Over”.
    The unique truly good tracks : MAW Expensive (A Tribute To Fela) and Lean On Me with James Ingram was edited. Especially, Lean On me 12 mix was never released in any compilation CD until today (what a shame).
    The other tracks by this album are very predictable.

    Conheço Masters At Work desde meados de 1992. Eles foram protagonistas de muitos remixes de sucesso na época, principalmente depois do lançamento do seu primeiro álbum “Masters At Work – The Album” que contribuiu ainda mais para a projeção da dupla, porém, não posso dizer o mesmo sobre o segundo álbum “Our Time Is Coming”, em minha opinião, seu pior trabalho, com faixas 4x4 muito chatas e previsíveis e pra piorar; as 2 únicas e boas faixas que fariam valer o álbum foram editadas: MAW Expensive (A Tribute To Fela) e Lean On Me, com vocais de James Ingram.

    Lean On me 12 mix nunca foi lançada em nenhuma compilação em CD até hoje (uma vergonha para eles que não o fizeram e uma frustração para nós, ouvintes).

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