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Shakespeare* – Be Thou Now Persuaded - Living In A Shakespearean World
| Label: | Rhino Word Beat – R2 75816 |
|---|---|
| Series: | Rhino Word Beat |
| Format: | 6 x CD, Album, Compilation, Remastered, Box Set |
| Country: | US |
| Released: | |
| Genre: | Non-Music |
| Style: | Poetry, Education, Comedy, Monolog, Radioplay, Spoken Word |
Tracklist
| Volume 1: To Be... | |||
| Greetings | |||
| 1-1.a | Good Day, Good Day (Troilus And Cressida; Act III, Scene III) | ||
| 1-1.b | Good Morrow To This Fair Assembly (Much Ado About Nothing; Act V, Scene IV) | ||
| 1-1.c | Good Morrow, Ajax (Troilus And Cressida; Act III, Scene III) | ||
| 1-1.d | Good Morrow, Sweet Hal (The First Part Of King Henry IV; Act I, Scene II) | ||
| 1-1.e | Who's There? (Hamlet, Prince Of Denmark; Act I, Scene I) | ||
| 1-1.f | God Save You Sir John! Welcome, Ancient Pistol (The Second Part Of King Henry IV; Act II, Scene IV) | ||
| 1-1.g | Good Day And Happiness, Dear Rosalind (As You Like It; Act IV, Scene I) | ||
| 1-1.h | Signior Romeo Bon Jour (Romeo And Juliet; Act II, Scene IV) | ||
| 1-1.i | Good Morrow, Uncle Pandarus / Good Morrow, Cousin Cressida (Troilus And Cressida; Act I, Scene II) | ||
| 1-1.j | Good Morrow, Kate (The Taming Of The Shrew; Act I, Scene II) | ||
| 1-1.k | Good Morrow, Fair Ones (As You Like It; Act IV, Scene III) | ||
| 1-1.l | Good Morrow, Benedick (Much Ado About Nothing; Act V, Scene IV) | ||
| 1-1.m | Good Morrow, Cuz / Good Morrow, Sweet Hero (Much Ado About Nothing; Act III, Scene IV) | ||
| 1-1.n | Welcome, Dear Rosencrantz And Guildenstern (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| 1-1.o | Good Morrow, Neighbor Baptista / Good Morrow (The Taming Of The Shrew; Act II, Scene I) | ||
| 1-1.p | How Does My Good Lord Hamlet? (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| 1-1.q | Gentlewoman, Good Day! (The Two Gentlemen Of Verona; Act IV, Scene IV) | ||
| 1-1.r | Good Morrow, Brutus (Julius Caesar; Act II, Scene I) | ||
| 1-1.s | All Hail, Caesar, Good Morrow, Worthy Caesar (Julius Caesar; Act II, Scene II) | ||
| 1-1.t | Good Morrow Antony (Julius Caesar; Act II, Scene II) | ||
| 1-1.u | Good Morrow / Ay, And Good The Next Day Too (Troilus And Cressida; Act III, Scene III) | ||
| Our Human Actions | |||
| 1-2 | O For A Muse Of Fire (The Life Of King Henry V; Act I, Scene I) | ||
| 1-3 | O Brave New World (The Tempest; Act V, Scene I) | ||
| 1-4 | What A Piece Of Work Is Man (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| 1-5 | All The World's A Stage (As You Like It; Act II, Scene VII) | ||
| 1-6 | Life's But A Walking Shadow (Macbeth; Act V, Scene V) | ||
| 1-7 | They Kill Us For Their Sport (King Lear; Act IV, Scene I) | ||
| 1-8 | Man Proud Man (Measure For Measure; Act II, Scene II) | ||
| 1-9 | Some Vicious Mole Of Nature (Hamlet, Prince Of Denmark; Act I, Scene IV) | ||
| 1-10 | The Web Of Our Life (All's Well That Ends Well; Act IV, Scene III) | ||
| 1-11 | The Quality Of Mercy Is Not Strained (The Merchant Of Venice; Act IV, Scene I) | ||
| To Thine Own Self Be True | |||
| 1-12 | Our Remedies Oft In Ourselves Do Lie (All's Well That Ends Well; Act I, Scene I) | ||
