The Academy Of Ancient Music, Christopher Hogwood, Purcell*, Arne*, Boyce*, Byrd* – English Music
Label: | L'Oiseau-Lyre – 482 3259, Decca – 482 3259, L'Oiseau-Lyre – 0289 482 3259 8 |
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Format: | 20 x CD, Reissue, Remastered Box Set, Compilation |
Country: | Europe |
Released: | |
Genre: | Classical |
Style: | Renaissance, Baroque |
Tracklist
Henry Purcell | |||
The Echoing Air: The Music Of Henry Purcell | |||
1-1 | "Staircase" Overture | 2:36 | |
1-2 | "If Music Be The Food Of Love" Z 397C | 3:14 | |
1-3 | Cebell | 1:09 | |
1-4 | "To Arms, To Arms, Heroic Prince" Z 600/3b (The Libertine Destroyed, 1695) | 2:52 | |
1-5 | "To Arms" | 1:20 | |
1-6 | "Tell Me, Some Pitying Angel" Z 196 | 7:02 | |
1-7 | Slow Air | 1:46 | |
1-8 | "We Come To Sing" | 0:37 | |
1-9 | "Oh! Lead Me To Some Peaceful Gloom" Z 574/17a (Bonduca, 1695) | 2:46 | |
1-10 | "O Solitude" Z 406 | 4:13 | |
1-11 | "Hark! Hark! The Echoing Air" (The Fair Queen, 1692) | 2:34 | |
1-12 | Trumpet Tune | 0:39 | |
1-13 | "Sweeter Than Roses" Z 585/1 (Pausanias, 1695) | 3:02 | |
1-14 | "Fairest Isle " Z 628/38 (King Arthur, 1691) | 1:56 | |
1-15 | "She That Would Gain A Faithful Lover" Z 414 | 2:57 | |
1-16 | "Cupid, The Slyest Rogue Alive" Z 36 | 2:15 | |
1-17 | "I Attempt From Love's Sickness To Fly" Z 630/17h (The Indian Queen, 1695) | 1:35 | |
1-18 | Jig | 1:04 | |
1-19 | "Music For A While" Z 583/2 (Oedipus, 1692) | 3:11 | |
1-20 | "The Fatal Hour Comes On Apace" Z 421 | 3:39 | |
1-21 | "Hear, Mighty Love" | 1:32 | |
1-22 | Plainte: "O, Let Me Weep " Z 629/40ab (The Fairy Queen, 1692) | 5:49 | |
1-23 | Chacony In G Minor, Z 730 | 4:28 | |
1-24 | "Ah! How Sweet It Is To Love" Z 613/2 (Tyrranic Love) | 3:43 | |
Songs And Airs | |||
2-1 | Hark! Hark! How All Things | 1:43 | |
2-2 | Crown The Altar, Deck The Shrine | 2:28 | |
2-3 | If Music Be The Food Of Love | 3:25 | |
2-4 | Not All My Torments | 1:58 | |
2-5 | O, O Let Me Weep | 6:32 | |
2-6 | I Attempt From Love's Sickness To Fly | 1:20 | |
2-7 | Olinda In The Shades Unseen | 1:03 | |
2-8 | Urge Me No More | 3:17 | |
2-9 | Bess Of Bedlam | 3:43 | |
2-10 | Lovely, Lovely Albina | 2:10 | |
2-11 | Sweeter Than Roses | 3:12 | |
2-12 | Dear Pretty Youth | 1:55 | |
2-14 | When First Amintas Sued For A Kiss | 1:55 | |
2-14 | The Cares Of Lovers | 1:47 | |
2-15 | Ye Gentle Spirits Of Air | 1:50 | |
Dido And Aeneas | |||
3-1 | Overture | 2:07 | |
3-2 | Act One | Shake The Cloud From Off Your Brow | 1:02 | |
3-3 | Ah! Belinda. I Am Prest With Torment | 4:13 | |
3-4 | When Monarchs Unite | 0:17 | |
3-5 | Whence Could So Much Virtue Spring? | 1:31 | |
3-6 | Fear No Danger | 2:08 | |
3-7 | See, See, Your Royal Guest Appears | 0:47 | |
3-8 | Cupid Only Throws The Dart | 0:35 | |
3-9 | If Not For Mine | 0:22 | |
3-10 | Pursue Thy Conquest, Love | 0:51 | |
3-11 | A Dance Gittars Chacony | 0:20 | |
3-12 | To The Hills And The Vales | 1:10 | |
3-13 | The Triumphing Dance | 1:12 | |
3-14 | Act Two | Prelude For The Witches / Wayward Sisters | 1:27 | |
3-15 | Harm's Our Delight | 0:14 | |
3-16 | The Queen Of Carthage, Whom We Hate | 2:41 | |
3-17 | In Our Deep Vaulted Cell | 1:12 | |
3-18 | Echo Dance Of The Furies | 1:04 | |
3-19 | Ritornelle / Thanks To These Lonesome Vales | 3:14 | |
3-20 | Glitter Ground - A Dance | 0:29 | |
3-21 | Oft She Visits / Ritornelle | 1:36 | |
3-22 | Behold Upon My Bending Spear | 0:32 | |
3-23 | Haste, Haste To Town | 0:45 | |
3-24 | Stay, Prince, Stay | 2:45 | |
3-25 | Ritornelle | 0:49 | |
3-26 | Act Three | Prelude / Come Away, Fellow Sailors | 1:41 | |
3-27 | The Sailors' Dance | 0:48 | |
3-28 | See The Flags And Streamers Curling | 1:26 | |
3-29 | Destruction's Our Delight | 0:34 | |
3-30 | The Witches' Dance | 1:36 | |
3-31 | Your Councel All Is Urg'd In Vain | 3:41 | |
3-32 | Great Minds Against Themselves Conspire | 0:58 | |
3-33 | Thy Hand Belinda / When I Am Laid In Earth | 4:06 | |
3-34 | With Drooping Wings [Dido's Lament] | 4:21 | |
The Indian Queen | |||
4-1 | First Music: 1. Air - Hornpipe | 2:17 | |
4-2 | Second Music: 2. Air - Hornpipe | 2:06 | |
4-3 | Overture | 3:11 | |
4-4 | Trumpet Tune | 0:40 | |
4-5 | Prologue | Wake, Quivera, Wake (Indian Boy) | 2:14 | |
4-6 | Why Should Men Quarrel? (Indian Girl (Quivera)) | 1:32 | |
4-7 | By Ancient Prophecies (Indian Boy, Indian Girl) | 4:17 | |
4-8 | Trumpet Tune | 0:43 | |
4-9 | Act Two | Symphony | 3:59 | |
4-10 | I Come To Sing Great Zempoalla's Story (Fame And Chorus) | 1:20 | |
4-11 | What Flatt'ring Noise Is This (Envy And Two Followers) | 0:38 | |
