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The StrokesRoom On Fire

Label:

RCA – 82876 55497-1, BMG – 82876 55497-1

Format:

Vinyl, LP, Album, Matte Sleeve

Country:

US

Released:

Genre:

Rock

Style:

Alternative Rock, Indie Rock

Tracklist

A1What Ever Happened?
A2Reptilia
A3Automatic Stop
Music ByA. Hammond*, J. Casablancas*
Words ByJ. Casablancas*
A412:51
A5You Talk Way Too Much
A6Between Love & Hate
B1Meet Me In The Bathroom
B2Under Control
B3The Way It Is
B4The End Has No End
B5I Can't Win
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Companies, etc.

  • Copyright ©BMG
  • Published ByThe Strokes Band Music
  • Manufactured ByBMG Distribution
  • Distributed ByBMG Distribution
  • Recorded AtTMF Studios
  • Mastered AtSterling Sound
  • Pressed ByUnited Record Pressing

Credits

  • A&RSteve Ralbovsky
  • Arranged ByThe Strokes
  • Art DirectionBrett Kilroe
  • BassNikolai Fraiture
  • DrumsFab Moretti*
  • Engineer [2nd Engineer]Will Kelly
  • Engineer [Head Engineer]Toshikazu Yoshioka
  • GuitarAlbert Hammond Jr., Nick Valensi
  • ManagementWiz Kid Management
  • Management [Managed By]Ryan Gentles
  • Mastered ByGreg Calbi, Steve Fallone
  • Other [Sensei]J.P. Bowersock
  • PaintingAnselm Kiefer, Peter Phillips (10)
  • Photography ByColin Lane (2)
  • ProducerGordon Raphael
  • VocalsJulian Casablancas
  • Words By, Music ByJ. Casablancas* (tracks: A1, A2, A4 to B6)

Notes

This version came with a matte cover.
The otherwise similar Room On Fire came in a glossy sleeve.

Comes with colored lyric inner sleeve.

This album is dedicated to the memory of Aaron Wilkinson.

Recorded at TMF Studios in NYC / Mastered[...] at Sterling Sound, NY / Published by The Strokes Band Music (ASCAP) / Managed [...] - Wiz Kid Management
The painting of "War/Game by Peter Phillips is Copyright © Peter Phillips. Used with permission and courtesy of Zoe Phillips. Peter Phillips, "War/Game," 1961, oil and wood, overall: 84 x 60" (213.36 x 152.4 cm), Albright-Knox Art Gallery, Buffalo, New York, Gift of Seymour H. Knox Jr., 1964.
The painting "Spiritual Heroes of Germany" by Anselm Kiefer is Copyright © 1973 Anselm Kiefer. Used with permission of Anselm Kiefer and courtesy of Gagosian Gallery.

© 2003 BMG / Manufactured and Distributed by BMG Distribution, a Unit of BMG Music, 1540 Broadway, New York, New York 10036-4098

Barcode and Other Identifiers

  • Barcode (Text): 8 2876 55497-1 4
  • Barcode (Scanned): 828765549714
  • Pressing Plant ID (Runouts):
  • Rights Society: ASCAP
  • Matrix / Runout (Runout, variant 1, side A): 82876-55497-1 A RE Ⓤ
  • Matrix / Runout (Runout, variant 1, side B): 82876-55497-1 B RE Ⓤ
  • Matrix / Runout (Runout, variant 2, side A): 82876-55497-1 A III RE Ⓤ
  • Matrix / Runout (Runout, variant 2, side B): 82876-55497-1 B RE Ⓤ
  • Matrix / Runout (Runout, variant 3, side A, etched): 82876 55497-1-A²-RE-1 Ⓤ
  • Matrix / Runout (Runout, variant 3, side B, etched): 82876 55497-1B²-RE-1 Ⓤ
  • Matrix / Runout (Runout, variant 4, side A): 82876 55497-1-A3-RE-1 Ⓤ
  • Matrix / Runout (Runout, variant 4, side B): 82876 55497-1B²-RE-1 Ⓤ

Other Versions (5 of 63)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Room On Fire (CD, Album, Copy Protected)RCARCA 82876 56969 2Europe2003
Recently Edited
Room On Fire (LP, Album)Rough TradeRTRADELP130UK & Ireland2003
Recently Edited
Room On Fire (CD, Album)Rough TradeRTRADECD130UK2003
Recently Edited
Room On Fire (CD, Album, Cinram, Richmond Pressing)RCA82876 55497-2US2003
Recently Edited
Room On Fire (CD, Album)RCA82876 57233-2Australia2003

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Reviews

  • syedafridiqbal's avatar
    I am quite sure the dynamic range was intentionally squashed to give it a lofi feel. This is evident from the hihat sound (it overpowers or is on the same level as other louder instruments at times). However, it doesn’t sound super harsh like many brick-walled records from this era.

    The separation is not as impressive as their later albums but this a mixing choice (nothing to do with mastering).

    As far as mastering, it still sounds better than what I hear on stream services. It sounds less compressed on vinyl and overall has higher fidelity.

    • wongtong's avatar
      wongtong
      Edited 7 months ago
      My pressing sounds really good. This sounds « raw » which does this album justice. Great record.
      • manastopolis's avatar
        manastopolis
        Side B of my copy had a second center label stuck on which ripped right off… kinda weird but the record sounds great
        • MarquisSmith's avatar
          MarquisSmith
          My copy bought in 2003 has more punch than VMP version.
          • blaketucker's avatar
            blaketucker
            I recently bought this and it appears there was a misprint because my record had the “Side B” label print on both sides yet it plays the entire album. Just curious if anyone else’s copy came like this?
            • PapaMaku's avatar
              PapaMaku
              A little bit of surface noise and the soundstage could be wider. However, this lends itself to the lo-fi aesthetic. Clear vocals and great instrumental clarity.
              • ricstultz's avatar
                ricstultz
                I bought my copy way back when it came out and it has the glossy cover. I can confirm this is the og pressing. Sounds ok, nothing to write home about.
                • warsperfume's avatar
                  warsperfume
                  I bought (cheaply) a sealed copy of this in 2014 which matches the matrix for this entry. I'm going to assume it's been repressed several times since 2003..no way is mine 13 years old.
                  • SpinningEndlessly's avatar
                    This sounds so great on vinyl.
                    Whatever happened, Strokes?

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