| 1-13 | Hath Not A Jew Eyes? (The Merchant Of Venice; Act III, Scene I) | ||
| 1-14 | I Will A Round Unvarnish'd Tale Deliver (Othello, The Moor Of Venice; Act I, Scene III) | ||
| 1-15 | I Am Not What I Am (Othello, The Moor Of Venice; Act I, Scene I) | ||
| 1-16 | I Edgar Nothing Am (King Lear; Act II, Scene III) | ||
| 1-17 | Oh What A Rogue And Peasant Slave Am I (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| 1-18 | Herein Will I Imitate The Sun (The First Part Of King Henry IV; Act I, Scene II) | ||
| 1-19 | Banish Plump Jack, And Banish All The World (The First Part Of King Henry IV; Act II, Scene IV) | ||
| 1-20 | I Have Of Late (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| 1-21 | It Is A Melancholy Of Mine Own (As You Like It; Act IV, Scene I) | ||
| 1-22 | There Was A Star Danced (Much Ado About Nothing; Act II, Scene I) | ||
| 1-23 | He Is All Mirth (Much Ado About Nothing; Act III, Scene II) | ||
| 1-24 | I Am That Merry Wanderer Of The Night (A Midsummer-Night's Dream; Act II, Scene I) | ||
| 1-25 | Where The Bee Sucks, There Suck I (The Tempest; Act V, Scene I) | ||
| 1-26 | A Born Devil (The Tempest; Act IV, Scene I) | ||
| 1-27 | A Man Or A Fish? (The Tempest; Act II, Scene II) | ||
| 1-28 | For Her Own Person, It Beggar'd All Description (Antony And Cleopatra; Act II, Scene II) | ||
| 1-29 | O, How That Name Befits My Composition (The Tragedy Of King Richard II; Act II, Scene I) | ||
| Vaulting Ambition, Which O'erleaps Itself | |||
| 1-30 | Thou, Nature, Art My Goddess (King Lear; Act I, Scene II) | ||
| 1-31 | Can I Do This, And Cannot Get A Crown? (The Third Part Of King Henry VI; Act III, Scene II) | ||
| 1-32 | Come, You Spirits (Macbeth; Act I, Scene V) | ||
| King And Country | |||
| 1-33 | Once More Unto The Breach, Dear Friends (The Life Of King Henry V; Act III, Scene I) | ||
| 1-34 | This Other Eden (The Tragedy Of King Richard II; Act II, Scene I) | ||
| 1-35 | Mine Honor Is My Life (The Tragedy Of King Richard II; Act I, Scene I) | ||
| 1-36 | Honor Is A Mere Scutcheon (The First Part Of King Henry IV; Act V, Scene I) | ||
| 1-37 | I Would Give All My Fame For A Pot Of Ale And Safety (The Life Of King Henry V; Act III, Scene II) | ||
| Sweet Comedy And Mirthful Comic Shows | |||
| 1-38 | I Am Not Only Witty In Myself (The Second Part Of King Henry IV; Act I, Scene II) | ||
| 1-39 | I Am A Great Eater Of Beef (Twelfth Night; Or, What You Will; Act I, Scene III) | ||
| 1-40 | Here Comes Romeo (Romeo And Juliet; Act II, Scene IV) | ||
| 1-41 | Didst Thou Ever See Me Do Such A Trick? (The Two Gentlemen Of Verona; Act IV, Scene IV) | ||
| 1-42 | I Can Compare Our Rich Misers (Pericles; Act II, Scene I) | ||
| 1-43 | Wherefore, Sweetheart What's Your Metaphor (Twelfth Night; Or, What You Will; Act I, Scene III) | ||
| 1-44 | In The Secret Parts Of Fortune? (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| 1-45 | Motley's The Only Wear (As You Like It; Act II, Scene VII) | ||
| 1-46 | Wast Ever In Court, Shepherd? (As You Like It; Act III, Scene II) | ||
| 1-47 | This Fellow Is Wise Enough To Play The Fool (Twelfth Night; Or, What You Will; Act III, Scene I) | ||
| 1-48 | Sirrah, You Were Best To Take My Coxcomb (King Lear; Act I, Scene IV) | ||