4-12 | Scorn'd Envy, Here's Nothing (Fame, Envy And Two Followers) | 2:38 | |
4-13 | Trumpet Tune | 0:39 | |
4-14 | We Come To Sing Great Zempoalla's Story (Chorus) | 0:39 | |
4-15 | Dance | 1:05 | |
4-16 | Second Act Tune (Trumpet Tune Reprise) | 9:41 | |
4-17 | Act Three | Dance | 0:55 | |
4-18 | Ye Twice Ten Hundred Deities – By The Croaking Of The Toad (Ismeron) | 4:48 | |
4-19 | Symphony, Seek Not To Know What Must Not Be Reveal'd (God Of Dreams) | 3:43 | |
4-20 | Trumpet Overture | 2:33 | |
4-21 | Ah! Ah! How Happy Are We! (God Of Dreams) | 2:02 | |
4-22 | We The Spirits Of The Air (Four Aerial Spirits) | 1:36 | |
4-23 | I Attempt From Love's Sickness To Fly In Vain (Zempoalla, Four Aerial Spirits) | 3:12 | |
4-24 | Third Act Tune: Rondeau | 1:13 | |
4-25 | Act Four | They Tell Us That Mighty Powers Above (Orazia) | 5:31 | |
4-26 | Fourth Act Tune: Air | 1:21 | |
4-27 | Act Five | Whilst Thus We Bow (Chorus) | 1:58 | |
4-28 | You Who At The Altar Stand – All Dismal Sounds (High Priest, Chorus) | 3:52 | |
4-29 | Additional Act: Masque (Daniel Purcell) | Symphony | 0:54 | |
4-30 | To Bless The Genial Bed - Come, All, Come At My Call (Hymen, A Follower Of Hymen) | 2:28 | |
4-31 | I Am Glad I Have Met Him (Two Married People) | 2:28 | |
4-32 | The Joys Of Wedlock Soon Are Past - Sound, Sound The Trumpet (Cupid, A Follower Of Cupid) | 3:46 | |
4-33 | Make Haste, Make Haste To Put On Love's Chains (Two Followers Of Cupid) | 0:46 | |
4-34 | Trumpet Air - Let Loud Renown With All Her Thousand Tongues (Chorus) | 1:30 | |
Theatre Music | |||
Abdelazer Or The Moor's Revenge Z570 | |||
5-1 | Overture | 3:22 | |
5-2 | Rondeau – Air – Air – Minuet | 5:14 | |
5-3 | Air – Jig – Hornpipe – Air | 4:06 | |
5-4 | Song: Lucinda Is Bewitching Fair | 3:26 | |
Distressed Innocence Or The Princess Of Persia Z577 | |||
5-5 | Overture | 1:38 | |
5-6 | Air - Slow Air - Air - Hornpipe Or Jig | 4:35 | |
5-7 | Rondeau - Air - Minuet | 3:00 | |
The Married Beau Or The Curious Impenitent Z603 | |||
5-8 | Overture | 2:21 | |
5-9 | Slow Air – Hornpipe | 1:46 | |
5-10 | Air – Hornpipe – Jig | 3:32 | |
5-11 | Trumpet Air – March – Hornpipe On A Ground | 4:43 | |
5-12 | Song: See! Where Repenting Celia Lyes | 2:15 | |
The Gordian Knot Unty'd Z597 | |||
5-13 | Overture | 2:31 | |
5-14 | Air – Rondeau Minuet – Air – Jig | 4:41 | |
5-15 | Chaconne – Air – Minuet | 3:46 | |
Sir Anthony Love Or The Rambling Lady Z588 | |||
5-16 | Overture | 2:15 | |
5-17 | Pursuing Beauty | 4:08 | |
5-18 | No More, Sir, No More | 2:23 | |
5-19 | In Vain Clemene | 3:12 | |
5-20 | Ground | 3:48 | |
Bonduca Or The British Heroine Z574 | |||
6-1 | Overture | 2:35 | |
6-2 | Air – Hornpipe – Air | 3:29 | |
6-3 | Hornpipe – Air – Minuet | 2:56 | |
6-4 | Jack, Thou'rt A Roper | 1:53 | |
6-5 | Hear Us Great Rugwith | 2:57 | |
6-6 | Hear, Ye Gods Of Britain | 1:17 | |
6-7 | Sing, Sing, Ye Druids! | 2:46 | |
6-8 | Divine Andate, President Of War | 0:52 | |
6-9 | To Arms | 2:10 | |
6-10 | Britons Strike Home! | 2:46 | |
6-11 | O Lead Me To Some Peaceful Gloom | 2:42 | |
Circe Z575 | |||
6-12 | We Must Assemble A Sacrifice | 2:36 | |
6-13 | Their Necessary Aid You Use | 3:17 | |
6-14 | Come Every Demon | 3:26 | |
6-15 | Lovers, Who To Their First Embraces Go | 3:17 | |
6-16 | Magicians' Dance ... Pluto, Arise! | 2:39 | |
The Virtuous Wife Or Good Luck At Last Z611 | |||
6-17 | Overture | 2:13 | |
6-18 | Song Tune - Slow Air - Air | 4:48 | |
6-19 | Preludio - Hornpipe - Minuet - Minuet (1st Act Tune) | 6:11 | |
The Old Bachelor Z607 | |||
6-20 | Overture | 2:24 | |
6-21 | Hornpipe | 1:03 | |
6-22 | Thus To A Ripe, Consenting Maid | 2:24 | |
6-23 | Slow Air – Hornpipe | 1:59 | |
6-24 | As Amoret And Thyrsis Lay | 2:26 | |
6-25 | Rondeau – Minuet – Boree – March – Jig | 4:13 | |
7-1 | Overture In G Minor Z770 | 1:56 | |
Don Quixote Z578 | |||
7-2 | Sing All Ye Muses | 3:46 | |
7-3 | When The World First Knew Creation | 2:19 | |
7-4 | Let The Dreadful Engines Of Eternal Will | 6:34 | |
7-5 | With This Sacred Charming Wand | 9:09 | |
7-6 | Since Times Are So Bad | 5:20 | |
7-7 | Genius Of England | 4:30 | |
7-8 | Lads And Lasses, Blithe And Gay | 1:45 | |
7-9 | From Rosie Bow'rs | 6:01 | |
Amphitryon Or The Two Sosias Z572 | |||
7-10 | Overture | 2:39 | |
7-11 | Saraband | 1:12 | |
7-12 | Celia, That I Once Was Blest | 2:38 | |
7-13 | Hornpipe – Scotch Tune | 2:16 | |
7-14 | For Iris I Sigh | 2:41 | |
7-15 | Air – Minuet – Hornpipe | 2:36 | |
7-16 | Fair Iris And Her Swain | 4:38 | |
7-17 | Bourrée | 0:49 | |
The Double Dealer Z592 | |||
8-1 | Overture | 2:48 | |
8-2 | Hornpipe – Minuet – Air – Hornpipe | 4:15 | |
