Pink Floyd – The Dark Side Of The Moon
Label: | Harvest – Q4 SHVLA.804, Harvest – Q4▫SHVLA▫804 |
---|---|
Format: | |
Country: | Australia |
Released: | |
Genre: | Rock |
Style: | Art Rock, Psychedelic Rock, Classic Rock |
Tracklist
A1 | Speak To Me | 1:10 | |
A2 | Breathe | 2:47 | |
A3 | On The Run | 3:31 | |
A4 | Time | 7:05 | |
A5 | The Great Gig In The Sky | 4:47 | |
B1 | Money | 6:23 | |
B2 | Us And Them | 7:48 | |
B3 | Any Colour You Like | 3:25 | |
B4 | Brain Damage | 3:50 | |
B5 | Eclipse | 2:06 |
Companies, etc.
- Published By – Penjane
- Made By – EMI (Australia) Limited
- Recorded At – Abbey Road Studios
- Record Company – The Gramophone Co. Ltd.
Credits
- Artwork [Sleeve Art By] – George Hardie N.T.A.*
- Backing Vocals – Barry St John*, Doris Troy, Leslie Duncan*, Liza Strike
- Bass Guitar, Vocals, Synthesizer [Vcs3], Effects [Tape], Lyrics By [All Lyrics By] – Roger Waters
- Design [Sleeve Design By], Photography By – Hipgnosis (2)
- Engineer – Alan Parsons
- Engineer [Assistant] – Peter James
- Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright
- Mixed By [Supervisor] – Chris Thomas
- Percussion, Effects [Tape] – Nick Mason
- Producer – Pink Floyd
- Saxophone – Dick Parry (tracks: B1, B2)
- Vocals – Clare Torry (tracks: A5)
- Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour
- Written-By – Gilmour* (tracks: A2 to A4, B3), Mason* (tracks: A1, A4, B3), Wright* (tracks: A2, A4, A5, B2, B3), Waters* (tracks: A2 to A4, B1, B2, B4, B5)
Notes
Released in a gatefold sleeve. First pressings will be issued in a laminated sleeve and repressings are identified by the regular sleeves.
Includes two fold-out posters.
Printed Quadraphonic under cat# back of outer gatefold sleeve.
Tracks A1 and A2 are listed according to the sleeve; on the label they are listed as:
1: (a) Speak To Me
(b) Breathe in the Air
Sleeve:
Recorded at Abbey Road Studios, London
between June 1972 and January 1973
℗ 1973
[Harvest logo]Trade Mark of The Gramophone Company Ltd
A company of the EMI Group
E.M.I. (Australia) Limited (incorporated in N.S.W.)
Made and Printed in Australia
Labels:
The Gramophone Co Ltd
℗ 1973
An E.M.I. Record
Made in Australia by E.M.I. (Australia) Limited
1st Australian quadraphonic issue.
Note on Credits:
Though not detailed in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.
Includes two fold-out posters.
Printed Quadraphonic under cat# back of outer gatefold sleeve.
Tracks A1 and A2 are listed according to the sleeve; on the label they are listed as:
1: (a) Speak To Me
(b) Breathe in the Air
Sleeve:
Recorded at Abbey Road Studios, London
between June 1972 and January 1973
℗ 1973
[Harvest logo]Trade Mark of The Gramophone Company Ltd
A company of the EMI Group
E.M.I. (Australia) Limited (incorporated in N.S.W.)
Made and Printed in Australia
Labels:
The Gramophone Co Ltd
℗ 1973
An E.M.I. Record
Made in Australia by E.M.I. (Australia) Limited
1st Australian quadraphonic issue.
Note on Credits:
Though not detailed in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.
Barcode and Other Identifiers
- Matrix / Runout (Side A label): QHVL804A
- Matrix / Runout (Side B label): QHVL804B
- Matrix / Runout (Variant 1: Side A runout groove pressed): QHVL 804 A-2
- Matrix / Runout (Variant 1: Side B runout groove pressed): QHVL 804 B-2
- Matrix / Runout (Variant 2: Side A runout groove hand-etched): QHVL 804 A-3
- Matrix / Runout (Variant 2: Side B runout groove hand-etched): QHVL 804 B-3
- Matrix / Runout (Variant 3: Side A runout groove pressed): QHVL 804 A-2
- Matrix / Runout (Variant 3: Side B runout groove pressed): QHVL 804 B-1
- Matrix / Runout (Variant 4: Side A runout groove pressed): QHVL 804 A-3
- Matrix / Runout (Variant 4: Side B runout groove pressed): QHVL 804 B-3
- Matrix / Runout (Variant 5: B is hand-etched, remainder is pressed): QHVL 804 B-2
Other Versions (5 of 1379)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Dark Side Of The Moon (LP, Album, Winchester Pressing, Wly Mastering, Gatefold) | Harvest | SMAS-11163 | US | 1973 | ||
Recently Edited | The Dark Side Of The Moon (LP, Album, Stereo, Circle on Back, Gatefold) | Harvest, EMI Electrola | 1 C 062-05 249 | Germany | 1973 | ||
Recently Edited | The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) | Harvest | 3C 064-05249 | Italy | 1973 | ||
The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) | Harvest | 3C 064-05249 | Italy | 1973 | |||
Recently Edited | The Dark Side Of The Moon (LP, Album, Repress, Stereo, Gatefold) | Harvest, Harvest | 5C 062-05249, 5C062-05249 | Netherlands | 1973 |
Recommendations
Reviews
- Edited 5 months agoFinally I get a copy in almost mint condition, definitely, if you don't have an SQ decoder and a system with 4 speakers, run and get one. Yes Iknow everybody it’s talking about The 2024 mix in Dolby Atmos that’s impeccable and ultra clean, but this one has a lot of soul and that authentic little-made-up sound that contrasts with the modern mix, let's say that this one doesn't sound like an Instagram filter
- Edited 6 months agoAs an owner of multiple copies of DSOTM, including the MFSL half-speed mastered, a copy from a small intermediate run between the 1st and 2nd UK pressings, a very early US pressing and a beautiful sounding German pressing (trust me: German pressings are fantastic, very underated), this Australian pressing is i think the best-sounding in my collection. To my ears, and on my system, anyway
- I bought this for $25 bucks. It sounded terrible. Now on possibly my 7th clean, and it just keeps getting better! Was going to buy a Japanese pressing but not going to bother. Sounds bloody fantastic. The register and clocks...
- Save yourself some money and just get this instead of the overpriced UK quad, this sounds exactly the same.
Fantastic - As someone who went deaf as a teenager listening to the CD, the mix here is subtly different and does present a better soundstage than the digital version. Glad I was able to get this.
- Edited 3 years agoThis record is absolutely mind-blowing. It smashes my 30th Anniversay cut to pieces. The biggest craziest 3D soundstage ever! Also dead silent vinyl after a good clean. So, so, so good!!!!
- Listening to it now and it still sends chills down my spine. The sound/mix is really incredible, even if you only have a 2 speaker stereo system.
Release
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