| What Madness Rules In Brainsick Me | |||
| 1-49 | It Hath Made Me Mad (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| 1-50 | O What A Noble Mind Is Here Overthrown (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| 1-51 | Away! The Foul Fiend Follows Me! (King Lear; Act III, Scene IV) | ||
| 1-52 | Out, Damn'd Spot! (Macbeth; Act V, Scene I) | ||
| 1-53 | O Fool, I Shall Go Mad (King Lear; Act II, Scene IV) | ||
| 1-54 | The Lunatic, The Lover And The Poet (A Midsummer-Night's Dream; Act V, Scene I) | ||
| Volume 2: Love's Labors | |||
| Beauty's Ensign | |||
| 2-1 | Tell Me Where Is Fancy Bred? (The Merchant Of Venice; Act III, Scene II) | ||
| 2-2 | Beauty Itself Doth Of Itself Persuade (The Rape Of Lucrece; Lines 29-30) | ||
| 2-3 | God Bless My Ladies! Are They All In Love (Love's Labour's Lost; Act II, Scene I) | ||
| 2-4 | O She Doth Teach The Torches To Burn Bright (Romeo And Juliet; Act I, Scene V) | ||
| 2-5 | If With His Tongue, He Cannot Win A Woman (The Two Gentlemen Of Verona; Act III, Scene I) | ||
| 2-6 | Fair Katherine, And Most Fair (The Life Of King Henry V; Act V, Scene II) | ||
| 2-7 | Good Morrow, Kate (The Taming Of The Shrew; Act II, Scene I) | ||
| 2-8 | Was Ever Woman In This Humor Woo'd? (The Tragedy Of King Richard III; Act I, Scene II) | ||
| 2-9 | She Lov'd Me For The Dangers I Had Passed (Othello, The Moor Of Venice; Act I, Scene III) | ||
| 2-10 | The Honorable Lady Of The House, Which Is She? (Twelfth Night; Or, What You Will; Act I, Scene V) | ||
| 2-11 | Love Me! Why, It Must Be Requited (Much Ado About Nothing; Act II, Scene III) | ||
| 2-12 | Come Woo Me, Woo Me (As You Like It; Act IV, Scene I) | ||
| 2-13 | This Bud Of Love (Romeo And Juliet; Act II, Scene II) | ||
| The Very Flame Of Love | |||
| 2-14 | Love Is A Spirit All Compact Of Fire (Venus And Adonis; Lines 149-50) | ||
| 2-15 | Perdition Catch My Soul, But I Do Love Thee (Othello, The Moor Of Venice; Act III, Scene III) | ||
| 2-16 | Give Me To Drink Mandragora (Antony And Cleopatra; Act I, Scene V) | ||
| 2-17 | Come, Night, Come, Romeo (Romeo And Juliet; Act III, Scene II) | ||
| 2-18 | O Coz, Coz, Coz (As You Like It; Act IV, Scene I) | ||
| 2-19 | I Am Giddy (Troilus And Cressida; Act III, Scene II) | ||
| 2-20 | How Now, My Love! (A Midsummer-Night's Dream; Act I, Scene I) | ||
| 2-21 | What Angel Wakes Me From My Flowery Bed? (A Midsummer-Night's Dream; Act III, Scene I) | ||
| 2-22 | Do Not You Love Me? (Much Ado About Nothing; Act V, Scene IV) | ||
| 2-23 | How Sweet The Moonlight (The Merchant Of Venice; Act V, Scene I) | ||
| Love-Sick Love | |||
| 2-24 | I Am Your Spaniel (A Midsummer-Night's Dream; Act II, Scene I) | ||
| 2-25 | My Idolatrous Fancy Must Sanctify His Reliques (All's Well That Ends Well; Act I, Scene I) | ||
| 2-26 | O Phebe, Phebe, Phebe! (As You Like It; Act II, Scene IV) | ||
| 2-27 | If Music Be The Food Of Love, Play On (Twelfth Night; Or, What You Will; Act I, Scene I) | ||
| 2-28 | Like Patience On A Monument (Twelfth Night; Or, What You Will; Act II, Scene IV) | ||
| Sweet Silent Hours Of Marriage Joys | |||
| 2-29 | Now Fair Hippolyta, Our Nuptial Hour (A Midsummer-Night's Dream; Act I, Scene I) | ||