8-3 | Cynthia Frowns | 2:28 | |
8-4 | Minuet – Minuet – Air – Air | 4:35 | |
The Richmond Heiress Or A Woman Once In The Right Z608 | |||
8-5 | Behold The Man | 8:32 | |
The Rival Sisters Or The Violence Of Love Z609 | |||
8-6 | Overture | 3:31 | |
8-7 | Celia Has A Thousand Charms | 2:19 | |
8-8 | Take Not A Woman's Anger Ill | 1:20 | |
8-9 | How Happy, How Happy Is She | 1:33 | |
Henry The Second, King Of England Z580 | |||
8-10 | In Vain, 'Gainst Love, In Vain I Strove | 1:53 | |
Tyrannic Love Or The Royal Martyr Z613 | |||
8-11 | Hark! My Damilcar! | 4:18 | |
8-12 | Ah! How Sweet It Is To Love | 4:23 | |
8-13 | Overture In G Minor Z772 | 3:13 | |
Theodosius Or The Force Of Love Z606 | |||
8-14 | Prepare, Prepare, The Rites Begin | 1:43 | |
8-15 | Can'st Thou, Marina | 2:51 | |
8-16 | The Gate To Bliss | 2:55 | |
8-17 | Hark! Hark! Behold The Heav'nly Choir | 2:45 | |
8-18 | Now The Fight's Done | 2:19 | |
8-19 | Sad As Death At Dead Of Night | 2:20 | |
8-20 | Dream No More Of Pleasures Past | 1:44 | |
8-21 | Hail To The Myrtle Shade | 2:35 | |
8-22 | Ah Cruel, Bloody Fate | 2:15 | |
The Libertine Or The Libertine Destroyed Z600 | |||
9-1 | Nymphs And Shepherds | 1:52 | |
9-2 | We Come | 1:39 | |
9-3 | Prelude | 1:27 | |
9-4 | Prepare, Prepare, New Guests Draw Near | 4:38 | |
9-5 | To Arms, Heroic Prince | 3:17 | |
The Massacre Of Paris Z604 | |||
9-6 | Thy Genius, Lo (2 Settings) | 6:18 | |
Oedipus Z583 | |||
9-7 | Hear, Ye Sullen Powers Below | 3:03 | |
9-8 | Music For A While | 3:42 | |
9-9 | Come Away, Do Not Stay ... Laius! Hear, Hear | 2:22 | |
9-10 | Overture In D Minor Z771 | 2:48 | |
The History Of King Richard The Second (The Sicilian Usurper) Z581 | |||
9-11 | Retir'd From Any Mortal's Sight | 2:58 | |
Sir Barnaby Whigg Or No Wit Like A Woman's Z589 | |||
9-12 | Blow, Blow, Boreas, Blow | 3:42 | |
Sophonisba Or Hannibal's Overthrow Z590 | |||
9-13 | Beneath The Poplar's Shadow | 1:48 | |
The English Lawyer Z594 | |||
9-14 | My Wife Has A Tongue | 1:25 | |
A Fool's Preferment Or The Three Dukes Of Dunstable Z571 | |||
9-15 | I Sigh'd, And I Pin'd ... There's Nothing So Fatal As Woman | 1:49 | |
9-16 | Fled Is My Love ... 'Tis Death Alone ... I'll Mount To Yon Blue Coelum | 2:43 | |
9-17 | I'll Sail Upon The Dog-Star | 1:24 | |
9-18 | Jenny, 'Gin You Can Love | 2:12 | |
9-19 | If Thou Wilt Give Me Back My Love | 0:41 | |
The Indian Emperor Or The Conquest Of Mexico Z598 | |||
9-20 | I Look'd And Saw Within | 2:04 | |
The Knight Of Malta Z599 | |||
9-21 | At The Close Of The Ev'ning | 1:29 | |
A Dialogue Between Thirsis And Daphne Z525 | |||
9-22 | Why, My Daphne, Why Complaining | 3:37 | |
The Wives' Excuse Or Cuckolds Make Themselves Z612 (1691, Thomas Southerne) | |||
9-23 | Ingrateful Love! | 2:28 | |
9-24 | Hang This Whining Way Of Wooing | 1:26 | |
9-25 | Say, Cruel Amoret ... Corinna, I Excuse Thy Face | 2:31 | |
Cleomenes, The Spartan Hero Z576 | |||
9-26 | No, No, Poor Suff'ring Heart | 2:59 | |
The Marriage-Hater Match'd Z602 | |||
9-27 | As Soon As The Chaos ... How Vile Are The Sordid Intregues | 4:02 | |
Love Triumphant Or Nature Will Prevail Z582 | |||
9-28 | How Happy's The Husband | ||
Love Triumphant Or Nature Will Prevail Z582 | |||
10-1 | How Happy's The Husband | 1:43 | |
10-2 | There's Not A Swain Z587 | 1:11 | |
The Female Virtuosos Z596 | |||
10-3 | Love, Thou Art Best | 1:57 | |
10-4 | Leave These Useless Arts Z579 | 2:12 | |
The Maid's Last Prayer Or Any Rather Than Fail Z601 | |||
10-5 | Though You Make No Return | 2:08 | |
10-6 | No, Resistance Is But Vain | 4:13 | |
10-7 | Tell Me No More | 1:57 | |
Aureng-Zebe Or The Great Mogul Z573 | |||
10-8 | I See, She Flies Me | 2:34 | |
The Canterbury Guests Or A Bargain Broken Z591 | |||
10-9 | Good Neighbour Why? | 3:19 | |
The Fatal Marriage Or The Innocent Adultery Z595 | |||
10-10 | The Danger Is Over | 2:16 | |
10-11 | I Sigh'd And Owned My Love | 2:49 | |
The Spanish Fair Or The Double Discovery Z610 | |||
10-12 | Whilst I Get Grief | 2:43 | |
Pausianias, The Betrayer Of His Country Z585 | |||
10-13 | Sweeter Than Roses | 3:01 | |
10-14 | My Dearest, My Fairest | 2:36 | |
The Mock Marriage Z605 | |||
10-15 | Oh! How You Protest ... 'Twas Within A Furlong ... Man Is For The Woman Made | 4:44 | |
Oroonoko Z584 | |||
10-16 | Celemene, Pray Tell Me | 3:09 | |
10-17 | Pavan No. 1 In A Major Z748 | 3:31 | |
10-18 | Pavan No. 2 In A Minor Z749 | 2:54 | |
10-19 | Pavan No. 3 In B Flat Major Z750 | 3:03 | |
10-20 | Pavan No. 4 In G Minor Z751 | 3:21 | |
10-21 | Pavan No. 4 In G Minor Z751 | 4:09 | |
10-22 | Pavan No. 5 In G Minor Z752 | 6:50 | |
