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Conjoint – Earprints
Label: | Source Records (2) – 991234 |
---|---|
Format: | CD, Album |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Abstract, Future Jazz, Downtempo |
Tracklist
1 | Earprint Nr1 | 1:34 | |
2 | Strange Ideas | 6:02 | |
3 | Earprint Nr2 | 1:00 | |
4 | Walk On! | 2:52 | |
5 | Earprint Nr3 | 2:40 | |
6 | Four.Nine | 8:18 | |
7 | Earprint Nr4 | 1:22 | |
8 | La Pluie Et La Seine | 3:56 | |
9 | Earprint Nr5 | 1:06 | |
10 | The Joint | 4:59 | |
11 | New York Mary Disaster | 7:07 | |
12 | Born Under A Rhyming Planet At The Foot Of The Odenwald | 5:19 | |
13 | Earprint Nr6 | 0:48 | |
14 | Bar Rock | 3:18 | |
15 | Earprint Nr7 | 1:54 | |
16 | Instructions | 4:10 | |
17 | Deductions (Who Can Get Me The Phone# For Mark Hollis Or Tim Friese Greene?) | 1:50 | |
18 | Earprint Nr8 | 1:01 | |
19 | Die Implosion Des Sterns (... Und Das Absolute Nichts Danach) | 6:31 | |
20 | No Balls | 8:10 |
Companies, etc.
- Copyright © – Source Records (2)
- Distributed By – EFA – 02564
- Recorded At – reSource Heidelberg
- Mixed At – reSource Heidelberg
- Glass Mastered At – DADC – A0100310845-0101
Credits
- Clarinet – Christoph Reimann (tracks: 6, 8, 17, 20)
- Drum Programming – David Moufang (tracks: 11, 14, 16, 19, 20), Jamie Hodge (tracks: 2, 6, 11)
- Guitar – David Moufang (tracks: 8, 14), Gunter Ruit Kraus* (tracks: 4, 7, 11 to 13, 16, 19, 20)
- Mastered By – David Moufang
- Oboe – Anna-Lena Fiedler (tracks: 5, 6, 15, 17)
- Programmed By [Logic Audio] – David Moufang (tracks: 1 to 16, 18 to 20), Jamie Hodge (tracks: 2, 6, 11), Jonas Grossmann (tracks: 1, 3, 5, 7, 9, 13, 15, 18)
- Synthesizer – David Moufang (tracks: 1, 6, 11, 14, 16, 19, 20), Jamie Hodge (tracks: 11), Jonas Grossmann (tracks: 4, 12)
- Vibraphone – David Moufang (tracks: 1, 5, 14, 15, 18), Karl Berger (tracks: 1 to 4, 6 to 8, 11, 12, 14, 16, 20)
Notes
Recorded and mixed at reSource Studio, Heidelberg
Made in EU.
Made in EU.
Barcode and Other Identifiers
- Barcode (Text): 7 1875 025642 3
- Barcode (String): 718750256423
- Matrix / Runout: [DADC logo] A0100310845-0101 11 A1
- Mastering SID Code: IFPI L551
- Mould SID Code: IFPI 94W3
- Rights Society: GEMA
- Label Code: LC 05696
Other Versions (5)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Earprints (2×LP) | Source Records (2) | 991234 2xLP | Germany | 2000 | ||
New Submission | Earprints (2×LP, Promo, White Label) | Source Records (2) | 991234 | Germany | 2000 | ||
New Submission | Earprints (2×LP, Limited Edition, Clear) | DDS | DDS028 | UK | 2018 | ||
New Submission | Earprints (2×LP) | DDS | DDS028 | UK | 2018 | ||
New Submission | Earprints (20×File, WAV, Album, Reissue, 24-bit 44.1 kHz) | DDS | DDS028 | UK | 2018 |
Recommendations
Reviews
Conjoint, a sort of jazz and techno supergroup, offers a post-rock jazz odyssey with EARPRINTS. "Strange Ideas," for instance, settles into an easygoing groove immediately, buoyed by an effortless vibraphone and a loping beat, with an electronic throb running underneath. The tracks wander about, never firmly alighting on one specific sound or theme, but drift pleasantly. "La Pluie et La Seine" is as pleasant as a stroll along the titular river, while "The Joint" has as close to a 4/4 beat as you'll get here, a hushed tick track gurgling underneath the guitar. "New York Mary Disaster" seems to rocket in from a space station lounge, and "Bar Rock" is the love song of a robot trapped in a seedy dive bar. The short "Deductions" is all woodwinds, and the various interstital "Earprints" link the pieces together in sometimes abstract conjunctions. "No Balls" ends the album on a floating, dreamy note and closes the journey on a blissful note.