| 2-30 | This Dear Encounter (Romeo And Juliet; Act II, Scene VI) | ||
| 2-31 | Does Thou In Conscience Think (Othello, The Moor Of Venice; Act IV, Scene III) | ||
| 2-32 | I Am Not Adriana Nor Thy Wife (The Comedy Of Errors; Act II, Scene II) | ||
| 2-33 | Dwell I But In The Suburbs Of Your Good Pleasure? (Julius Caesar; Act II, Scene I) | ||
| In My Heart's Core | |||
| 2-34 | Like To A Double Cherry (A Midsummer-Night's Dream; Act III, Scene II) | ||
| 2-35 | Give Me That Man That Is Not Passion's Slave (Hamlet, Prince Of Denmark; Act III, Scene II) | ||
| 2-36 | To You, Antonio (The Merchant Of Venice; Act I, Scene I) | ||
| Between The Child And Parent | |||
| 2-37 | His Good Report Should Have Been My Son (Coriolanus; Act I, Scene III) | ||
| 2-38 | Call You Me Daughter? (The Taming Of The Shrew; Act II, Scene I) | ||
| 2-39 | I Am Wild In My Beholding (Pericles; Act V, Scene I) | ||
| 2-40 | You Gods, Look Down (The Winter's Tale; Act V, Scene III) | ||
| 2-41 | I Think This Lady To Be My Child Cordelia (King Lear; Act IV, Scene VII) | ||
| Drown'd With Grief | |||
| 2-42 | If By Your Art (The Tempest; Act I, Scene II) | ||
| 2-43 | I Know Not Seems (Hamlet, Prince Of Denmark; Act I, Scene II) | ||
| 2-44 | Grief Fills The Room Up Of My Absent Child (The Life And Death Of King John; Act III, Scene IV) | ||
| 2-45 | O, That This Too Too Solid Flesh (Hamlet, Prince Of Denmark; Act I, Scene II) | ||
| 2-46 | Ah, My Young Princes (The Tragedy Of King Richard III; Act IV, Scene IV) | ||
| Volume 3: Hot Blood | |||
| Bitter Business | |||
| 3-1 | I Say, We Will Have No More Marriages (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| 3-2 | All Is Lost; This Foul Egyptian Hath Betrayed Me (Antony And Cleopatra; Act Iv, Scene XII) | ||
| 3-3 | Thou Subtle, Perjur'd, False Disloyal Man! (The Two Gentlemen Of Verona; Act IV, Scene II) | ||
| 3-4 | The Man That Hath No Music In Himself (The Merchant Of Venice; Act V, Scene I) | ||
| 3-5 | Who Will Believe Thee, Isabel? (Measure For Measure; Act II, Scene IV) | ||
| To Curse Awhile | |||
| 3-6 | I Know How To Curse (The Tempest; Act I, Scene II) | ||
| 3-7 | Abhorred Slave (The Tempest; Act I, Scene II) | ||
| 3-8 | All The Infections That The Sun Sucks Up (The Tempest; Act II, Scene II) | ||
| 3-9 | I Would Thou Didst Itch From Head To Foot (Troilus And Cressida; Act II, Scene I) | ||
| 3-10 | How Long Is't Ago, Jack, Thou Sawest Thine Own Knee? (The First Part Of King Henry IV; Act II, Scene IV) | ||
| 3-11 | What, My Dear Lady Disdain! Are You Yet Living? (Much Ado About Nothing; Act I, Scene I) | ||
| Dizzy-Eyed Fury And Great Rage Of Heart | |||
| 3-12 | Good Sister, Wrong Me Not (The Taming Of The Shrew; Act II, Scene I) | ||
| 3-13 | A Lunatic Lean-Witted Fool (The Tragedy Of King Richard II; Act II, Scene I) | ||
| 3-14 | Stay, Dog, For Thou Shalt Hear Me (The Tragedy Of King Richard III; Act I, Scene III) | ||
| 3-15 | What's The Matter, You Dissentious Rogues (Coriolanus; Act I, Scene I) | ||
| 3-16 | Signior Antonio... You Have Rated Me (The Merchant Of Venice; Act I, Scene III) | ||
| 3-17 | O Goneril! You Are Not Worth The Dust (King Lear; Act IV, Scene II) | ||
