2562 ‎– Aerial

Tectonic ‎– TECCD004
CD, Album


1 Redux 4:42
2 Morvern 4:52
3 Moog Dub 4:37
4 Channel Two 5:28
5 Techno Dread 5:32
6 Basin Dub 4:53
7 Greyscale 5:04
8 Enforcers 5:49
9 Kameleon 5:35
10 The Times 4:44

Companies, etc.



All tracks written and produced in 2562, The Hague/NL.

Comes in a standard Jewelcase.

© & ℗ Multiverse Ltd 2008.

Barcode and Other Identifiers

  • Barcode: 5 060096 473473
  • Matrix / Runout: TECCD004 A833009-01
  • Label Code: LC 14609
  • Mastering SID Code: IFPI L573
  • Mould SID Code: IFPI 9723

Other Versions (4 of 4) View All

Cat# Artist Title (Format) Label Cat# Country Year
TEC021 2562 Aerial(2x12", Album) Tectonic TEC021 UK 2008 Sell This Version
TECCD004 2562 Aerial(CDr, Album, Promo) Tectonic TECCD004 UK 2008 Sell This Version
DDCB-12008, AWDR 008 2562 Aerial(CD, Album) AWDR/LR2, AWDR/LR2 DDCB-12008, AWDR 008 Japan 2008 Sell This Version
TEC021 2LP 2562 Aerial(12", EP, TP) Tectonic TEC021 2LP UK 2008 Sell This Version



Add Review



March 1, 2009
Twenty-five sixty-two is not just a postcode in The Netherlands' Den Hague - it is also an alias of its resident who is a prolific producer of dubstep, techno, and broken beat atmospherics. Dave Huismans's first full length release on Tectonic under 2562 moniker is titled Aerial. Tectonic is the same label that previously brought you the 12-inchers from Pinch, Skream, and Cyrus. On Aerial, Huismans layers dubbed out minor chords on top of the blowing wind of white noise and deep sub-bass enriched syncopated beats. The rhythm bounces between a Detroit-meets-Berlin techno sound and reverb heavy dubstep, creating tunes geared more towards home listening then as the fillers on the dance floor [not that hearing these tracks booming on a loud sound system would be unappealing].With his own personal style, Aerial is more of an album then a compilation of singles. The tracks work well together, wrapped around the concept the same way Burial delivered the unmistakable sound of Untrue. One thing for sure - this isn't the sound of London. That is to say, that it seems to have more in common with minimal dub techno then the filthy bass ridden dubstep hooks. Both styles are excellent - just depends what you're in the mood for at the moment. And this very instant, I need to be chilled out and at the same time warmed up, keeping the evil grin away. At the end everything is just a matter of taste. And there's only one way for you to find out.For more music from Huismans, check out his two side projects: a few EPs on Subsolo Records as A Made Up Sound; and earlier released jazzy broken beat EPs on the Dutch Flyin' High Records under Dogdaze alias. Recommended if you want to hear dubstep with some Modern Love and Basic Channel feel.