10-23 | Trio Sonata For Violin, Bass Viol And Organ Z780 | 4:48 | |
12 Sonatas Of Three Parts, 1683 Z790-801 | |||
11-1 | Sonata No. 1 In G Minor: Sonnata – Vivace – Adagio – Presto – Largo | 7:03 | |
11-2 | Sonata No. 2 In B Flat Major: Sonnata – Largo – Presto – Adagio – Vivace – Allegro | 5:43 | |
11-3 | Sonata No. 3 In D Minor: Sonnata – Adagio – Canzona – Adagio – Poco Largo – Allegro | 5:34 | |
11-4 | Sonata No. 4 In F Major: Sonnata – Canzona – Adagio – Poco Largo – Allegro | 5:15 | |
11-5 | Sonata No. 5 In A Minor: Sonnata – Adagio – Largo – Grave – Canzona – Adagio | 5:39 | |
11-6 | Sonata No. 6 In C Major: Sonnata – Canzona – Adagio – Largo – Allegro | 7:01 | |
11-7 | Sonata No. 7 In E Minor: Sonnata – Canzona – Largo – Grave – Canzona – Adagio | 7:12 | |
11-8 | Sonata No. 8 In G Major: Sonnata – Poco Largo – Allegro – Grace – Vivace | 5:19 | |
11-9 | Sonata No. 9 In C Minor: Sonnata – Largo – Canzona – Adagio – Allegro | 7:01 | |
11-10 | Sonata No. 10 In A Major: Sonnata – Largo – Grave – Presto | 4:11 | |
11-11 | Sonata No. 11 In F Minor: Sonnata – Canzona – Adagio – Lento | 5:22 | |
11-12 | Sonata No. 12 In D Major: Sonnata – Adagio – Canzona – Poco Largo – Grave – Presto – Allegro – Adagio | 5:20 | |
10 Sonatas In Four Parts Z802-811 | |||
12-1 | Sonata No. 1 In B Minor: Adagio – Canzona (Allegro) – Largo – Vivace – Grave | 5:11 | |
12-2 | Sonata No. 2 In E Flat Major: Adagio – Canzona (Allegro) – Adagio – Largo – Allegro | 6:12 | |
12-3 | Sonata No. 3 In A Minor: Grave – Largo – Adagio – Canzona – Gigue – Grave | 6:10 | |
12-4 | Sonata No. 4 In D Minor: Adagio – Canzona – Adagio – Vivace – Largo | 6:40 | |
12-5 | Sonata No. 5 In G Minor: (Adagio) – Canzona – Largo – Adagio – Presto – Allegro – Adagio | 6:42 | |
12-6 | Sonata No. 6 In G Minor: Adagio | 6:22 | |
12-7 | Sonata No. 5 In G Minor: (Adagio) – Canzona – Largo – Adagio – Presto – Allegro – Adagio | 6:15 | |
12-8 | Sonata No. 8 In G Minor: Adagio – Canzona – Grave – Largo – Vivace | 6:17 | |
12-9 | Sonata No. 9 In F Major: (Allegro) – Adagio – Canzona (Allegro) – Grave – Allegro | 6:22 | |
12-10 | Sonata No. 10 In D Major: Adagio – Canzona (Allegro) – Grave – Allegro | 5:18 | |
Thomas Augustine Arne | |||
13-1 | Overture No. 3 In G Major | 5:07 | |
13-2 | Overture No. 1 In E Minor | 8:05 | |
13-3 | Overture No. 2 In A Major | 6:18 | |
13-4 | Overture No. 4 In F Major | 7:11 | |
13-5 | Overture No. 5 In D Major | 7:08 | |
13-6 | Overture No. 6 In B Flat Major | 6:25 | |
13-7 | Overture No. 7 In D Major | 6:12 | |
13-8 | Overture No. 8 In G Minor | 9:05 | |
Sonata No. 1 In F Major | |||
14-1 | 1. Andante | 3:15 | |
14-2 | 2. Adagio | 0:18 | |
14-3 | 3. Allegro | 3:21 | |
Sonata No. 2 In E Minor | |||
14-4 | 1. Andante | 3:08 | |
14-5 | 2. Adagio | 1:33 | |
14-6 | 3. Allegrissimo | 1:42 | |
Sonata No. 5 In B Flat Major | |||
14-7 | 1. Poco largo | 2:04 | |
14-8 | 2. Presto (Gavotta) | 3:39 | |
Sonata No. 6 In G Minor | |||
14-9 | 1. Affetuoso | 3:45 | |
14-10 | 2. Presto | 2:02 | |
Sonata No. 3 In G Minor | |||
14-11 | 1. Prelude | 1:06 | |
14-12 | 2. Allegro | 3:21 | |
14-13 | 3. Minuet (and Two Variations) | 3:47 | |
Sonata No. 4 In D Minor | |||
14-14 | 1. Andante | 3:46 | |
14-15 | 2. Largo (Siciliano) | 1:56 | |
14-16 | 3. Fuga (Allegro) | 3:13 | |
14-17 | 4. Allegro (Jigg) | 3:04 | |
Sonata No. 7 In A Major | |||
14-18 | 1. Presto | 1:15 | |
14-19 | 2. Andante | 3:36 | |
14-20 | 3. Allegro | 1:55 | |
Sonata No. 8 in G major | |||
14-21 | 1. Minuet (and Four Variations) | 7:09 | |
William Boyce | |||
Symphony No. 1 In B Flat Major | |||
15-1 | 1. Allegro | 2:48 | |
15-2 | 2. Moderato E Dolce | 2:18 | |
15-3 | 3. Allegro | 1:59 | |
Symphony No. 2 In A Major | |||
15-4 | 1. Allegro Assai | 3:33 | |
15-5 | 2. Vivace | 1:16 | |
15-6 | 3. Presto Allegro | 1:29 | |
Symphony No. 3 In C Major | |||
15-7 | 1. Allegro | 2:29 | |
15-8 | 2. Vivace | 1:33 | |
15-9 | 3. Tempo Di Minuetto | 1:19 | |
Symphony No. 4 In F Major | |||
15-10 | 1. Allegro | 3:09 | |
15-11 | 2. Vivace Ma Non Troppo | 1:42 | |
15-12 | 3. Gavot (Allegro) | 2:06 | |
Symphony No. 5 In D Major | |||
15-13 | 1. Allegro Ma Non Troppo – Allegro Assai | 4:05 | |
15-14 | 2. Tempo Di Gavotta | 1:39 | |
15-15 | 3. Tempo Di Minuetto | 1:41 | |
Symphony No. 6 In F Major | |||
15-16 | 1. Largo - Allegro | 3:57 | |
15-17 | 2. Larghetto | 2:42 | |
Symphony No. 7 In B Flat Major | |||
15-18 | 1. Andante – Spirituoso | 4:07 | |
15-19 | 2. Moderato | 2:48 | |
15-20 | 3. Jigg (Allegro Assai) | 1:50 | |
Symphony No. 8 In D Minor | |||
15-21 | 1. Pomposo - Allegro | 5:17 | |
15-22 | 2. Largo Andante | 1:36 | |