| 3-18 | Hear, Nature, Hear Dear Goddess, Hear! (King Lear; Act I, Scene IV) | ||
| 3-19 | Blow Winds And Crack Your Cheeks (King Lear; Act III, Scene II) | ||
| Mad Devil Of Jealousy | |||
| 3-20 | I Hate The Moor (Othello, The Moor Of Venice; Act I, Scene III) | ||
| 3-21 | Inch-Thick, Knee-Deep (The Winter's Tale; Act I, Scene II) | ||
| 3-22 | I Had Been Happy (Othello, The Moor Of Venice; Act III, Scene III) | ||
| Heady Murder, Spoil And Villainy | |||
| 3-23 | Draw Thy Tool! (Romeo And Juliet; Act I, Scene I) | ||
| 3-24 | I Am Fortune's Fool (Romeo And Juliet; Act III, Scene I) | ||
| 3-25 | Vengeance Is In My Heart (Titus Andronicus; Act II, Scene III) | ||
| 3-26 | Out, Vile Jelly! (King Lear; Act III, Scene VII) | ||
| 3-27 | I Am Not In The Giving Vein Today (The Tragedy Of King Richard III; Act IV, Scene II) | ||
| 3-28 | Is Thy Name Tyrrel? (The Tragedy Of King Richard III; Act IV, Scene II) | ||
| 3-29 | What Would You Undertake (Hamlet, Prince Of Denmark; Act IV, Scene VII) | ||
| 3-30 | Great Glamis! (Macbeth; Act I, Scene V) | ||
| 3-31 | If It Were Done When 'Tis Done (Macbeth; act I, Scene VII) | ||
| 3-32 | Is This A Dagger I See Before Me (Macbeth; Act II, Scene I) | ||
| 3-33 | I Have Been Studying (The Tragedy Of King Richard II; Act V, Scene V) | ||
| 3-34 | It Is The Cause (Othello, The Moor Of Venice; Act V, Scene II) | ||
| 3-35 | Now Might I Do It Pat (Hamlet, Prince Of Denmark; Act III, Scene III) | ||
| Confounding Shame And Guilt | |||
| 3-36 | O My Offense Is Rank (Hamlet, Prince Of Denmark; Act III, Scene III) | ||
| 3-37 | Give Me Another Horse (The Tragedy Of King Richard III; Act V, Scene III) | ||
| 3-38 | Give Me Your Pardon, Sir (Hamlet, Prince Of Denmark; Act V, Scene II) | ||
| 3-39 | I'll Be Wise (The Tempest; Act V, Scene I) | ||
| Volume 4: Or Not To Be... | |||
| Supernatural Solicitings | |||
| 4-1 | Now The Hungry Lion Roars (A Midsummer-Night's Dream; Act V, Scene I) | ||
| 4-2 | When Shall We Three Meet Again (Macbeth; Act I, Scene I) | ||
| 4-3 | So Foul And Fair A Day (Macbeth; Act I, Scene III) | ||
| 4-4 | Double, Double Toil And Trouble (Macbeth; Act IV, Scene I) | ||
| 4-5 | Thou Shall See Me At Philippi (Julius Caesar; Act IV, Scene III) | ||
| 4-6 | O My Prophetic Soul! (Hamlet, Prince Of Denmark; Act I, Scene V) | ||
| 4-7 | Sweet Remembrancer (Macbeth; Act III, Scene IV) | ||
| What Dreams May Come | |||
| 4-8 | O Sleep, O Gentle Sleep (The Second Part Of King Henry IV; Act III, Scene I) | ||
| 4-9 | Sleep No More! (Macbeth; Act II, Scene II) | ||
| 4-10 | I Have Not Slept (Julius Caesar; Act II, Scene I) | ||
| 4-11 | She Dreamt To-Night (Julius Caesar; Act II, Scene II) | ||
| 4-12 | What Was Your Dream? (The Tragedy Of King Richard III; Act I, Scene IV) | ||
| 4-13 | When My Cue Comes, Call Me And I Will Answer (A Midsummer-Night's Dream; Act IV, Scene I) | ||
| 4-14 | O, Then, I See Queen Mab Hath Been With You (Romeo And Juliet; Act I, Scene IV) | ||
| 4-15 | I Fear, Too Early (Romeo And Juliet; Act I, Scene IV) | ||
| 4-16 | We Defy Augury (Hamlet, Prince Of Denmark; Act V, Scene II) | ||
| Of Graves, Of Worms, Of Epitaphs | |||
| 4-17 | I Have Lived Long Enough (Macbeth; Act V, Scene III) | ||
