Adam Beyer – Remainings III
Label: | Drumcode – DC20,5 |
---|---|
Format: | Vinyl, 12", Limited Edition, 45 RPM |
Country: | Sweden |
Released: | |
Genre: | Electronic |
Style: | Techno |
Tracklist
A | DK Remix 1 (D) | 5:04 | |
B | DK Remix 2 (K) | 7:13 |
Companies, etc.
- Lacquer Cut At – The Exchange
- Pressed By – MPO
Credits
- Lacquer Cut By – Nilz*
Notes
Printed in 4000 copies and only available for one week through Prime Distribution.
Barcode and Other Identifiers
- Matrix / Runout (Etched side A): MPO DC 20-5 A1 NILZ - THE EXCHANGE
- Matrix / Runout (Etched side B): MPO DC 20-5 AA1 NILZ - THE EXCHANGE
Other Versions (2)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Remainings III (2×12", 33 ⅓ RPM) | Drumcode | DC20 | Sweden | 2000 | ||
Remainings III Remixes (7×File, MP3, 320 kbps) | Drumcode | DC60 | Sweden | 2009 |
Recommendations
Reviews
- Very interesting for fans of Murder Was The Bass. Both mixes here can show definite genesis towards that anthem.
What was in the water in Sweden in the early 00s? Whatever it was, it was good for Techno :P - A1 is very similar to the Air Frog "Bon Voyage" 12" from the same time but even better.
Pressing is very good and ultra loud, my norm-level soundcard overdrives when digitizing. - This one is a proper winner, such a drive and force.. raw power. I can't decide if I like the A or B side the most, they both are killers in their own ways. the A-side is pretty straight forward, with just a few breaks in between to interrupt the flow and give some dynamics. The B-side on the other hand is a little more dynamic, and the altered bassline works even better than the original. Menacing and unforgiving, this bassline will even make the dubstep heads go wild as it tears the house down. One of the highlights from the Drumcode catalogue for sure
- Edited 18 years agoThis was the first Drumcode I ever bought and it makes me wish I was paying attention to this label all along. This record delivers the 1991 'Ardkore sound by sampling the drum loop from Quadraphonia's "Quadraphonia" only its used very little. The main bassline itself sounds as if its trying to sound like Cybersonik "Technarchy" which is even cooler. As retro as this record sounds, it manages to sound completely fresh and upfront. If your a collecter of Drumcode, I can tell you that this one is worth tracking down.
- This record doesn't ask, it just gets you moving and bouncing as you were a puppet in a storm. astounding dancefloorkiller pumping bass into your veins and letting your body produce amphetamine on its own. Fabulous drums sounding like chopping trees in the woods. Great Stuff!
Release
For sale on Discogs
Sell a copy39 copies from $6.57
Videos (17)
EditLists
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