15-23 | 3. Tempo Di Gavotta | 3:58 | |
William Byrd | |||
My Ladye Nevells Booke | |||
16-1 | My Lady Nevells Grownde | 5:19 | |
16-2 | Qui Passe: For My Ladye Nevell | 3:07 | |
16-3 | The Marche Before The Battell | 3:28 | |
16-4 | The Battell | 1:50 | |
16-5 | The Galliarde For The Victorie | 1:50 | |
16-6 | The Barleye Breake | 7:23 | |
16-7 | A Galliards Gygge | 1:52 | |
16-8 | The Huntes Upp | 6:22 | |
16-9 | Ut Re Mi Fa Sol La | 7:51 | |
16-10 | The Firste Pavian | 4:11 | |
16-11 | The Galliard To The Firste Pavian | 1:33 | |
16-12 | The Seconde Pavian | 1:33 | |
16-13 | The Galliarde To The Seconde Pavian | 2:12 | |
16-14 | The Third Pavian | 1:40 | |
16-15 | The Galliarde To The Third Pavian | 4:26 | |
16-16 | The Fourth Pavian | 2:22 | |
16-17 | The Galliarde To The Fourth Pavian | 1:51 | |
17-1 | The Fifte Pavian | 4:46 | |
17-2 | The Galliarde To The Fifte Pavian | 1:39 | |
17-3 | Pavana The Sixte: Kinburgh Goodd | 4:32 | |
17-4 | The Galliard To The Sixte Pavian | 1:27 | |
17-5 | The Seventh Pavian | 4:26 | |
17-6 | The Eighte Pavian | 4:28 | |
17-7 | The Passinge Mesures: The Nynthe Pavian | 6:08 | |
17-8 | The Galliarde To The Nynthe Pavian | 4:50 | |
17-9 | A Voluntarie: For My Ladye Nevell | 5:19 | |
17-10 | Will Yow Walke The Woods Soe Wylde | 3:18 | |
17-11 | The Maidens Songe | 5:38 | |
17-12 | A Lesson Of Voluntarie | 7:34 | |
17-13 | The Second Grownde | 8:31 | |
18-1 | Have With Yow To Walsinghame | 8:28 | |
18-2 | All In A Garden Grine | 5:05 | |
18-3 | Lord Willobies Welcome Home | 2:28 | |
18-4 | The Carmans Whistle | 4:01 | |
18-5 | Hugh Ashtons Grownde | 7:18 | |
18-6 | A Fancie | 4:58 | |
18-7 | Sellingers Rownde | 5:38 | |
18-8 | Munsers Almaine | 6:27 | |
18-9 | The Tennthe Pavian: Mr W Peter | 5:32 | |
18-10 | The Galliarde To The Tenth Pavian | 5:32 | |
18-11 | A Fancie | 4:45 | |
18-12 | A Voluntarie | 3:56 | |
The Fitzwilliam Virginal Book | |||
19-1 | Fantasia | 3:26 | |
19-2 | The Flatt Pavan/Can Shee | 4:45 | |
19-3 | Alman/The Irishe Dumpe/Watkins Ale/A Gigg | 5:24 | |
19-4 | The Leaves Bee Greene | 3:36 | |
19-5 | Amarilli di Julio Romano | 3:56 | |
19-6 | Galiarda Passamezzo | 5:13 | |
19-7 | Alman/The Primerose/The Fall Of The Leafe | 4:54 | |
19-8 | Tower Hill/A Masque/A Toye | 5:09 | |
19-9 | Pavana | 3:47 | |
19-10 | Galliardo | 1:29 | |
19-11 | Robin | 2:56 | |
19-12 | Nowel's Galliard | 1:14 | |
19-13 | Giles Farnaby's Dreame/His Rest/Farnabye's Conceit/His Humour | 6:34 | |
20-1 | Jhon Come Kisse Me Now | 6:12 | |
20-2 | The Queenes Alman | 3:11 | |
20-3 | In Nomine | 3:19 | |
20-4 | Fantasia | 4:50 | |
20-5 | Pavana "Pagget" And Galliarda | 9:01 | |
20-6 | Pavana Delight/Galiarda | 6:35 | |
20-7 | La Volta/Alman/Wolseys Wilde/Callino Casturame/La Volta | 7:35 | |
20-8 | Pavan "Clement Cotton" | 2:46 | |
20-9 | Loth To Depart | 4:04 |
Companies, etc.
- Phonographic Copyright ℗ – Universal Music Italia
- Phonographic Copyright ℗ – Decca Music Group Limited
- Copyright © – Universal Music Italia
- Made By – Sony DADC
- Published By – Oxford University Press
- Recorded At – St. John's, Smith Square
- Recorded At – Forde Abbey
- Recorded At – All Saints Church Petersham
- Recorded At – Church Of St. George The Martyr, Queen Square, London
- Recorded At – Kingsway Hall
- Recorded At – Walthamstow Assembly Hall
- Recorded At – All Saints Church Petersham
- Recorded At – Wren Chapel, Emmanuel College, Cambridge
- Recorded At – Knole House
- Recorded At – Ham House
- Recorded At – Fitzwilliam Museum
- Recorded At – Christ Church, Chelsea
Credits
- Alto Vocals – David Lowe (2) (tracks: 3-1 to 3-34), James Oxley (tracks: 3-1 to 3-34), Paul Tindall (tracks: 3-1 to 3-34)
- Baritone Vocals – Gerald Finley (tracks: 4-1 to 4-34)
- Bass Viol – Christophe Coin (tracks: 11-1 to 12-10), Mark Caudle (tracks: 3-1 to 3-34)
- Bass Violin – Angela East (tracks: 3-1 to 3-34), Helen Gouch* (tracks: 1-1 to 1-24), Jennifer Ward Clarke (tracks: 3-1 to 3-34), Katherine Sharman (tracks: 1-1 to 1-24, 3-1 to 3-34), Marilyn Sansom (tracks: 1-1 to 1-24), Richard Campbell (tracks: 1-1 to 1-24, 3-1 to 3-34), Sue Sheppard* (tracks: 1-1 to 1-24), Susan Sheppard (tracks: 3-1 to 3-34)
- Bass Vocals – Christopher Keyte (tracks: 5-18, 6-5, 6-6, 6-9, 6-12, 6-13, 6-16, 6-24, 7-16), David Thomas (9) (tracks: 3-1 to 4-34, 7-2 to 7-6, 8-5, 8-11, 8-14, 4,15, 8-17, 8-19, 9-2, 9-4, 9-6, 9-7, 9-9, 9-12, 9-21, 9-22, 9-28, 10-4, 10-9), Geoffrey Shaw (tracks: 9-21), Michael George (3) (tracks: 9-21), Philip Lawson (tracks: 3-1 to 3-34), Simon Birchall (tracks: 3-1 to 3-34), Stephen Alder (tracks: 3-1 to 3-34), Thomas Guthrie (tracks: 3-1 to 3-34)