| 4-18 | We Have Heard The Chimes At Midnight (The Second Part Of King Henry IV; Act III, Scene II) | ||
| 4-19 | It Smells Of Mortality (King Lear; Act IV, Scene VI) | ||
| 4-20 | All That Lives Must Die (Hamlet, Prince Of Denmark; Act I, Scene II) | ||
| 4-21 | How Long Hast Thou Been A Grave-Maker? (Hamlet, Prince Of Denmark; Act V, Scene I) | ||
| Engrossing Death | |||
| 4-22 | Come Away, Come Away, Death (Twelfth Night; Or, What You Will; Act II, Scene IV) | ||
| 4-23 | Be Absolute For Death (Measure For Measure; Act III, Scene I) | ||
| 4-24 | If I Must Die (Measure For Measure; Act III, Scene I) | ||
| 4-25 | Of Comfort No Man Speak (The Tragedy Of King Richard II; Act III, Scene II) | ||
| 4-26 | To Be Or Not To Be (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| Strange Cases Of Death | |||
| 4-27 | Nothing In His Life Became Him Like The Leaving It (Macbeth; Act I, Scene IV) | ||
| 4-28 | Lay On Macduff (Macbeth; Act V, Scene VIII) | ||
| 4-29 | The Bloody Dog Is Dead (The Tragedy Of King Richard III; Act V, Scene IV) | ||
| 4-30 | O Harry Thou Hast Robbed Me Of My Youth (The First Part Of King Henry IV; Act V, Scene IV) | ||
| 4-31 | Cut Me To Pieces (Coriolanus; Act V, Scene VI) | ||
| 4-32 | I Kill'd Not Thee With Half So Good A Will (Julius Caesar; Act V, Scene V) | ||
| 4-33 | And Smote Him, Thus (Othello, The Moor Of Venice; Act V, Scene II) | ||
| 4-34 | Howl, Howl, Howl, Howl! (King Lear; Act V, Scene III) | ||
| 4-35 | The Rest Is Silence (Hamlet, Prince Of Denmark; Act V, Scene II) | ||
| 4-36 | I Am Dying, Egypt, Dying (Antony And Cleopatra; Act IV, Scene XV) | ||
| 4-37 | I Have Immortal Longings In Me (Antony And Cleopatra; Act V, Scene II) | ||
| 4-38 | Falstaff He Is Dead (The Life Of King Henry V; Act II, Scene III) | ||
| 4-39 | Ah, Dear Juliet, Why Are Thou Yet So Fair? (Romeo And Juliet; Act V, Scene III) | ||
| 4-40 | O Happy Dagger! This Is Thy Sheath (Romeo And Juliet; Act V, Scene III) | ||
| 4-41 | Fear No More The Heat O' The Sun (Cymbeline; Act IV, Scene II) | ||
| Epilogue | |||
| 4-42 | Our Revels Are Now Ended (The Tempest; Act IV, Scene I) | ||
| Farewells | |||
| 4-43.a | Little Helen Farewell (All's Well That Ends Well; Act I, Scene I) | ||
| 4-43.b | Farewell Master Farewell Farewell (The Tempest; Act II, Scene II) | ||
| 4-43.c | And So Farewell Katharina (The Taming Of The Shrew; Act I, Scene I) | ||
| 4-43.d | Farewell Sweet Play Fellow (A Midsummer-Night's Dream; Act I, Scene I) | ||
| 4-43.e | Poor Jack Farewell (The First Part Of King Henry IV; Act V, Scene IV) | ||
| 4-43.f | Farewell, Doll; Farewell, Good Wenches (The Second Part Of King Henry IV; Act II, Scene IV) | ||
| 4-43.g | Farewell, Old Gaunt (The Tragedy Of King Richard II; Act I, Scene II) | ||
| 4-43.h | Sweet Valentine, Adieu (The Two Gentlemen Of Verona; Act I, Scene I) | ||
| 4-43.i | Farewell, My Desdemona (Othello, The Moor Of Venice; Act III, Scene III) | ||
| 4-43.j | Bid Them Farewell Cordelia (King Lear; Act I, Scene I) | ||
| 4-43.k | Farewell Kind Charmian, Iras Long Farewell (Antony And Cleopatra; Act V, Scene II) | ||
| 4-43.l | Adieu; Farewell My Wife, My Mother (Coriolanus; Act IV, Scene I) | ||
| 4-43.m | Farewell Ophelia (Hamlet, Prince Of Denmark; Act I, Scene III) | ||
