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The Allman Brothers Band – Eat A Peach
| Label: | Capricorn Records – 2CP 0102 |
|---|---|
| Format: | 2 x Vinyl, LP, Album, Santa Maria Press, Gatefold |
| Country: | US |
| Released: | |
| Genre: | Rock, Blues |
| Style: | Blues Rock, Southern Rock |
Tracklist
| A1 | Ain't Wastin' Time No More | 3:40 | |
| A2 | Les Brers In A Minor | 9:03 | |
| A3 | Melissa | 3:54 | |
| B | Mountain Jam | 19:37 | |
| C1 | One Way Out | 4:58 | |
| C2 | Trouble No More | 3:43 | |
| C3 | Stand Back | 3:24 | |
| C4 | Blue Sky | 5:09 | |
| C5 | Little Martha | 2:07 | |
| D | Mountain Jam Cont'd. | 15:06 |
Companies, etc.
- Recorded At – Fillmore East
- Recorded At – Criteria Recording Studios
- Pressed By – Columbia Records Pressing Plant, Santa Maria
- Phonographic Copyright ℗ – Capricorn Records Inc.
- Published By – No Exit Music Co., Inc.
- Published By – Sherlyn Pub. Co.
- Published By – Peer International
- Published By – Arc Music Corp.
Credits
- Arranged By [All Arrangements] – The Allman Brothers Band
- Design [Album], Illustration – J. F. Holmes*, D. Powell*
- Engineer – Aaron Baron (tracks: B to C2, D), Howie Albert* (tracks: A1 to A3, C3 to C5), Larry Dahlstrom (tracks: B to C2, D), Ron Albert (tracks: A1 to A3, C3 to C5)
- Graphics – Wonder Graphics
- Producer – Tom Dowd
- Written-By – B. Oakley* (tracks: B1, D), B. Trucks* (tracks: B1, D), Dickey Betts (tracks: A2, B1, C4, D), D. Leitch* (tracks: B1, D), Duane Allman (tracks: B1, C5, D), Gregory L. Allman* (tracks: A1, A3, B1, C3, D), J. J. Johanson* (tracks: B1, D), McKinley Morganfield (tracks: C2), Sonny Boy Williamson (2) (tracks: C1)
Notes
Includes a two-sided 11"x11" matte-finish color printed insert with details/credits on album tracks.
B, C1, C2, D: Recorded live at Fillmore East, N.Y., N.Y. Remote recording by Location Recorders.
A1-A3, C3-C5: Recorded at Criteria Studios, Miami, FL.
Unlike other versions, this one omits Duane Allman in the songwriter credits on side D.
The pressing featuring -1A and -1B stampers in the run out groove is from Columbia Records' Santa Maria plant. The faint "S 1" can be seen before the matrix etchings.
B, C1, C2, D: Recorded live at Fillmore East, N.Y., N.Y. Remote recording by Location Recorders.
A1-A3, C3-C5: Recorded at Criteria Studios, Miami, FL.
Unlike other versions, this one omits Duane Allman in the songwriter credits on side D.
The pressing featuring -1A and -1B stampers in the run out groove is from Columbia Records' Santa Maria plant. The faint "S 1" can be seen before the matrix etchings.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Side A label): S40127
- Matrix / Runout (Side B label): S40128
- Matrix / Runout (Side C label): S40129
- Matrix / Runout (Side D label): S40130
- Matrix / Runout (Side A, runout, etched ): S 1 2CP-102 40127-1A
- Matrix / Runout (Side B, runout, etched ): S 1 2CP-102 40128-1A
- Matrix / Runout (Side C, runout, etched ): S 1 2CP-102 40129-1B
- Matrix / Runout (Side D, runout, etched): S 1 2CP-102 40130-1A
Other Versions (5 of 199)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Eat A Peach (2×LP, Album, Gatefold) | Capricorn Records, Capricorn Records | 67501, 67 501 | France | 1972 | |||
| Eat A Peach (2×LP, Album, Gatefold Sleeve) | Capricorn Records, Capricorn Records, Satbel | CND 25010, 2CP 0102 | South Africa | 1972 | |||
Recently Edited | Eat A Peach (2×LP, Album, Gatefold) | Capricorn Records | K 67501 | UK | 1972 | ||
Recently Edited | Eat A Peach (2×LP, Album, Club Edition, Gatefold) | Capricorn Records, Capricorn Records, Capricorn Records | STBO-94379, 2CP 0102 , 94379 | US | 1972 | ||
New Submission | Eat A Peach (2×LP, Album, Textured) | Warner Bros. Records | P-5047~8W | Japan | 1972 |
Recommendations
Reviews
This is the best release of this pressing IMO. Detailed sound stretched over 2 LP's.
Has anyone seen a copy of this with a clean cover?? I've only ever seen it covered in mold lol. I tossed my cover but kept the records. Sounds so warm after not listening for 6 years or so.- My copy seems to be of this version with variant in runout but with D.Allman writing credit on side D.I bought my copy in Australia in the early 1970's
Anyone know what the best sounding release of this is?
