The Netherlands Bach Society, Jos Van Veldhoven, J.S. Bach* – Mass In B Minor - Hohe Messe
Label: | Channel Classics – CCS SA 25007 |
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Format: | 2 x SACD, Hybrid, Album, Deluxe Edition, Boxed Set with Hardcover Book |
Country: | Netherlands |
Released: | |
Genre: | Classical |
Style: | Baroque |
Tracklist
I. Missa | |||
Kyrie | |||
1-1 | Kyrie Eleison | 10:35 | |
1-2 | Christe Eleison | 5:00 | |
1-3 | Kyrie Eleison | 3:40 | |
Gloria | |||
1-4 | Gloria In Excelsis | 1:35 | |
1-5 | Et In Terra Pax | 4:22 | |
1-6 | Laudamus Te | 3:57 | |
1-7 | Gratias Agimus Tibi | 2:40 | |
1-8 | Domine Deus | 5:25 | |
1-9 | Qui Tollis Peccata Mundi | 3:07 | |
1-10 | Qui Sedes Ad Dexteram Patris | 4:19 | |
1-11 | Quoniam Tu Solus Sanctus | 4:35 | |
1-12 | Cum Sancto Spiritu | 3:30 | |
II. Symbolum Nicenum | |||
Credo | |||
2-1 | Credo In Unum Deum | 1:58 | |
2-2 | Patrem Omnipotentem | 1:50 | |
2-3 | Et In Unum Dominum | 4:36 | |
2-4 | Et Incarnatus Est | 3:02 | |
2-5 | Crucifixus | 3:22 | |
2-6 | Et Resurrexit | 3:22 | |
2-7 | Et In Spiritum Sanctum | 5:19 | |
2-8 | Confiteor | 4:08 | |
2-9 | Et Expecto Resurrectionem | 2:00 | |
III. Sanctus | |||
2-10 | Sanctus | 4:42 | |
IV. Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem | |||
2-11 | Osanna In Excelsis | 2:20 | |
2-12 | Benedictus, Qui Venit | 4:31 | |
2-13 | Osanna In Excelsis | 2:20 | |
Agnus Dei | |||
2-14 | Agnus Dei | 5:10 | |
2-15 | Dona Nobis Pacem | 3:08 |
Companies, etc.
- Recorded At – Waalse Kerk Amsterdam
Credits
- Alto Vocals – Daniel Lager (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Elena Pozhidaeva (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8, 2-9, 2-11, 2-13, 2-15), Matthew White (6) (tracks: 1-1, 1-3 to 1-5, 1-7, 1-9, 1-10, 1-12 to 2-6, 2-8 to 2-11, 2-13 to 2-15)
- Bass Vocals – Donald Bentvelsen (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Matthew Baker (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Peter Harvey (tracks: 1-1, 1-3 to 1-5, 1-7, 1-9, 1-11 to 2-2, 2-4 to 2-11, 2-13, 2-15)
- Bassoon – Benny Aghassi, Tomasz Wesolowski*
- Cello – Lucia Swarts
- Conductor – Jos Van Veldhoven
- Double Bass – Robert Franenberg
- Flute – Doretthe Janssens, Marten Root
- Harpsichord – Pieter Jan Belder*
- Horn – Teunis van der Zwart
- Oboe – Luise Baumgartl, Martin Stadler, Peter Frankenberg
- Organ – Siebe Henstra
- Soprano Vocals – Amaryllis Dieltiens (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Dorothee Mields (tracks: 1-1 to 1-5, 1-7, 1-8, 1-12, 2-1 to 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Johannette Zomer (tracks: 1-1 to 1-7, 1-9, 1-12 to 2-2, 2-4 to 2-6, 2-8 to 2-11, 2-13, 2-15), Klaartje Van Veldhoven (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Lauren Armishaw (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Marieke Steenhoek (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15)
- Tenor Vocals – Charles Daniels (2) (tracks: 1-1, 1-3 to 1-5, 1-7 to 1-9, 1-12 to 2-2, 2-4 to 2-6, 2-8 to 2-13, 2-15), Immo Schröder (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15), Simon Wall (2) (tracks: 1-1, 1-3 to 1-5, 1-7, 1-12, 2-2, 2-4, 2-6, 2-8 to 2-11, 2-13, 2-15)
- Timpani – Peppie Wiersma
- Trumpet – Andreas Bengtsson (2), Leif Bengtsson, PO Lindeke*
- Viola – Staas Swierstra
- Violin – Annelies van de Vegt*, Johannes Leertouwer, Paulien Kostense, Pieter Affourtit, Sayuri Yamagata
Notes
Recording Date December 2006.
The Museum Catharijneconvent Utrecht has selected some 80 works depicting liturgical objects, the mass, and communion from its extensive repertoire of liturgical art to illustrate the Mass in b minor.
The Museum Catharijneconvent Utrecht has selected some 80 works depicting liturgical objects, the mass, and communion from its extensive repertoire of liturgical art to illustrate the Mass in b minor.
Reviews
- I allow myself to listen to Bach's Mass in B minor only once every five years. This is because I am a coward who avoids weeping. The performance under the direction of Otto Klemperer shakes the foundations from the first syllable of the Kyrie. For Bach to hear such music within, his soul had to be a vast cathedral. You don't have to be religious for the B minor Mass to drop you to your knees in awe. The intricate polyphonies go to work until one stands before the profound mystery of the unfolding universe, the unfathomable depths of the human soul, and a deep desire to be forgiven, repaired, restored. Listening to the Mass the other night, a strange thought occurred to me: the time may well be upon us when people can listen to the B minor Mass without feeling anything stirring, anywhere, now that we're turning ourselves to stone.
https://www.youtube.com/watch?v=3FLbiDrn8IE
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