| 4-43.n | Sweets To The Sweet Farewell (Hamlet, Prince Of Denmark; Act V, Scene I) | ||
| 4-43.o | Honest Nurse, Farewell (Romeo And Juliet; Act II, Scene V) | ||
| 4-43.p | Farewell Brutus (Julius Caesar; Act V, Scene I) | ||
| 4-43.q | Farewell Cassius (Julius Caesar; Act V, Scene) | ||
| 4-43.r | A Thousand Times Good Night (Romeo And Juliet; Act II, Scene II) | ||
| Disc 5: Romeo And Juliet | |||
| 5-1 | Act I, Scene I | ||
| 5-2 | Act I, Scene II | ||
| 5-3 | Act I, Scene III | ||
| 5-4 | Act I, Scene IV | ||
| 5-5 | Act I, Scene V | ||
| 5-6 | Act II, Scene I | ||
| 5-7 | Act II, Scene II | ||
| 5-8 | Act II, Scene III | ||
| 5-9 | Act II, Scene IV | ||
| 5-10 | Act II, Scene V | ||
| 5-11 | Act II, Scene VI | ||
| Disc 6: Romeo And Juliet | |||
| 6-1 | Act III, Scene I | ||
| 6-2 | Act III, Scene II | ||
| 6-3 | Act III, Scene III | ||
| 6-4 | Act III, Scene IV | ||
| 6-5 | Act III, Scene V | ||
| 6-6 | Act IV, Scene I | ||
| 6-7 | Act IV, Scene II | ||
| 6-8 | Act IV, Scene III | ||
| 6-9 | Act IV, Scene IV | ||
| 6-10 | Act IV, Scene V | ||
| 6-11 | Act V, Scene I | ||
| 6-12 | Act V, Scene II | ||
| 6-13 | Act V, Scene III |
Companies, etc.
- Phonographic Copyright ℗ – Rhino Entertainment Company
- Copyright © – Rhino Entertainment Company
Credits
- Art Direction – Hugh Brown (3)
- Compilation Producer – Elizabeth Pavone, Michael W. Johnson*
- Compilation Producer, Liner Notes [Introduction] – Brenda Johnson-Grau
- Concept By – Richard Foos
- Design, Art Direction – Julie Vlasak
- Editor [Editorial Supervision] – Vanessa Atkins
- Remastered By – Bob Fisher
- Research [Archival Materials] – Richard Romaniello
- Voice Actor [Juliet] – Claire Bloom (tracks: 5-1 to 5-11, 6-1 to 6-13)
- Voice Actor [Mercutio] – Kenneth Haigh (tracks: 5-1 to 5-11, 6-1 to 6-13)
- Voice Actor [Nurse] – Edith Evans (tracks: 5-1 to 5-11, 6-1 to 6-13)
- Voice Actor [Romeo] – Albert Finney (tracks: 5-1 to 5-11, 6-1 to 6-13)
Notes
"Remastered in Rhinophonic Authentic Sound"
Also included are an 80-page book with essays on Shakespeare's life and times, an overview of Elizabethan theatre, synopses of the featured plays and poems, and complete transcripts of Volumes 1-4.
All Original Recordings produced under license from Caedmon/Harper Audio, except certain titles under license from Naxos AudioBooks, HNH International Ltd., or from Sony Music Special Products, a Division of Sony Music, a Group of Sony Music Entertainment Inc.; or courtesy of BMG Music/The RCA Records Label, under license from BMG Special Products; or courtesy of NBC.
Also included are an 80-page book with essays on Shakespeare's life and times, an overview of Elizabethan theatre, synopses of the featured plays and poems, and complete transcripts of Volumes 1-4.
All Original Recordings produced under license from Caedmon/Harper Audio, except certain titles under license from Naxos AudioBooks, HNH International Ltd., or from Sony Music Special Products, a Division of Sony Music, a Group of Sony Music Entertainment Inc.; or courtesy of BMG Music/The RCA Records Label, under license from BMG Special Products; or courtesy of NBC.
Barcode and Other Identifiers
- Barcode: 0 8122 75816 26
- Other (ISBN): 0-7939-0029-6