- Cello, Viola da Gamba – Laurence Dreyfus (tracks: 1-1 to 1-24)
- Choir – The Taverner Choir* (tracks: 6-5, 6-7, 6-10, 6-12 to 6-15), The Academy Of Ancient Music Chorus (tracks: 3-1 to 3-34)
- Chorus Master [Chorus Director] – Andrew Parrott (tracks: 6-5, 6-7, 6-10, 6-12 to 6-15)
- Composed By – Daniel Purcell (tracks: 1 to 14, 16 to 28), Henry Purcell (tracks: 1-1 to 4-14, 4-16 to 4-28, 5-1 to 12-10), Thomas Augustine Arne* (tracks: 13-1 to 14-21), William Boyce (tracks: 15-1 to 15-23), William Byrd (tracks: 16-1 to 18-12)
- Conductor – Christopher Hogwood
- Countertenor Vocals – James Bowman (2) (tracks: 6-5, 6-9, 6-13, 6-15, 7-2, 8-14, 8-15, 8-17, 8-20, 8-21, 9-2, 9-4, 9-7 to 9-9), Michael Chance (tracks: 3-1 to 3-34), Tommy Williams (11) (tracks: 4-1 to 4-34)
- Edited By [Recording Editor] – Ian Watson (3) (tracks: 11-1 to 11-12)
- Edited By [Tape Editor] – Jean Van Vugt (tracks: 1-1 to 1-24), Timothy Bull (tracks: 15-1 to 15-23)
- Engineer – Iain Churches (tracks: 16-1 to 18-12), John Pellowe (tracks: 2-1 to 2-16. 5-1 to 10-23, 12-1 to 12-10), Jonathan Stokes (tracks: 3-1 to 3-34, 11-1 to 11-6, 15-1 to 15-23), Stanley Goodall (tracks: 3-1 to 3-34)
- Engineer [Balance Engineer] – Tryggvi Tryggvason (tracks: 14-1 to 14-21)
- Engineer [Recording Editor] – Timothy Bull (tracks: 4-1 to 4-34)
- Engineer [Recording Engineer] – Andrew Groves (tracks: 11-1 to 11-6), Andy Groves* (tracks: 4-1 to 4-34), Everett Porter (tracks: 1-1 to 1-24), John Dunkerley (tracks: 4-1 to 10-23, 16-1 to 18-12), Michael Mailes (tracks: 11-7 to 11-12), Philip Wade (tracks: 5-1 to 10-23, 16-1 to 20-9), Willem Van Leeuwen (tracks: 1-1 to 1-24)
- Engineer [Sound Engineer] – Colin Moorfoot (tracks: 13-1 to 14-21)
- Executive-Producer – Raymond Ware (tracks: 13-1 to 13-8)
- Guitar – David Miller (7) (tracks: 3-1 to 3-34), Tom Finucane (tracks: 3-1 to 3-34)
- Harpsichord – Alastair Ross (tracks: 3-1 to 3-34), Christopher Hogwood (tracks: 1-1 to 1-24, 13-1 to 14-21, 16-1 to 20-9), James Johnstone (3) (tracks: 1-1 to 1-24), Nicholas Parle (tracks: 3-1 to 3-34)
- Libretto By – Nahum Tate (tracks: 3-1 to 3-34)
- Liner Notes – Massimo Rolando Zegna
- Liner Notes [English Translation] – Kenneth Chalmers
- Lute – Anthony Rooley
- Orchestra – The Academy Of Ancient Music
- Organ – Christopher Hogwood (tracks: 1-1 to 2-16, 19-1 to 20-9)
- Organ [Chamber Organ] – Christopher Hogwood (tracks: 11-1 to 12-10, 16-1 to 18-12)
- Producer – Morten Winding (tracks: 12-1 to 12-10)
- Producer [Recording Producer] – Chris Sayers (tracks: 3-1 to 4-34, 11-1 to 11-12, 15-1 to 15-23), Peter Wadland (tracks: 2-1 to 2-16, 5-1 to 10-23, 13-1 to 13-8, 16-1 to 20-9)
- Producer [Recording Producer], Engineer [Balancer Engineer] – Wilhelm Hellweg (tracks: 1-1 to 1-24)
- Soprano Vocals – Catherine Bott (tracks: 3-1 to 4-34), Deborah Roberts (tracks: 3-1 to 3-34), Elisabeth Priday (tracks: 3-1 to 3-34), Elizabeth Lane (tracks: 6-5, 6-7, 6-15), Emma Kirkby (tracks: 2-1 to 2-16, 3-1 to 4-34, 7-5 to 7-9, 8-10, 8-16, 9-20, 9-22, 9-24, 9-26, 9-28, 10-3, 10-4, 10-6, 10-9, 10-10, 10-11, 10-16), Frances Cooke (tracks: 3-1 to 3-34), Ghislaine Morgan (tracks: 3-1 to 3-34), Helen Parker (tracks: 4-1 to 4-34), Joy Roberts (tracks: 5-4, 5-12), Judith Nelson (tracks: 5-17 to 5-19, 6-11, 6-24, 7-5, 7-14, 7-16, 8-3, 8-5, 8-7, 8-9, 8-11, 8-12, 8-16 to 8-22, 9-1, 9-2, 9-4 to 9-6, 9-11, 9-13, 9-18, 9-27, 10-1, 10-3, 10-5, 10-6, 10-8, 10-9, 10-12 to 10-16), Julianne Baird (tracks: 3-1 to 3-34), Libby Crabtree (tracks: 4-1 to 4-34), Prudence Lloyd (tracks: 6-7), Ruth Dean (tracks: 3-1 to 3-34), Sara Stowe (tracks: 3-1 to 3-34), Sylvia McNair (tracks: 1-1 to 1-24)
- Spinet – Christopher Hogwood (tracks: 2-1 to 2-16, 12-1 to 12-10, 19-1 to 20-9)
- Tenor Vocals – Alan Byers (tracks: 6-4, 9-14), John Mark Ainsley (tracks: 3-1 to 4-34), Julian Pike (tracks: 10-9), Julian Podger (tracks: 4-1 to 4-34), Martyn Hill (tracks: 6-5, 6-8, 6-10, 6-13, 6-14, 6-22, 7-7, 7-12, 8-8, 8-14, 8-15, 8-17, 9-2, 9-4, 9-7, 9-9), Paul Elliott (tracks: 6-4, 9-14), Peter Bamber (tracks: 6-4, 9-14), Rogers Covey-Crump (tracks: 9-12, 9-15 to 9-19, 9-23, 9-25, 9-28, 10-2, 10-7, 10-12, 10-14), Simon Berridge (tracks: 4-1 to 4-34)
- Theorbo – David Miller (7) (tracks: 3-1 to 3-34)
- Theorbo [Archlute] – Paul O'Dette (tracks: 1-1 to 1-24), Tom Finucane (tracks: 3-1 to 3-34)
- Trumpet – Crispian Steele-Perkins (tracks: 1-1 to 1-24)
- Viol – Richard Campbell (tracks: 2-1 to 2-16)
- Viola – Colin Kitching (tracks: 3-1 to 3-34), Jane Rogers (2) (tracks: 1-1 to 1-24), Leon King (2) (tracks: 1-1 to 1-24), Lisa Cochrane (tracks: 3-1 to 3-34), Martin Kelly (3) (tracks: 3-1 to 3-34), Nicky Akeroyd* (tracks: 1-1 to 1-24), Nicola Akeroyd (tracks: 3-1 to 3-34), Peter Colyer* (tracks: 3-1 to 3-34), Trevor Jones (4) (tracks: 1-1 to 1-24)
- Violin – Catherine Mackintosh (tracks: 2-1 to 2-16, 12-1 to 12-10), Monica Huggett (tracks: 12-1 to 12-10), Pavlo Beznosiuk (tracks: 11-1 to 11-12), Rachel Podger (tracks: 11-1 to 11-12)
- Violin [1] – Brian Smith (12) (tracks: 1-1 to 1-24, 3-1 to 3-34), Clare Salaman (tracks: 1-1 to 1-24), Desmond Heath (tracks: 3-1 to 3-34), Ellen O'Dell (tracks: 1-1 to 1-24), Emilia Benjamin (tracks: 3-1 to 3-34), Helen Orsler (tracks: 3-1 to 3-34), Iona Davies (tracks: 3-1 to 3-34), Pauline Nobes (tracks: 3-1 to 3-34), Pierre Joubert (tracks: 1-1 to 1-24), Simon Standage (tracks: 1-1 to 1-24, 3-1 to 3-34), Susie Carpenter Jacobs* (tracks: 1-1 to 1-24)
- Violin [2] – Ann Monnington (tracks: 1-1 to 1-24, 3-1 to 3-34), Fiona Duncan (tracks: 3-1 to 3-34), Garry Clarke (2) (tracks: 1-1 to 1-24, 3-1 to 3-34), Gary Clarke* (tracks: 3-1 to 3-34), Jo Parker* (tracks: 1-1 to 1-24), Jonathan Kahan (tracks: 3-1 to 3-34), Marie Knight (2) (tracks: 1-1 to 1-24, 3-1 to 3-34), Simon Jones (10) (tracks: 1-1 to 1-24, 3-1 to 3-34), William Thorp (tracks: 3-1 to 3-34)
- Virginal – Christopher Hogwood (tracks: 16-1 to 20-9)
- Vocals – Daniel Lochmann (tracks: 3-1 to 3-34)
Notes
This product ℗ and © 2015 Universal Musical Italia srl.
Editor's Note: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Disc 1
Recording location: St. John's, Smith Square, London, August, 1994.
℗ 1995 Universal International Music BV
Disc 2
Recording location: Forde Abbey, Somerset. October, 1982.
℗ 1983 Decca Music Group Limited
Disc 3
Recording location: Recording Location: Walthamstow Assembly Hall, London, September, 1992
℗ 1994 Decca Music Group Limited
Publisher: Oxford University Press
Disc 4
Edited by Margaret Laurie & Andrew Pinnock for the Purcell Society.
Recording Location: Walthamstow Assembly Hall, London, July 1994
℗ 1995 Decca Music Group Limited
Discs 5 to 10
A collection of the complete incidental music by Henry Purcell.
Recording locations: All Saints, Petersham; St George the Martyr, Holborn; Kingsway Hall, London, March 1974-November 1983
℗ 1976, 1977, 1980, 1981, 1982, 1985 Decca Music Group Limited
Disc 11
Recording location: Emmanuel College, Cambridge, February/August 1994
℗ 1995 Decca Music Group Limited
Disc 12
Recording location: Christ Church, Flood Street, London, May, 1979
℗ 1982 Decca Music Group Limited
Disc 13
Recording location: All Saints' Church, Petersham, Surrey, 17-19 Sept 1973
℗ 1974 Decca Music Group Limited
Disc 14
Recording location: Finchcocks, Goudhurst, Kent, 17-19 April 1973
℗ 1974 Decca Music Group Limited
Disc 15
Recording location: Walthamstow Assembly Hall, London, 13-15 April 1992.
℗ 1993 Decca Music Group Limited
Discs 16, 17 and 18
Recording Location: The Adlam-Burnett collection of historical keyboard instruments, Finchcocks, Goudhurst, Kent, 1974-1975
℗ 1976 Decca Music Group Limited
Discs 19 and 20
Recording Locations: Knole House, Kent, 28 April 1981 Ham House, Surrey, 7-9 May 1981 Fitzwilliam Museum, Cambridge, 11 May 1981
℗ 1981 Decca Music Group Limited
Tracks 1-1 to 1-23 originally released as Philips 446 081-2, 1995.
Track 1-24 originally released on Philips 454 047-2,1996.
Tracks 2-1 to 2-16 and 3-1 to 3-34 originally released as L'Oiseau-Lyre DSDL 713, 1983.
Tracks 4-1 to 4-34 originally released as L'Oiseau-Lyre 444 3392, 1995.
Tracks 5-1 to 5-15 originally released as L'Oiseau-Lyre DSLO 504, 1976.
Tracks 5-6 to 5-20 and 6-1 to 6-16 originally released as L'Oiseau-Lyre DSLO 527, 1977.
Tracks 6-17 to 6-25 and 7-10 to 7-17 originally released as L'Oiseau-Lyre DSLO 550, 1980.
Tracks 7-1 to 7-9 originally released as L'Oiseau-Lyre DSLO 534, 1978.
Tracks 8-1 to 8-12 originally released as L'Oiseau-Lyre DSLO 561, 1981.
Tracks 8-13 to 8-22 and 9-1 to 9-9 originally released as L'Oiseau-Lyre DSLO 590, 1982.
Tracks 9-10 to 9-28 and 10-1 to 10-16 originally released as L'Oiseau-Lyre 414 173-1, 1985.
Tracks 10-17 to 10-23 originally released as L'Oiseau-Lyre SPA 544, 1979.
Tracks 5-1 to 10-23 also released as a compilation in box set Decca 475 529-2, 2004.
Tracks 11-1 to 11-12 originally released as L'Oiseau-Lyre 444 449-2, 1995.
Tracks 12-1 to 12-10 originally released as L'Oiseau-Lyre DSLO 601, 1982.
Tracks 13-1 to 13-8 originally released as L'Oiseau-Lyre DSLO 503, 1974.
Tracks 14-1 to 14-12 originally released as L'Oiseau-Lyre DSLO 502, 1974.
Tracks 15-1 to 15-23 originally released as L'Oiseau-Lyre 436 7612, 1993.
Tracks 16-1 to 18-12 originally released as box set L'Oiseau-Lyre D29D 4, 1976.
Tracks 19-1 to 20-9 originally released as L'Oiseau-Lyre D261D2, 1981.
Editor's Note: | character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Disc 1
Recording location: St. John's, Smith Square, London, August, 1994.
℗ 1995 Universal International Music BV
Disc 2
Recording location: Forde Abbey, Somerset. October, 1982.
℗ 1983 Decca Music Group Limited
Disc 3
Recording location: Recording Location: Walthamstow Assembly Hall, London, September, 1992
℗ 1994 Decca Music Group Limited
Publisher: Oxford University Press
Disc 4
Edited by Margaret Laurie & Andrew Pinnock for the Purcell Society.
Recording Location: Walthamstow Assembly Hall, London, July 1994
℗ 1995 Decca Music Group Limited
Discs 5 to 10
A collection of the complete incidental music by Henry Purcell.
Recording locations: All Saints, Petersham; St George the Martyr, Holborn; Kingsway Hall, London, March 1974-November 1983
℗ 1976, 1977, 1980, 1981, 1982, 1985 Decca Music Group Limited
Disc 11
Recording location: Emmanuel College, Cambridge, February/August 1994
℗ 1995 Decca Music Group Limited
Disc 12
Recording location: Christ Church, Flood Street, London, May, 1979
℗ 1982 Decca Music Group Limited
Disc 13
Recording location: All Saints' Church, Petersham, Surrey, 17-19 Sept 1973
℗ 1974 Decca Music Group Limited
Disc 14
Recording location: Finchcocks, Goudhurst, Kent, 17-19 April 1973
℗ 1974 Decca Music Group Limited
Disc 15
Recording location: Walthamstow Assembly Hall, London, 13-15 April 1992.
℗ 1993 Decca Music Group Limited
Discs 16, 17 and 18
Recording Location: The Adlam-Burnett collection of historical keyboard instruments, Finchcocks, Goudhurst, Kent, 1974-1975
℗ 1976 Decca Music Group Limited
Discs 19 and 20
Recording Locations: Knole House, Kent, 28 April 1981 Ham House, Surrey, 7-9 May 1981 Fitzwilliam Museum, Cambridge, 11 May 1981
℗ 1981 Decca Music Group Limited
Tracks 1-1 to 1-23 originally released as Philips 446 081-2, 1995.
Track 1-24 originally released on Philips 454 047-2,1996.
Tracks 2-1 to 2-16 and 3-1 to 3-34 originally released as L'Oiseau-Lyre DSDL 713, 1983.
Tracks 4-1 to 4-34 originally released as L'Oiseau-Lyre 444 3392, 1995.
Tracks 5-1 to 5-15 originally released as L'Oiseau-Lyre DSLO 504, 1976.
Tracks 5-6 to 5-20 and 6-1 to 6-16 originally released as L'Oiseau-Lyre DSLO 527, 1977.
Tracks 6-17 to 6-25 and 7-10 to 7-17 originally released as L'Oiseau-Lyre DSLO 550, 1980.
Tracks 7-1 to 7-9 originally released as L'Oiseau-Lyre DSLO 534, 1978.
Tracks 8-1 to 8-12 originally released as L'Oiseau-Lyre DSLO 561, 1981.
Tracks 8-13 to 8-22 and 9-1 to 9-9 originally released as L'Oiseau-Lyre DSLO 590, 1982.
Tracks 9-10 to 9-28 and 10-1 to 10-16 originally released as L'Oiseau-Lyre 414 173-1, 1985.
Tracks 10-17 to 10-23 originally released as L'Oiseau-Lyre SPA 544, 1979.
Tracks 5-1 to 10-23 also released as a compilation in box set Decca 475 529-2, 2004.
Tracks 11-1 to 11-12 originally released as L'Oiseau-Lyre 444 449-2, 1995.
Tracks 12-1 to 12-10 originally released as L'Oiseau-Lyre DSLO 601, 1982.
Tracks 13-1 to 13-8 originally released as L'Oiseau-Lyre DSLO 503, 1974.
Tracks 14-1 to 14-12 originally released as L'Oiseau-Lyre DSLO 502, 1974.
Tracks 15-1 to 15-23 originally released as L'Oiseau-Lyre 436 7612, 1993.
Tracks 16-1 to 18-12 originally released as box set L'Oiseau-Lyre D29D 4, 1976.
Tracks 19-1 to 20-9 originally released as L'Oiseau-Lyre D261D2, 1981.
Barcode and Other Identifiers
- Barcode (Printed): 0 28948 23259 8
- Barcode (Scanned): 028948232598
- Matrix / Runout (CD1): 483260 12 A00 Sony DADC [Universal logo]
- Mastering SID Code (CD1, CD2, CD3, CD5, CD6, CD7, CD10, CD12, CD16, CD17, Cd18): IFPI L552
- Mould SID Code (CD1): IFPI 94KB
- Matrix / Runout (CD2): 4823261 13 A00
- Matrix / Runout (CD5): 4823264 12 A00 Sony DADC [Universal logo]
- Mould SID Code (CD5, CD7, CD14): IFPI 94K1
- Matrix / Runout (CD6): 4823265 12 A00 Sony DADC [Universal logo]
- Mould SID Code (CD2, CD4, CD6, CD9, CD13, CD18, CD20): IFPI 946P
- Matrix / Runout (CD3): 4823262 12 A00 Sony DADC
- Mastering SID Code (CD3, CD15, CD19): IFPI 94K2
- Matrix / Runout (CD4): 4823263 13 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD7): 4823266 12 A00 Sony DADC [Universal logo]
- Mastering SID Code (CD4, CD7, CD11): IFPI L553
- Mould SID Code (CD7, CD16): IFPI 942L
- Matrix / Runout (CD8): 4823267 12 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD9): 4823268 21 A00 Sony DADC [Universal logo]
- Mastering SID Code (CD9): IFPI L551
- Matrix / Runout (CD10): 4823268 21 A00 Sony DADC [Universal logo]
- Mould SID Code (CD10, CD11): IFPI 94K4
- Matrix / Runout (CD11): 4823270 13 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD12): 4823271 12 A00 Sony DADC [Universal logo]
- Mould SID Code (CD12, CD17): IFPI 94KA
- Matrix / Runout (CD13): 4823272 15 A00 Sony DADC [Universal logo]
- Mastering SID Code (CD13, CD14, CD15, CD19, CD20): IFPI L555
- Matrix / Runout (CD14): 4823473 15 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD15): 4823274 15 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD16): 4823275 22 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD17): 4823276 12 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD18): 4823277 12 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD19): 4823418 15 A00 Sony DADC [Universal logo]
- Matrix / Runout (CD20): 4823419 15 A00 Sony DADC [Universal logo]
- SPARS Code: ADD
- SPARS Code: DDD
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